Hogwarts Houses for Gay Rights
Pride Month - June 2017
Please reblog if you use! Thanks!
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@raventyper-blog
Hogwarts Houses for Gay Rights
Pride Month - June 2017
Please reblog if you use! Thanks!
Third Person Omniscient
A step away from the more common “limited” viewpoint, omniscience places the narrator in a position of all-knowing and all-seeing power. The narration can easily jump from MC Martha to Love Interest Lucy to George the Cashier, within the same chapter and often without page breaks. As readers, we can effectively see things from the point of best perspective or the point of best action, even if the best perspective is a bird flying overhead or Generic Soldier #1. Not every character will get a complete arc, but each head you get inside should still have a distinctive personality. It’s a hard line to balance, since you’ve got the narrative voice on top of a unique character voice. It’s not difficult to give a unique voice to your main characters, but not every generic onlooker should sound the same, either.
The perspective allows you to follow the action. If Martha gets knocked out, instead of time jumping to when she wakes up, you can shift into Lucy’s head for a bit. You’re not even limited to the main characters—you can easily get into the villain’s head and let us know what they have planned. This can, however, make it hard to give a good plot twist. This will usually shift your story’s focus to not be on the twist itself, but how they deal with the results.
The narrator might foreshadow upcoming events, either of importance or not. It adds a level of dramatic irony (where you know more than the characters). And really, be careful just to hint. The narrator might already know how things end, but you don’t want to give things away if it’s important.
Often the narrator has its own voice. Many times when I see 3rd person omniscient narrators, they use their all-seeing powers to pop into the heads of random characters as an opportunity for comic relief. They might make fun of characters, or offer their own opinions on the events. The characters have no idea that this all-seeing narrator is following their thoughts and actions, so again, dramatic irony.
The perspective allows characters to inspect each other, which makes relationships and possible relationships less suspenseful. Instead of being stuck in Martha’s head the entire time, wondering if Lucy likes her or not, the narrator can very easily switch to Lucy and give an insight about her feelings towards Martha. 3rd person omniscient is very common in romance novels for this reason. It ups the tension knowing they both like each other, but neither will admit it. The tension comes in their personal struggle to act or not act on their desires.
Examples of sentences you might read in third person omniscient:
A woman across the street saw the teenager disappear into the wormhole, but paused only a minute. She blinked. A trick of the eyes, she decided. Besides, she was already late for work.
Grug the goblin scurried away to do his master’s command, pleased that his expertise would finally be recognized. He’d get a promotion for this—all he had to do was kill some overrated girl with a sword. But Grug had a lot to learn about girls with swords.
Genres typically told in this tense:
High Fantasy, especially when there is an emphasis on fight scenes. Each fighter can react and size up the other’s movements, and appreciate each other’s skills. (The Legend of Drizzt series by RA Salvatore)
Romance. Like stated before, there’s tension in knowing what each side wants, and then knowing why they won’t act on it. Plus, romances generally cater towards a female audience. This POV allows readers into the more familiar woman’s perspective as well as the man’s romantic thoughts towards her. You can read all the romantic things your man never says out loud, but still thinks about!
Anything can be told in this POV, but make sure there’s a reason for it. Since the default storytelling mode is 3rd person limited, there should be purpose in straying from that.
If you want to write in this perspective, read plenty of books written in it. Here are a handful of book recommendations in 3rd person omniscient to get your started: Downsiders by Neal Shusterman, Artemis Fowl by Eoin Colfer, The Legend of Drizzt series by RA Salvatore. The first two link to book reviews with a creative writing analysis, both of which talk more about the narrative voice and ways to successfully implement a 3rd person omniscient narrative.
An overview of the other points of view.
–E
Legit Writing Tips #1: Quick Editing
To put it quite simply, editing is boring. And slow. And mind numbing. And frustrating. And long. Here’s a checklist to make it a little bit easier.
Write It. Then Don’t Touch It: Finish the scene, story, novel, paragraph, vignette, prompt, or chapter, then stop. Take a step away from your computer (or notebook. Hardcore) and leave it alone. There’s no hard and fast rule for how long, but the idea is to literally forget as much of what you just wrote as possible. The more you read the same thing over and over, the more your brain skips over what you think you already know, and that means you will forget things. Lots of things. So leave it alone.
