An oldie but goodie. Great tips for writers who are beginning to write smut.Â
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An oldie but goodie. Great tips for writers who are beginning to write smut.Â
đŁLearning how to write dialogue is such an important & difficult task writers have. We show you writing dialogue with grammar, format, punctuation & more.
In this video, we look at yet another group of people in history that we can learn unique survival lessons from. Sootch takes a look at the 10 items cowboys might have used when traveling for days at a time.
Some research for your cowboyinâ days.
Check out the RDR Writing Critique Central community on Discord - hang out with 7 other members and enjoy free voice and text chat.
@sad-sweet-cowboah, @shootybangbang, and myself @verai-marcel have started up a discord server to connect writers together! If you're looking for feedback, help with grammar, or just want a beta reader to give your fic a once over before you unleash into the world, come join us!
Tip Tuesday | To Smut or Not to Smut
Hello, hello! Another Tip Tuesday here. I decided to talk about smut. Partly because I recently wrote the most filthy smut I ever wrote. And I loved it. So here are some tips about smut.
1. Decide if you want a plot or not. PWP or Plot What Plot/Porn Without Plot is a thing. And there is no shame in writing it. Just like there is no shame in wanting to have plot in the story. If you just want to write smut on smut, or maybe a shorter story, PWP is great.
2. Plot out the progression of the smut. You can do this in your head or on paper, but I would make sure there is a natural progression in the activities. Kissing to groping, nudity, foreplay, sex, perhaps a change in position, who is coming first, who is coming more than once. Just have a rough idea of what you want to accomplish in the scene. Things should naturally build up so to speak.
3. Decide which words you will or wonât use.  You donât have to use words you donât like. You are the writer that is your choice. I find the words âpenisâ and âvaginaâ to be very clinical. I personally donât like using the word âcuntâ (I shudder as I typed that out). It is just beyond vulgar to me to personally use but I know in other parts of the world it does not hold the same level of vulgarity as it does in America (damn our Puritan history!). Some people hate the word âcumâ or what not. Just use words that you are comfortable with because otherwise things will feel stilted and awkward.
4. Kink or not to kink? The subset question of to smut or not to smut. There is nothing wrong with a little vanilla smut. It is the bread and butter of smut. You can survive and thrive on vanilla smut. But donât be afraid of a little kink every now and then. Tie up someone. Introduce a toy. Play with power dynamics. Just make sure you warn in the trigger warnings.Â
5. Not every story needs smut. I sometimes feels like that there can be a push to put smut into all your stories. It is really not necessary. Yes smut sells/gets the readers but I think a well-written story regardless of whether it is fluff, smut, and/or angst is the best way to get the readers to read and to stay and read some more. And on the other side, it can be off-putting when it is clear that a smut scene has been forced into a story. Write the story you want to write.Â
There you go! Until next week, loves! Â
It took me forever to get the hang of starting scenes. Save yourself some time.
(Credit in Pic)
Yâall little writers go on and have fun now
Looking to spice up your writing? Tired of using the same words over and over? Help is here!
Using the appropriate vocabulary in your novel
It is very important that the language in your novel reflects the time and place in which the story is set.
For example, my story is set in Italy. My characters would never âride shotgunâ, a term coined in US in the early 1900s referring to riding alongside the driver with a shotgun to gun bandits.Â
Do your research! A free tool that I found to be very useful is Ngram Viewer.Â
You can type any word and see when it started appearing in books. For exampleâŠone of my characters was going to say âgazillionâ (I write YA) in 1994. Was âgazillionâ used back then?
And the answer isâŠYES! It started trending in 1988 and was quite popular in 1994.
Enjoy ^_^
This is really important, especially because language can change in very unexpected ways.Â
For example, did you know that before 1986 people never said âI need toâ?Instead, they were far more likely to say âI ought toâ, âI have toâ, âI mustâ, or âI shouldâ.
Donât believe me?
Anyway, most people wonât notice subtle changes like that. But your reader will notice and be confused when characters in your medieval world use metaphors involving railroads and rockets.
One of the things you can do besides use Google Ngrams is to read books or watch movies written in the time period you want to set your story. The key here is that they canât just be set in that time period, they have to have been made in that time period.
