instruyendo a las criaturas
untitled
Show & Tell

No title available
The Bowery Presents

shark vs the universe

#extradirty

Origami Around
h

blake kathryn
almost home

Game Changer & Make Some Noise
noise dept.

gracie abrams

❣ Chile in a Photography ❣
Aqua Utopia|海の底で記憶を紡ぐ
Lint Roller? I Barely Know Her
Sade Olutola
macklin celebrini has autism

Product Placement
todays bird

seen from United Kingdom

seen from United States

seen from Pakistan
seen from United States
seen from Malaysia

seen from Guam
seen from United Kingdom

seen from Liberia

seen from Kazakhstan

seen from Italy
seen from Colombia
seen from United States

seen from United States
seen from Bangladesh

seen from United States

seen from United States
seen from United Kingdom
seen from Bangladesh

seen from Malaysia
seen from United Kingdom
@realidad-disminuida
instruyendo a las criaturas
My first 3D model, yay :▷ Based on my old Ultrakill angel fan-concept (it is literally Powers before Fraud updade). I'm really surprised that I managed to make it that good. Though it's still not ideal, I'll slightly correct it later.
The original concept:
💬 0 🔁 4 ❤️ 52 · Ultrakill greater angels' fan-concept. According to wiki, the Powers are warrior angels who oppose evil spirits. I decide
Ben 3D Model (old)
I have since made a better model of this character.
Time to lock in Near
cosas del 2017- 2018
xD
olvide mis pendientes
Espero terminar mis pendientes-
Stephan Sinding
Adoration,1903
Orthographic frontal elevation of the reference scene, separated into distinct depth layers rendered flat with no perspective. The image is divided horizontally into three clearly separated zones stacked vertically, each rendered in true orthographic projection with no size reduction based on distance: (1) TOP ZONE: pure sky and atmosphere from the reference, (2) MIDDLE ZONE: distant terrain elements (mountains, horizon features) rendered at their actual proportional height without perspective shrinkage, (3) BOTTOM ZONE: foreground terrain, rocks and vegetation rendered at their actual proportional height. Each zone is separated by a thin gap of pure black (#000000) horizontal line to serve as a visual separator and alpha mask for compositing in 3D software. The three zones together create a layered orthographic reference sheet. No perspective distortion anywhere. Matching the reference color palette exactly. No text, no watermarks.
“Alexander McQueen”, photographed by Nick Knight for The Face April 1996.
this is probably the cutest she has ever looked.. i havent finished her face, thats usually the very last thing i work ^_^ i messed around with the shaders a bit
also if anyone is interested, this is how i get the pixelated look in a compositor:
Walton Ford “Gleipnir” 2012