Spell-check: This should be the most obvious thing in the world, but if you haven’t, run the whole thing through a spellchecker. You may have turned it off so you don’t see red lines under things you know are spelled correctly. Yes, thank you spell-check, I understand that my made up fantasy names seem to trigger something in you, but tone down the enthusiasm.
Run it through again anyway. See red, squiggly line? Fix it. Run it through a grammar checker. Still see lines? Fix it. Then get Microsoft Word or something with a built in spell-check. Seriously.
Focus on one thing at a time: Focus on dialogue on the first run through, then do description next, punctuation after that, etc. Pick one thing to focus on for each pass so you don’t get distracted or confused. Create your own checklist of things to keep an eye out for and do a run through every once and a while.
Check for repetitiveness: Make sure your sentences and paragraphs don’t start with the same word/letter. If you can say the same thing in less words, do it. If the character says something twice in a row, cut it out. If two sentences in a row starts with the same letter, adjust it. Same with paragraphs. Vary sentence and paragraph length, as well. Occasionally, you’ll have dialogue or description that naturally falls this way, this is fine, just don’t make a habit of it, and be aware of it.
Watch your dialogue tags: How many times has your character ‘laughed’ or 'sighed’ or 'smiled’ in this chapter? This leans into the repetitiveness we talked about above. Use new words. Get them to do new things. Don’t just add for the sake of adding, but adjust accordingly.
Change how you read it: As stated above, the more you read your story, the less you see of it. Change the font size, or the font itself. Print the story out on paper (not really applicable for novels). Change the color of the font in your favorite word processor and mark problems in red, good passages in blue, things that need to stay in green, etc.
Keep notes as you write: This doesn’t help unless you’ve done it before you’ve started editing, but it’s helpful during edits. Keep track of everything. Add them everywhere. “Sarah has green eyes.” “John doesn’t like peas”. “Need to figure out a name for a town” “Need name for background character #7”, etc. That way you can write without needing to stop at every little question, and you can go back to make sure you stay consistent and Sarah doesn’t change eye color mid story.
Make your description match your scenes: Action scenes don’t need big words and flowing prose. Make it quick, concise, and urgent. Romance scenes and historical novels can take more description. Add all five senses. Describe more. Describe less. Make it work for what you’re writing. Give them different voices for dialogue. Make then all sound different and have distinctive tones.
Quick Checklist:
Put the story away and wait.
Fix all major spelling and punctuation problems.
Clean up the format (not majorly, just paragraph and sentence length and dialogue).
Go over notes. Adjust accordingly. Make more notes.
Make sure you have a good opening line.
Make us love (or hate) the characters accordingly.
Start close enough to the good stuff so it’s interesting, but not confusing.
Make your description match your scenes.
Make your dialogue match your characters.
Create conflict. Once you think you have enough, create more.
Cut out any and all dead spaces in your novel. Be brutal. Characters, dialogue, whole chapters. If it doesn’t fit, or make the story go forward in terms of plot, cut it. Don’t delete it though, create a document and save all your bits and pieces.. They could go in something else or spark some more ideas.
Make sure there’s enough to keep the reader engaged.
Fix all plot holes and add in back story.
Add in foreshadowing.
Make sure the story arc makes sense and ends with a satisfying climax. Now that you’ve done all that, you’re ready for peer feedback! Find a good writing workshop, either in person or online, and post your newly edited story. You’ll get even more help and feedback and it will help polish up any and every part of your story. Plus you’ll get insight and ideas you’ve never even thought of.
What sort of questions should I be asking my beta readers?
QUESTIONS TO ASK YOUR BETA READERS:
When I send out my chapter to be read over by my beta readers, I always include a set of questions typed out at the bottom, grouped into different categories such as: plot, pacing, character, setting, etc.
You might want to tailor the questions depending on the genre or which chapter it is. For example, if it’s the first chapter you’ll want to ask them about how well your story managed to hook them, or if they managed to easily get an idea of the world you’ve introduced them to. If it’s the climax you might want to ask if the action scenes are fluid, and if the plot twist/s were predictable or surprising.
Here’s some example questions that you could use:
Opening Chapter:
What is your first impression of the main character? Do you find them likable? Annoying? Boring?
After reading it for the first time, what is your first impression? Was it cohesive and compelling? Boring and confusing?
Did the first sentence/paragraph/page efficiently grab your attention and hook you in?
If you were to read this chapter in a bookstore/library would you be convinced to buy it? Or would you need to read further before deciding? Why or why not?
