are these what the kids are calling *checks notes* magical girls?
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Aqua Utopia|海の底で記憶を紡ぐ
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@readingbyflashlite
are these what the kids are calling *checks notes* magical girls?
domestic fluff 🥰💖
(orufrey week bonus (teeny bit late🙃))
qifrey doodles
That's their freakin dad man
!!! WHA SPOILERS 93/VOL 16 !!!
snugstone test (id in alt)
My home🌟
“This is where my heart is”🧡 Olruggio is Qifrey’s home🥹 3rd DAY of Orufrey week✨
Anytime I see posts about "fire themed characters that aren't just Fierce and Angry" I feel the need to give a shoutout to my mans Olruggio. Olruggio, the witch of warmth. Olruggio of the Torch. Olruggio, creator of light. Olruggio, who invented fire that doesn't burn and still felt the need to make it safer. Olruggio, whose creations fend off the dark all around the world. Olruggio, who extracted his best friend from the cold and the damp and showed him the beauty of the surface. Olruggio, the man who will set himself on fire to keep those he loves warm. Olruggio, the sky's kindest, most radiant star.
I'm sorry, Coco
Easthies acts in a way that is 'selfless' in that he acts (from his perspective) for the good of the world, at personal cost (e.g. to the detriment of his personal relationships), but in a way that is ultimately also self-serving. Aside from his own interests in protecting his world and his life and the community he cares about, acting this way both defines and reaffirms his identity: as a righteous person, and as a Knight of Moralis. Especially considering how deeprooted but black and white his moral code is. Its rigud, it is not an evolving sense of what is right and wrong, itss detached from situational context. It is an unchanging code that allows him to act with little hesitation or remorse. It benefits him: he is relatively removed from having to have the difficult conversation of what is moral and right, and whether his actions are moral and right because of this way of thinking. His sense of self as moral and righteous goes relatively undisturbed.
Then contrast this with Qifrey, who you could say is aware and somewhat ashamed of his own 'selfishness'. He benefits from having apprentices, he benefits from making Olruggio forget, he benefits from the lead Coco provides on the brimmed caps. He decisions often are based on moral dubiousness. But that doesn't undo the good he does by way of this as a mentor, friend, ect., especially the inadvertant parts of just how he interacts with people regardless of his baggage. Even where repeatedly erasing Oru's memories is, uh, bad (?), its also Oru's prefered outcome. If anything, it is Qifrey's current and considered sense of morality that makes him aware and regretful of his 'selfishness', and that makes his actions also have a positive benefit to others. On a reflexive, moment-to-moment level, his decisions are driven by his kindness and seflessness, regardless of long term ulterior motive and benefit. He doesn't wake up every day and look his apprentices in the eyes and decide to be nice and helpful because he's scheming or whatever.
To believe you are selfless and be unaware of the benefit to yourself. To believe you are selfish despite the positive impact you have on other -
Selfish and selfless are themselves morally charged words that maybe create a false good/bad dichotomy here. The duty to those you care about, to the world, and to yourself- none of them are more important than the others, and none of them exist in a vacuum, just as your actions don't exist in a vaccuum. Actions are never purely selfish or purely selfless.
Olruggio 'selfishness' is that he cares more about protecting the people he cares about than he does about the 'greater good' or whatever else.
The girls, in how they use magic, sit between the ideas of 'selfishness' and 'selflessness' and how they are inseperable. Tetia wants to use magic explicitly to help people, and is aware of the sense of fufillment she also gains from it. Richeh is- intially - concerned with only her own magic and maintaining her identity and autonomy, and is uninterested in other people. Agott tries to prove herself using magic- at points struggling between helping people and using the oppurtunity to help people as an oppurtunity to prove herself. Coco longs to use magic, but when she finally can, she's only thinking about saving her mother... there's obviously a lot more depth that could be gone into.
I just want to thank you for providing the fandom with Great Hall Era Beldaruit, Qifrey, and Olruggio 🙂↕️ I had previously been thinking a lot about teenage Qifrey and Olruggio so to have a great artist making some content for it is awesome!
They are super cute and I love how pure and innocent their frienship is! Qifrey's innocence about how social norms are is very dear to me, even if I did not have the opportunity to draw it. I love how he can be acting like a newborn and a child of his age at the same time. Plus he is upset about what happened to him, he is lost, without any reference, which is interesting to see. What happened to him was cruel and terrible, so him being upset is very understandable. It is kind of sad (but understandable) that Beldaruit gave Qifrey a lot of freedom, as he was also learning how to take care of a lost kid. He was not well prepared, but did his best. And it worked out very well as Qifrey is a very loving person. I love how Olly got close to this little lost and traumatised boy. I think it went purely from his kindness at first (and also because he is kind of an "outsider" himself and also traumatised too) but he also loves who Qifrey is. And he doesnt care about all the rumours or the fact that Qifrey doesn't know his past and his connection to the brimhats. Olly always has been a kind, patient and observant person. I wish we could have a flash back from Olly's point of view! I am sure both of those boys see the other as their most radiant star. So I find this era very cute and angsty to draw. :) They can also be cute and angsty as adults tho!!
I love this part so much -- the way this chapter parallels qifrey with coco's mother in multiple ways, including visually here in them both draping fabric over her protectively. the way he doesn't presume to step into her mother's place, but takes on the duty of shielding coco from the cold in her absence. visually we're also placed under the safety of his wing, as it were, to witness coco's most vulnerable state, feeling with her how big and steady and safe he is in her eyes despite as readers having just seen him as a confused hurting child himself for several chapters and knowing all his foibles and missteps well after almost 100 chapters. among all the other things shirahama is a master of, these subtleties of character perspectives is one of the most devastating ones to me.
(for all of the everything going on I think qifrey is actually consistently good at making sure he maintains the role of the adult in this relationship. he recognizes coco's reflexive smile as something akin to his own masking, but he doesn't bleed his own emotions into that, he's there to support her and actually manages to do it. and he apologizes when he slips up, which is probably just as important.)
Orufrey mimi comic!
Comfort
twt post
SPOILERS BELOW CUT
orufrey
parting words (id in alt)
under read more for last 5 pages
Is this anything. behold spoilerless propaganda to watch and read witch hat atelier. go. go do it right now. do it