Also, thereâs a Lexicon Valley episode on this very topic which I highly recommend. Itâs called Capturing the Past.Â
SEE ALSO Etymonline.  Word origins and when theyâre first recorded. So, say I wanted to find out when a âcoffee breakâ became a thing â around the 1950s, as seen in magazine adverts â or characters might talk about more genrallly âtaking a breakâ from the 1860sâŠ
How to write about Grief:
There is no right or wrong way to experience grief. Just as there is no right or wrong way to write it. Everyone is different, each set of circumstances are different.Â
The point of this post is to show you how different people react in different ways, and give points on how you might write that, depending on your character and story.
Reactions to Grief
Numbness: Your character may go into auto-pilot and be unable to process the events that have unfolded.
Anger: This can be aimed at other people, at a Higher Being, or at nothing in particular.
Unsteady: Your characters may be unsteady. For example, unable to stop their voice from shaking or they may find it difficult to stand.
Focusing on Others: Your character may disregard their own feelings because they are so overwhelmed and instead concentrate on someone elseâs well-being.Â
Seek out routines: Amid upheavals, your character may seek comfort in tasks that are familiar and âsafe,â such as working, cleaning, making their bed, making absurd amounts of tea or taking a morning walk.
Pretending that Everything Is Okay: Grief is viewed as an emotion that should cease or be concealed once the funeral is over. So people mention the news in an offhand comment, then talk and laugh as if all is right with the world.
Denial: Some people deny the reality of death and convince themselves that the news is a joke or canât be true.
Reactions from people surrounding your character:
People may avoid your character as they do not know what to say or simply canât find the right words.
Some may even go as far as to cross the street when they notice your character approaching.
Even people that the character has known for years may act strange or standoff-ish, simply because they donât know what to say.
On the other side of that, some people may be overly helpful and friendly.
It is not uncommon for estranged friends, family or others to suddenly reappear in a personâs life after they have experienced grief.Â
Either because those people want to offer their support and love or because theyâre being nosy and they want to be kept up to date on the âdramaâ.
Most people will move on from the event fairly quickly if they werenât emotionally invested.Â
Some people may even get annoyed at your character for still being upset weeks or months later.
When talking about the person they have lost:
Your character may recall a memory or tell a story about their loved one, these are possible reactions. (I have encountered all of them.)
Your character may being to cry or get upset at the thought of the person they have lost.Â
The person they are talking to may become awkward and avert eye contact when your character brings up the person they have lost.Â
Others may ask or tell your character to stop talking about the person they have lost. They may roll their eyes, cough awkwardly, or cut off your character mid sentences so that they can change the subject.
Some people may ask inappropriate questions about the circumstances in which the characterâs loved one passed away. Depending on the personality of your character then may react differently.Â
Other things to note:
Grief is not constrained by time.Â
One of the main problems with grief in fiction is that a character is typically heartbroken for a couple scenes and then happy again. But grief does not evaporate because the world needs saving.Â
Allow your character to wrestle with their grief.Â
Your character may feel guilty. Your character may feel a twinge of guilt when they laugh or have a good time with someone else; when they do something to remind them that theyâre alive, and their loved one isnât.Â
Grief is a game changer. A previously outgoing character may withdraw and isolate themselves. Some people may take grief and/or bereavement as a sign that life is too short; they may make big decisions in an attempt to make themselves feel better and grow away from their pain.
Sometimes grief can help you find your purpose.
At first grief can be all consuming. It hurts and you canât really control it. It may seem unrelenting. Eventually the grief will become easier to deal with, your character may find the days to be better, but that doesnât mean that when the grief hits it doesnât hurt any less.
For most people, grief never really goes away. âSometimes you have to accept the fact that certain things will never go back to how they used to be.â
It is rare that a person will ever give a long speech about their feelings, a lot of people struggle to even find the words. But thatâs okay. Show the reader how your character feels, rather than just telling them.
Donât pause the plot to deal with the aspect of grief. This could overwhelm the readers and drag the pace down. In reality, life doesnât just stop due to grief, the world keeps spinning and things still need to be done. Use the characterâs grief as a backdrop for the storyâs events. Â
Yes, grief affects the characterâs day-to-day life, goals, and relationships. But it shouldnât drive readers away or stagnate the story. Instead, should engage readers and produce empathy that keeps them turning pages.
You donât need to tell your readers that everything will be fine. You donât need to provide all of the answers.