Did you get oriented fairly quickly at the beginning as to whose story it is, what’s going on, and where and when it’s taking place? If not, what were you confused about at the beginning?
Does the first chapter establish the main character efficiently? Do they feel believable?
Characters:
Could you clearly imagine what the characters looked like? If not, who?
Who was your favourite character and why? Has your favourite character changed? (if this hasn’t changed feel free to skip this question)
Are there any characters that you do not like? Why do you not like them? (Boring, annoying, problematic, etc.)
Was there ever a moment when you found yourself annoyed or frustrated by a character?
Could you relate to the main character? Did you empathise with their motivation or find yourself indifferent?
Were the characters goals/motivations clear and understandable?
Did you get confused about who’s who? Are there too many characters to keep track of? Are any of the names or characters too similar?
Do the characters feel three-dimensional or like cardboard cutouts?
How familiar have you become with the main characters? Without cheating could you name the four main characters? Can you remember their appearance? Can you remember their goal or motivation?
Dialogue:
Did the dialogue seem natural to you?
Was there ever a moment where you didn’t know who was talking?
Setting/world-building:
Were you able to visualize where and when the story is taking place?
Is the setting realistic and believable?
How well do you remember the setting? Without cheating, can you name four important settings?
Genre:
Did anything about the story seem cliche or tired to you? How so?
Did anything you read (character, setting, etc.) remind you of any others works? (Books, movies, etc.)
Plot/pacing/scenes:
Do you feel there were any unnecessary scenes/moments that deserved to be deleted or cut back?
Do the scenes flow naturally and comprehensively at an appropriate pace? Did you ever feel like they were jumping around the place?
Was there ever a moment where you attention started to lag, or the chapter begun to drag? Particular paragraph numbers would be very helpful.
Did you ever come across a sentence that took you out of the moment, or you had to reread to understand fully?
Was the writing style fluid and easy to read? Stilted? Purple prose-y? Awkward?
Did you notice any discrepancies or inconsistencies in facts, places, character details, plot, etc.?
Additional questions:
What three things did you like? What three things did you not like?
Can you try predicting any upcoming plot twists or outcomes?
Was there ever a moment when your suspension of disbelief was tested?
Is there anything you’d personally change about the story?
Was the twist expected or surprising? Do you feel that the foreshadowing was almost nonexistent, or heavy handed?
Feel free to tailor these to your needs or ignore some of them if you don’t think they’re useful. Basically, your questions are about finding out the information about how others perceive your own writing and how you can improve your story.
Have a question you want answered?
Ambient sounds for writers
Find the right place to write your novel…
Nature
Arctic ocean
Blizzard in village
Blizzard in pine forest
Blizzard from cave
Blizzard in road
Beach
Cave
Ocean storm
Ocean rocks with rain
River campfire
Forest in the morning
Forest at night
Forest creek
Rainforest creek
Rain on roof window
Rain on tarp tent
Rain on metal roof
Rain on window
Rain on pool
Rain on car at night
Seaside storm
Swamp at night
Sandstorm
Thunderstorm
Underwater
Wasteland
Winter creek
Winter wind
Winter wind in forest
Howling wind
Places
Barn with rain
Coffee shop
Restaurant with customers
Restaurant with few customers
Factory
Highway
Garden
Garden with pond and waterfall
Fireplace in log living room
Office
Call center
Street market
Study room from victorian house with rain
Trailer with rain
Tent with rain
Jacuzzi with rain
Temple
Temple in afternoon
Server room
Fishing dock
Windmill
War
Fictional places
Chloe’s room (Life is Strange)
Blackwell dorm (Life is Strange)
Two Whales Diner (Life is Strange)
Star Wars apartment (Star Wars)
Star Wars penthouse (Star Wars)
Tatooine (Star Wars)
Coruscant with rain (Star Wars)
Yoda’s hut with rain ( Star Wars)
Luke’s home (Star Wars)
Death Star hangar (Star wars)
Blade Runner city (Blade Runner)
Azkaban prison (Harry Potter)
Hogwarts library with rain (Harry Potter)
Ravenclaw common room (Harry Potter)
Hufflepuff common room (Harry Potter)
Slytherin common room (Harry Potter)
Gryffindor common room (Harry Potter)
Hagrid’s hut (Harry Potter)
Hobbit-hole house (The Hobbit)
Diamond City (Fallout 4)
Cloud City beach (Bioshock)
Founding Fathers Garden (Bioshock)
Things
Dishwasher
Washing machine
Fireplace
Transportation
Boat engine room
