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I’m all I’ve ever had.Me, myself and I. No one else.
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@realityhelix-blog
These tiny hroos are your friends?
I’m all I’ve ever had.Me, myself and I. No one else.
Amethyst Forest Witch by risaisafox featuring goth jewelry
this. this is the fall aesthetic that I want out of the dress I just bought.
Bath Magic: Where to Begin
Hey y'all, C here. Today we’ll be talking in depth about the practice of bath magic.
If you look around most traditional parts of the magical community, you’ll notice that bathing for ritual work or spell work is a fairly common practice. So what do I mean when I say that I specialize in bath magic? For me, bathing and witchcraft go hand in hand, and I do a ritual in the bath once a month at the very least. I’ve always loved the serenity and focus (not to mention complete selfishness) of taking baths, and so as I’ve grown into my craft it seemed like a natural place to draw magical energy. I find that the hot temperature of the water makes it very easy for me to get to a trance-like state (if not outright do trance work) and being naked in the water gives me a great place of vulnerability and rawness to begin any kind of spell work. T and I also use bathing in our shared craft to begin most of our major rituals, and that entails doing a cleansing bath with a special kind of locally made bath salts that we have been using since the very beginning.
So what do my bath spells usually look like? To be honest, they vary a lot based on my resources at any given moment and the purpose of the spell. There are some things that I do every time such as:
• dedicating the bath for myself by placing a talisman or crystal (or other object I carry a lot/feel represents me) on the rim of the tub
• placing candles (often in corresponding magical colors and scents) around the tub and bathroom to add to the magical energy of the space
• making sure the water drawn is hot enough to remain warm for 40+ minutes and get me to a trancing state but not too hot as to burn my skin or make it uncomfortable for me to be in the water
I also put something into the water every time I do bath magic, and in fact that is where I believe most of the magical intent is decided. This also widely varies with the type of spell. Some things I’ve done are:
• just throw in a handful of Epsom salts for a super basic cleansing. I also use these (in addition to some other ingredients) when I’m doing a real trance or astral travel or trying to communicate with a deity because they make me feel floatier in the water and therefore easier to forget my body
• put in a few drops of different kinds of essential oils based on their magical associations
• drop in some tea bags (like mint or chamomile or bags I’ve already used first for drinking) while the water is running to get a good infusion
• use bath salts that already have essential oils or herbs (or even glitter!) in the mixture. I use bath salts that I make myself, that T makes for me, and store bought and locally made mixtures, all with good results. It all depends on what I’m feeling at the time.
• use pre-made bath bombs, melts, and bubblers from Lush (although I’m sure one could use stuff like this from anywhere) based on the ingredients and names of the products. I’ve used Sex Bomb for a glamour and sex spell, Space Girl for glamour and deity exploration (I do a lot of glamours), etc.
The practice of bath magic is great because we live in a society where bathing itself is so culturally charged to be reflective and purposeful. For that reason, it is also a great way to practice your craft that is not suspicious, or questioned by people you may live with. Even at their worst, taking long baths appears only over-indulgent. But I can live with that.
-C
What spells are the strongest with the moons
New Moon - new beginnings, love, romance, health and work. Waxing Moon - inspiration, love, freedom, friendship, prosperity & happiness. Waning Moon - breaking curses, negative powers & addictions. Full Moon - strong magic, healing, wishes & predictions.
Floral Witch Ball: x
Witch Ball ingredients: Dried carnations*, dried orchid petals*, dried field roses* aka Rosa arvensis, dried buttercups*, and rosebud petals *Carnation, orchid, field roses (Rosa arvensis), and buttercups are dried by myself! The field roses and buttercups were gathered in naturally growing areas of Somerset, Massachusetts.
This is amazing video…a series of shots of rocks, minerals, crystals, and gems, spinning around due to a motion control setup and glowing under UV light. These sequences have been prepared for an upcoming episode of the TV Series NOVA.
Important People to Know: Louis Aucoc
“As the employer of René Lalique, Louis Aucoc (1850-1932) can be regarded as one of the founders of the Art Nouveau style of jewellery which made such a great impression at the Exposition Universelle held in Paris in 1900. This jewel admirably illustrates his mastery of enamelling, his use of naturalistic leaf and flower motifs, his liking for simple shapes and symmetry. It certainly offered an alternative to the conventional diamond garland style jewellery made by the great houses of Cartier, Boucheron and Chaumet and won the approval of women with artistic tastes.”
Leaf and Floral Jewel, Louis Aucoc (1850-1932). c. 1900. Gold, diamond, pearl, enamel.
Things that are not Lalique: Louis Zorra. There is not a lot of information about this chap on the interwebs except that he was from Italy, worked in Paris, and could fly a plane (thanks to a Italian pilot’s registry from the period, so I could be wrong about that bit). But this is another victim of the picspam, a fine little piece and some credit to the person who designed it.
Circa 1900, brooch with opal and pearl, gold, silver, enamel and sapphire.
Things that Are Not Lalique: Georges Fouquet.
Poor Georges. He produced such magnificent jewellery, and is permanently overshadowed. These two gorgeous orchids are both repeat offenders as far as false attribution goes. Left: Orchid brooch. Georges Fouquet (1862 - 1957). Ca 1898 - 1901. Gold, pearls, mother of pearl, pliqué à jour enamel.
Right: Orchid brooch. Georges Fouquet (1862 - 1957). Ca 1901. Gold, enamel, diamond and pearl.
Things that are not Lalique: Elizabeth Bonte. Give a lady a break. Another contemporary of Lalique, Bonte worked exclusively in carved horn. This lovely pendant is circa 1900.
Things That Are Not By Lalique: Georges Fouquet (1862-1957). ’Les Trois Crabes’. French. Circa 1900. Gold, with plique-a-jour & translucent enamel, diamonds & pearl. Length: 7cm (2.76 in) Width: 9cm (3.54 in)
I know, I know, not quite fitting with the name, but I keep seeing this one crop up in uncredited picspams with Lalique’s name on it, and it’s not a Lalique. The two men were contemporaries and drew from the same wellspring of inspiration, but Lalique is the one everyone remembers, even if Fouquet’s work is easily worth the same degree of admiration. So, let us admire!
Thinking of Landilizandra as a D&D goddess, does she have clerics? Paladins? What is their mission? What kind of divine magic or blessings does she bestow? What are her domains?
OOC: I actually put some thought into this, but I don’t have all the kinks worked out yet. I think that she would have Clerics, be a True or Chaotic Neutral Dragon Deity, and their mission would basically be to help dragonkind and their kin. They’d probably each be blessed with a dragon form, and these are some ideas I have as her domains:
Scalykind
Death
Healing
Earth/Air/Water/Fire
Vampyroteuthis Infernalis
The name translates to “Vampire squid from hell.” It is not a vampire or a squid, it is actually an octopus. The vampire squid releases bio-luminescent ‘ink’ when defending it self to confuse other animals. It also turns itself inside out when in danger.
Gray-headed Coneflower
Ratibida pinnata
Native
Photo by Claire Brewer & Stephen Brewer
Dendrobium brunneum
Syn.: Epigeneium chapaense; Sarcopodium chapaense
November 20, 2016
Landscape in agate.
This beautiful picture was taken by John Koivula of the Gemmological Institute of America, and shows inclusions of goethite and haematite (iron oxides) in a specimen from Brazil. It won first place in the 1984 Nikon small world photomicrography competition. It was taken in transmitted light with the help of fibre optic side illumination at 30x magnification. What wonderful things gems have within.
Loz