âSkirting grief and treating it lightly is easy. But by realistically portraying it through a variety of responses and its lasting effects on the characterâs life, readers will form a connection with your characters.â
I just want to let you, guys, know that itâs great idea! đ„° Thanks for your help!
Not a problem! Weâre glad to help in any way we can <3
Words to replace said, except this actually helps
I got pretty fed up with looking for words to replace said because they werenât sorted in a way I could easily use/find them for the right time. So I did some myself.
IN RESPONSE TO Acknowledged Answered Protested
INPUT/JOIN CONVERSATION/ASK Added Implored Inquired Insisted Proposed Queried Questioned Recommended Testified
GUILTY/RELUCTANCE/SORRY Admitted Apologized Conceded Confessed Professed
FOR SOMEONE ELSE Advised Criticized Suggested
JUST CHECKING Affirmed Agreed Alleged Confirmed
LOUD Announced Chanted Crowed
LEWD/CUTE/SECRET SPY FEEL Appealed Disclosed Moaned
ANGRY FUCK OFF MATE WANNA FIGHT Argued Barked Challenged Cursed Fumed Growled Hissed Roared Swore
SMARTASS Articulated Asserted Assured Avowed Claimed Commanded Cross-examined Demanded Digressed Directed Foretold Instructed Interrupted Predicted Proclaimed Quoted Theorized
ASSHOLE Bellowed Boasted Bragged
NERVOUS TRAINWRECK Babbled Bawled Mumbled Sputtered Stammered Stuttered
SUAVE MOTHERFUCKER Bargained Divulged Disclosed Exhorted
FIRST OFF Began
LASTLY Concluded Concurred
WEAK PUSY Begged Blurted Complained Cried Faltered Fretted
HAPPY/LOL Cajoled Exclaimed Gushed Jested Joked Laughed
WEIRDLY HAPPY/EXCITED Extolled Jabbered Raved
BRUH, CHILL Cautioned Warned
ACTUALLY, YOUâRE WRONG Chided Contended Corrected Countered Debated Elaborated Objected Ranted Retorted
CHILL SAVAGE Commented Continued Observed Surmised
LISTEN BUDDY Enunciated Explained Elaborated Hinted Implied Lectured Reiterated Recited Reminded Stressed
BRUH I NEED U AND U NEED ME Confided Offered Urged
FINE Consented Decided
TOO EMO FULL OF EMOTIONS Croaked Lamented Pledged Sobbed Sympathized Wailed Whimpered
JUST SAYING Declared Decreed Mentioned Noted Pointed out Postulated Speculated Stated Told Vouched
WASNâT ME Denied Lied
EVIL SMARTASS Dictated Equivocated Ordered Reprimanded Threatened
BORED Droned Sighed
SHHHH ITâS QUIET TIME Echoed Mumbled Murmured Muttered Uttered Whispered
DRAMA QUEEN Exaggerated Panted Pleaded Prayed Preached
OH SHIT Gasped Marveled Screamed Screeched Shouted Shrieked Yelped Yelled
ANNOYED Grumbled Grunted Jeered Quipped Scolded Snapped Snarled Sneered
ANNOYING Nagged
I DONâT REALLY CARE BUT WHATEVER Guessed Ventured
IâM DRUNK OR JUST BEING WEIRDLY EXPRESSIVE FOR A POINT/SARCASM Hooted Howled Yowled
I WONDER Pondered Voiced Wondered
OH, YEAH, WHOOPS Recalled Recited Remembered
SURPRISE BITCH Revealed
IT SEEMS FAKE BUT OKAY/HA ACTUALLY FUNNY BUT I DONâT WANT TO LAUGH OUT LOUD Scoffed Snickered Snorted
BITCHY Tattled Taunted Teased
But reminder, everyone, that using âsaidâ is still perfectly fine in most circumstances. These just help break up the repetition.
I am a(n):
âȘ Male
âȘ Female
đ Writer
Looking for
âȘ Boyfriend
âȘ Girlfriend
đ An incredibly specific word that I can't remember
*wakes up in the middle of the night in a cold sweat*
WAIT ITâS CALLED A THROW PILLOW
here is a super helpful website for this kinda thing!
the first result isnât always the one youâre looking for but when you press enter itâll give you a ton of words related to your query thatâll probably have what youâre wanting, or something better
hereâs some examples:
Reblog to save a writerâs sanity (the last bit thatâs left)
Ok, writers have no sanity but this will help me act sane
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