Cruising boat
Train ride
Train ride in the rain
Train station
Plane trip
Private jet cabin
Airplane cabin
Airport lobby
First class jet
Sailboat
Submarine
Historical
Fireplace in medieval tavern
Medieval town
Medieval docks
Medieval city
Pirate ship in tropical port
Ship on rough sea
Ship cabin
Ship sleeping quarter
Titanic first class dining room
Old west saloon
Sci-fi
Spaceship bedroom
Space station
Cyberpunk tearoom
Cyberpunk street with rain
Futuristic server room
Futuristic apartment with typing
Futuristic rooftop garden
Steampunk balcony rain
Post-apocalyptic
Harbor with rain
City with rain
City ruins turned swamp
Rusty sewers
Train station
Lighthouse
Horror
Haunted mansion
Haunted road to tavern
Halloween
Stormy night
Asylum
Creepy forest
Cornfield
World
New York
Paris
Paris bistro
Tokyo street
Chinese hotel lobby
Asian street at nightfall
Asian night market
Cantonese restaurant
Coffee shop in Japan
Coffee shop in Paris
Coffee shop in Korea
British library
Trips, rides and walkings
Trondheim - Bodø
Amsterdam - Brussels
Glasgow - Edinburgh
Oxford - Marylebone
Seoul - Busan
Gangneung - Yeongju
Hiroshima
Tokyo metro
Osaka - Kyoto
Osaka - Kobe
London
São Paulo
Seoul
Tokyo
Bangkok
Ho Chi Minh (Saigon)
Alps
New York
Hong Kong
Taipei
I want to write a novel where the protag is actually the bad guy but I (and she) keep the secret until the last chapter after she killed the antagonist (she was the good guy, trying to stop her) but I want my readers when I reveal their past together in the sequel to feel sorry about the antagonist. How can I already made them like her while making her looking bad without giving away the "big reveal" and so, giving them the envy to know more about her?
Before getting into this, I want to clear up a couple of things. First, the protagonist, main character and hero are not the same thing. In most stories they are the same character, but not always and for different reasons. In very simple terms the main character is the character the one on which the narrative is focused, the one who is telling the story or through whose perspective we get the story. The hero is the character that we all want to cheer for because they are the morally virtuous one, they are the most talented and deserving, we grow to love them or some other reason. The protagonist is the one that actually moves the story forward through their actions and decision. This is different from the MC because even though the MC could be telling the story and we get the whole thing from their perspective, they may not be the one involved in most of the action and growth throughout the plot. Think of stories that begin “Let me tell you about my best friend Billy. When we were growing up…” the narrator is the MC but the protag is Billy.
As I said before, these are usually all the same character and for the purpose of general discussion we don’t really stress the difference that much, but I thought it would be interesting to bring up in this case. Also, notice that none of these really necessitate the character to be the good guy. It’s really all in the interpretation. Remember that everyone is the hero (and MC and protag) of their own story, and that includes the villain. Maybe your character truly believes that blowing up that island of orphaned babies will save their business from going under and that it is a perfectly reasonable trade off. Look at any of history’s biggest baddies and you’ll see that they weren’t just crazy, villainous overlords—they legitimately believed that whatever cause they were fighting for and the means they were using were the right thing to do. They were wrong, but in their eyes the “good guys” were wrong and they were the enemies, the villains, the antagonists.
So this brings me to answering you’re actual question (sorry for rambling so long but trust me, there was a point to all of this). Your MC is likely still going to be the protagonist by the end since they are still the one that moved the plot forward and the “good guy” (let’s call them the GG) is the antagonist as they posed an obstacle to this forward march. Again, virtue here doesn’t matter, only who is doing what and who is being a thorn in their side. What you need to change in your reader’s eyes is who they consider to be the hero. Even though the hero doesn’t technically mean virtuous, it is something that most people take into consideration when they are backing a hero. The hero can, and should, have flaws that can make them morally ambiguous, like Liam Neeson’s character in Taken. Even though he shoots and tortures just a few people in his search for his daughter, he’s still the hero because damn it the man just wants to save his daughter from the horrors of human trafficking and he’s killing criminals (mostly) not orphaned babies. But what if he was?
