As for Lester Bangs, the rock journalist in “Almost Famous” (2000), nothing in Hoffman’s résumé was more wrenching than the careful, low-toned advice that Bangs dispensed over the phone, one evening, to a rookie in the same profession, steering him away from bright lights, and from the lure of loveliness. “Good-looking people, they got no spine; their art never lasts. They get the girls, but we’re smarter,” he said, adding, “The only true currency in this bankrupt world is what you share with someone else when you’re uncool.”
How could that not speak to a million moviegoers? If they embraced Hoffman with ardor, it was in part because he looked so uncool, and so unbeautiful, and because he so obviously hailed from the same tribe as they did, and because there was a kind of beauty, after all, in the flame of feeling that got stoked inside that sweaty heft and pallor. The ordinary body housed a furnace.













