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New Post has been published on Raw Images Design
New Post has been published on http://rawimagesdesign.com/jesus.html
Jesus
There he is again, we all know him know him when we see him, it’s Jesus. This image, like so many paintings and photos through the ages is dominated by Jesus in his familiar place on the crucifix. And yet, this photo doesn’t seem to be about Him at all. This isn’t an image that asks us to ponder the mysteries of salvation or even to revolt against the perceived hypocrisies of organized religion. Here, the rapture of the artist in a creative frenzy is paramount to anything else.
This image is not about religious response, it is about the moment of excitement we all feel when we witness a rare moment of creation. It is what the devine and the artist have in common: creation. We marvel not only at the end result, but at the process, a sort of magical voodoo that defies most of our understandings. Here we glimpse the ecstasy of that moment, when blank wall becomes living canvas and tells our psyche a story. But it’s a story told in code, and each viewer must decipher it for himself. Our reaction to the iconography is temporarily irrelevant, it can’t compare to the rush of watching the artist’s vision come to life before our eyes.
-text by Gwendolyn Guza
New Post has been published on Raw Images Design
New Post has been published on http://rawimagesdesign.com/home.html
Home
There he is again, we all know him know him when we see him, it's Jesus. This image, like so many paintings and photos through the ages is dominated by Jesus in his familiar place on the crucifix. And yet, this photo doesn't seem to be about Him at all. This isn't an image that asks us to ponder the mysteries of salvation or even to revolt against the perceived hypocrisies of organized religion. Here, the rapture of the artist in a creative frenzy is paramount to anything else.
This image is not about religious response, it is about the moment of excitement we all feel when we witness a rare moment of creation. It is what the devine and the artist have in common: creation. We marvel not only at the end result, but at the process, a sort of magical voodoo that defies most of our understandings. Here we glimpse the ecstasy of that moment, when blank wall becomes living canvas and tells our psyche a story. But it's a story told in code, and each viewer must decipher it for himself. Our reaction to the iconography is temporarily irrelevant, it can't compare to the rush of watching the artist's vision come to life before our eyes.
-text by Gwendolyn Guza
Much can be said about our fascination with celebrities. We emulate them, idolize them, obsess on the details of their wardrobes and their love affairs. They are somehow both so alien and so familiar; simultaneously as mysterious as a language we don’t speak and as predictable our best friend of twenty years. We may never have met them but we feel we know them intimately.
It is upon these very public figures that we project our best qualities, they are the heros and princesses of our E Television fairytales. Yet, we also love to demonize the rich and mighty, enjoying their flaws and struggles with the sadistic pleasure of a pack of eighth grade bullies.
Who captures these contradictions and polarities in sentiment better than Michael Jackson? We may laugh at the absurdity of a MJ impersonator but our reaction says more about our own ideas and presumptions than they do about this controversial man. Do you remember him as a young music prodigy with an angelic voice and dance moves that defy gravity, or as the MTV megastar “The King of Pop,” or perhaps as a criminal and abuser preying on the weak and trusting? In this image, if we look beyond the sparkle on the surface, we can see our own assumptions about celebrity, about a man we only think we know. The truth, like the man, is neither black nor white, but rather an illusion, a construction, a trick we play on ourselves every time we “love” or “hate” a star be it Jackson or Kardashian.
- text by Gwendolyn Guza