You need to destroy the faith that the reader’s have in the MC. Show what a monster they are and why they were actually in the wrong the whole time. I was exaggerating with the baby thing. Maybe your MC lied and stole the GG’s one chance to go to college and achieve their dreams, so you could show that GG actually worked hard to earn it and planned to do something good while the MC cheated and is going to use the opportunity for something terrible. I don’t know, the point is, there is a difference between between “morally ambiguous hero” and just “total horrible human being that nobody should like” and you need to make readers see that difference. Take what was making readers back the character and show them why they were wrong to do so, or better yet, show them how the character tricked them into believing in them. At the same time, you can show why those traits actually belonged to the GG the whole time so the readers can see who the true hero was they should have been supporting. It’s all in how you spin things.
The best example I can give you is that once upon a time a glorious, charismatic man promised his economically and emotionally ruined country that he would fix everything by removing the greedy back stabbers among them and raise up the truly pure back to the heights that they deserved. What a champion of the people, a true national hero! It just turned out that he meant murdering millions of people, including babies.
Spell Writing Tips for Beginners
Hello Lovelies!
So you’ve decided to write a spell, great! Everyone has the capacity and capability to write a working spell. This is a list of some beginner tips for new spell writers, or for experienced writers who feel they need to go back to the basics.
1. Don’t be afraid of your own style.
Some spells are super flowery with long words and Shakespearian phrases. Some spells require 18 ingredients and 3 days to cast them. Some spells require specific times to cast them and the perfect astrological conditions. Some spells are simple, consisting of a single phrase. Don’t be afraid of your own individual style. A spell written by you, for you, should be a personal experience. Just because your spell doesn’t flow a certain way doesn’t mean it’s “wrong” or won’t work. Spell writing is a form of self expression and each spell will be as individual and unique as the person writing it.
2. Don’t think too much.
Spell writing (for me anyway) is more of a spiritual experience than an intellectual one. I usually sit down with my pen and paper. Then I meditate for a minute thinking about what I want to achieve. Then I just let the words flow out onto the paper, without thinking about what it all means. You can always read it after and make adjustments. If you just sit down and let it happen, you may be surprised by what you come up with!
3. Make your own associations.
Don’t feel like you have to research the meaning of every ingredient or color that you use. I may think red is a color for lust while you see it as a color for anger. Both associations are right. If something doesn’t feel right to you, or you personally feel different about something. It’s ok to use an ingredient in a different way than what is “traditional”.
4 Do research on any ingredients you use.
This may seem contradictory to my last tip, but this time I’m talking about physical properties. Will your gemstone dissolve in water? Is that herb you want to use toxic? Could you have an allergy to that essential oil? It’s important to do your research because some of the ingredients used in spell craft can be very potent. 5. Have fun!
If spell writing is stressing you out, try taking a break and coming back to it later. Whatever energy you have while writing your spell is going to show up in the casting of your spell. If you’re angry while writing a healing spell, it probably won’t work as well as you wanted it to. Don’t get frustrated with yourself. You’re new at this it will take some time. Just have patience with yourself.
I hope these tips are helpful for any new spell writers! Happy writing! -Liz
this brings a whole new vision
Remember in 1993 when Jurassic Park was like…the end all, be all of special effects?
not gonna lie that still looks intimately real
I’m still somewhat convinced that someone sold their soul to create the special effects in Jurassic Park because that shit is over 20 years old and it still really, really holds up, better than the stuff in a lot of current movies, even.
Fucking witchcraft, man.
fucking look at this shit though
Literally see this post flying around with a few different responses added to the bottom each time so I’ll say it for this one myself:
THEY ACTUALLY BUILT A GIANT MASSIVELY DETAILED FUCKING ANIMATRONIC T-REX FOR ALL OF THIS THAT’S WHY THE EFFECTS ARE SO GOOD. CAUSE IT AIN’T CGI. AND IT AIN’T GUY IN A COSTUME. IT’S A BIG FUCKING ROBOT DINOSAUR. AND EVERY PART IS DESIGNED TO MOVE. IT COST LIKE HALF THE BUDGET OF THE FILM.
amazing
And they had the film it in small increments, especially in the outdoor scenes, because the rain fall kept soaking into the ‘skin’ of the rex and would slow down and mess up its movements. So they would stop filming and have a crew out there drying off this massive, fake dinosaur, and then they’d start filming again until it was too wet. Repeat until the end of the scene.
They used animatronics and detailed costumes for most if not all of the dinosaurs in the first movie.
The triceratops for instance, was also animatronic.
And the raptors were dudes in suits. I shit you not.
One of my favorite anecdotes I’ve read on tumblr is how the t-rex robot from Jurassic park would malfunction while it was drying out. How did it malfunction, you might wonder?
Motherfucker randomly started moving.
So apparently if you were on the jp set you would sometimes hear people screaming bloody murder even though they were all well aware that it was a giant animatronic puppet and wouldn’t actually, you know, eat them.
(link to said post about malfunctioning t-rex)
Did not know this, had to reblog for awesome movie history insights.
So, I knew about the animatronics bit but I did not know the raptors were guys in suits and the malfunctioning t-rex sounds terrifying.
And i just googled malfunctioning t-rex and was not disappointed. Apparently in order to put the skin on over the steel frame a guy had to crawl inside the t-rex while it was turned on and glue the skin down. And if somebody turned the t-rex off or the power went out the guy in the t-rex stood a very real chance of getting mangled and killed by the hydraulics.
So of course, the power goes out.
And this guy is still in there gluing the skin down.
Apparently the way to survive getting sheered to death by huge sheets of metal while you’re inside a giant t-rex robot is to curl into a ball and hope for the best.
And this guy hoped for the best and got it.
Some other people on stage pried open the t-rex jaws and glue guy crawled out of its mouth and was totally okay.
This is getting better and better.
I think they only had like 6 minutes of CGI
I’m just waiting for the T-Rex to come to life and leave its stand.
@spinosaurus-the-fisher is this the kind of content you love?
Realism comes at a cost, it seems.
i mean ok but why has nobody posted this:
It’s a three piece raptor suit.
Old movies had the best special effects
The thing about this that gets my special effects nerd going is the fact that EVERY single dinosaur was sculpted by artists based on the current existent archeological evidence of the time.
@jurassicparkandrecreation
@shepfax
Even better than that, this movie ADVANCED our best understanding of dinosaurs at the time. They were blowing out a budget bigger than anything Hollywood had ever seen, and along with employing almost the last hurrah of incredible physical FX, they had a bank of those newfangled digital SFX computers. Nobody’d ever really created convincing dinosaurs in a movie before. It’d all been stop-motion animation, and even when the models were exquisitely crafted, you could just tell there was something OFF about them. Spielberg wanted THE BEST DINOSAURS EVER, and he figured on using the cutting edge of digital modeling and animation technology to build them for him.
So they got hold of some of the best paleontologists they could find and said, “We want you guys to take this tech that your labs could pretty much never afford and use it to build us the most realistic, accurate dinosaur models the world has ever seen.”
The paleontologists knew an opportunity when it bit them in the ass. They plugged in everything they knew about dinosaurs, all the skeletons and their best guesses about soft tissue and all that. And when they’d created those dinosaur models, they had the computer start moving them as they realistically would with anatomy like that. One guy took a look at those walking t-rexes and velociraptors (really utahraptors, but whatevs, fam), and he said, “Wait a minute, I’ve seen movement like that before.”
He called up film of a chicken walking. Everyone in the room said, “Holy shit.”
Prior to 1989, the idea that birds were descended from dinosaurs existed–we knew about archaeopteryx, we knew there was some minor connection there–but the idea that DINOSAURS LIVE IN THE MODERN WORLD AND THEY ARE CALLED BIRDS was not pre-eminent. Jurassic Park changed our scientific understanding of dinosaurs.
That paleontologists’d be Kevin Padian. Who is awesome.
https://en.wikipedia.org/wiki/Kevin_Padian
This post just gets better and better with time
Hi! I got an anonymous ask asking to share photos of my bullet journal set up! I tried about 5 times to get pictures that were in the same spot and the same lighting but damn it is difficult. I ended up shooting these going page by page so hopefully that is okay! I’ll list the pages I included since I missed a couple out because they’re just headers at the moment and I’ll put in brackets ones that I’ll add when my semester starts:
2017 overview
2017 objectives (personal/health/social/academic/blog/career) + bullet journal key/legend
blog post ideas (this blog and my main @styleselection #shamelessselfpromo)
printable ideas
motivational quotes
movies/tv shows to watch
books to read
expenses (more like ‘treat yo self items’)
wishlist
january overview/month breakdown
weekly spread (monday 01 jan-today)
(semester timetable - my classes, teachers, lecture + tutorial times)
(grade tracker)
(assignment date checklist)
(readings checklist)
At the back of the bullet journal, I have lined paper for note-taking or jotting random things down. I love having space to write important information so that will be useful. Plus I have to specifically get my English relatives to ship me the grid paper so I don’t want to waste it for random notes! At the very end I’ve got to-do list pages where I can note down things for assignments or for over the weekend. Also the little grey thing in the left corner of the second photo, it a task pad which slots into the discs and just gives you another space for writing down bits and bobs when you need to be quick!
Hope this is useful. I’m happy to do a more in-depth post or a review of the notebook system, if anyone is interested. Just let know in a message or reply! x
My dream notebook and I love the set up
hello, stunning people, I see a lot of new studyblrs, or new bullet journal users, that don’t know what to add on their new bullet journal, so I decided to give you some ideas.
-books to read
-films to watch
-birthdays
-holidays
-road trips
-goals
-recipes to try
-music to listen
-tv shows
-calendar
-diet/meal plan
-work out plan
-places to go
-savings
-favorite blogs
-bucket list
-comics
-songs
-quotes
-handwriting practice
-planner routine
-blog ideas
-schedule
-wishlist
-index
-studyblr ideas
-waiting for list (if you order stuff form the internet)
-your own personal bullet key
-study tips
-washi tape collection
-swatches
-photos
-inspiration
-fashion/outfits
-habit tracker
-grades
-mood chart
-school notes
-study guides
in my case I add my
-favorite spells
-wiccan studies
-pendulum techniques
slytherin girls tapping their matte black nails impatiently on the desks, waiting for charms to be over so they can fix their roots, fiddling with the laces of their worn out combat boots, applying perfect winged eyeliner without even trying, scrawling their name in sharpies on the bottoms of their desks, wearing shorts in the dead of winter because they could, sending each other bad selfies in the middle of the night, perfecting the messy bun, dorms filled with old polariods and louboutins and old sweaters strewn everywhere
hufflepuff girls having kitchen raids at two in the morning, wearing ridiculously oversize yellow sweaters, using dry shampoo much too often, wearing the most glittery highlighters, perfecting curled ombre hair, using up whole packs of polaroid film at once, leaving nice notes on everyone’s bed, wearing ripped tights because why not, always laughing in the hallways, playing muggle music on old record players and dorms filled with all kinds of plants and cacti
gryffindor girls having the perfect dutch braids, all taking baths in the prefects bathroom at the same time, dancing in the rain, snapping their gum loudly, watching old films in the common room, perfecting the red lip, doing dares that seem stupid in the morning, playing muggle soccer on the quidditch pitch, group chats with every gryffindor girl, wearing red ponchos that are obnoxiously loud when you move, dorms draped in gold and covered in lights and always having enough snacks laying around
ravenclaw girls having study sessions and always writing the most beautiful notes, perfecting their sharp eyebrows, watching netflix when they’re supposed to be studying, making their own perfumes, running around in the hallways after curfew, having a flawless instagram feed, wearing tattered and ripped jeans, annotating books until they were covered in notes, brewing their own skin treatments, dorms filled with stacks of books and to do lists and covered in blue lights
@a5ginger @clueingforlooksinthetardisdw @unbelievablesinkingship
A Ravenclaw's Deepest Needs and Wants
Wants: • A typewriter • A quill/fountain pen • A pocket watch • A chalkboard • A private library
Needs: • Money to buy these things • A life
I have two of the wants and possibly getting a third for Christmas if not sooner
are you a ‘i haven’t slept in three weeks’ ravenclaw or a ‘i haven’t been awake for three consecutive hours this week’ ravenclaw
INTJ| Ravenclaw| 5w4 aesthetic
Ravenclaw INFP Aesthetic
@a5ginger
Gryffindor: Ravenclaw you look like a person who play chess in her free time?
Ravenclaw: No, I do not.
Hufflepuff (overhears): She's more of a Scrabble person and very pretentious when she's playing.
Ravenclaw: That is outrageous I...
Hufflepuff (Continues): She will scoff at your word choice. Totally ignore her set of rules and use the word "poop" to win the game.
Slytherin (turns page): That's my girl.