“Sadly, people hold on to the fixity of symptoms as a guarantee of consistency,” https://t.co/EJdslNa7oL
Ellie Ragland (via ellie-ragland)

JVL

Kaledo Art
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Noah Kahan
Show & Tell
Xuebing Du

PR's Tumblrdome
sheepfilms
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he wasn't even looking at me and he found me

Andulka
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tumblr dot com

❣ Chile in a Photography ❣
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Stranger Things

Product Placement
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Keni

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@rebloggingmind
“Sadly, people hold on to the fixity of symptoms as a guarantee of consistency,” https://t.co/EJdslNa7oL
Ellie Ragland (via ellie-ragland)
Peguei a #letra da música "Vuelvo al sur" - Gotan Project no @musixmatch mxmt.ch/t/1242666
Stone huts in Geiranger, Norway.
Contributed by Elwin Zuiderveld.
#NowPlaying "Common People - Full Length Version; Album Version" de Pulp de Hits
The 100 most beautiful words in English http://9gag.com/gag/aApYNqL?ref=mobile
I love your silences, they are like mine.
anais nin (via alterities)
“Let’s go up and have sex!”.. it is not just polite censorship that prevents this direct invitation. ..Coffee ..has to be mentioned to provide the fantasmatic frame for sex. [On the coffee upstairs paradigm]
“I’m not sure if I want to have sex or watch a movie, so what if we just go up and have a cup of coffee?” Why does the direct invitation for sex not work? Because the true problem is not that coffee is never fully coffee, but that sex is never fully sex, that there is no sexual relationship, which is why the sexual act needs a fantasmatic supplement.
- SLAVOJ ZIZEK
(via alterities)
Tem muita gente que não tem muita noção do seu lugar na sociedade, e acaba pensando com os preconceitos e as ideias de uma determinada classe social que ela ACHA que pertence, mas que não chega nem perto. Talvez esse gráfico do Vitor Teixeira as ajude a se localizar melhor…
A look into the absurdities of male fantasizing. A look at life as enjoyment through inner distance towards people’s enjoyments. - Andre Vantino
Belle de Jour is reminiscent of the recent film Young and Beautiful and of Lars von Trier’s ‘Nymphomaniac 1’. - Andre Vantino
A privatização da água é um sonho antigo, talvez a última fronteira do capitalismo mundial. O presidente do grupo Nestlé, Peter Brabeck, não esconde de ninguém esse desejo. Segundo ele, “a água deveria ser tratada como qualquer outro bem alimentício e ter um valor de mercado estabelecido pela lei de oferta e procura”. O primeiro passo vem sendo dado.
Não perca: ganhe 8 minutos da sua vida assistindo a este pequeno vídeo-documentário esclarecedor sobre como a indústria capitalista cria os mecanismos para nos induzir a consumir aquilo que deveria ser disponível para todos. O vídeo é sobre garrafas d’água, mas os mais espertos perceberão que a publicidade cria muitas outras necessidades inúteis, e mentir faz parte do jogo.
Superego’s basic trick consists in reproaching the subject for not living up to its high demands, while simultaneously sabotaging the subject’s efforts (or mockingly expressing distrust in the subject’s ability to do it, and then laughing at the subject’s failure).
"Kafka clearly noticed this paradox apropos of father’s demands that he should become an autonomous person who succeeds on his own. ..This is the obscene superego." - SLAVOJ ZIZEK
“there was no opportunity to distinguish oneself. ..Such an opportunity would first of all have had to be created by violence and revolutions, it would have meant breaking away from home (assuming one had had the resolution and strength to do so and that Mother wouldn’t have worked against it, for her part, with other means). But that was not what you wanted at all, that you termed ingratitude, extravagance, disobedience, treachery, madness. And so, while on the one hand you tempted me to it by means of example, story, and humiliation, on the other hand you forbade it with the utmost severity.” - FRANZ KAFKA
- The Symptom 12
(via alterities)
John Cleese rants - Soccer vs Football
Simple, beautiful & ad-free. Read the manifesto:
There is a means of return from fantasy to reality, and that is art. To begin with, the artist is an introvert, almost a neurotic. Constrained by abnormally strong impulses, he desires honor, power, wealth, fame, and the love of women; but he lacks the means to attain these satisfactions, and so, like any other unsatisfied person, turns away from reality and transfers all of his interest, together with his libido, to the wishful fantasies of his imagination, through which he may be carried actually to neurosis. Several factors must coincide if he is not to follow this course to its conclusion. In fact, it is well known how frequently artists suffer partial impairment of their powers through neurotic applications. Their constitution probably includes a strong capacity for sublimation along with a certain degree of laxity in the repressions decisive for a conflict. The artist finds the road back to reality, however, in the following way. He is, of course, not the only one living a life of fantasy. The realm of fantasy is in fact a generally patronized resort, to which every sufferer from disappointments turns for refreshment and consolation. Those who are not artists are extremely limited, however, in their ability to derive pleasure from the wells of fantasy. The ruthlessness of their repressions compels them to make do with whatever meager daydreams they may dare to allow to become conscious. The genuine artist has more at his disposal. In the first place, he knows how to rework his daydreams in such a way that everything too personal, such as others might find offensive, is eliminated, and they become thus generally enjoyable. He knows, also, how to modify them, so that their origin in the forbidden wells is not immediately betrayed. And he possesses, further, the mysterious ability to shape some particular material into a likeness of the model drawn from his fantasy. And finally, he knows how to render so much pleasure through these figurations from his unconscious that repressions are for the moment overcome and dispelled. The one who can achieve all this, thus making it possible for others to derive again refreshment and consolation from those wellsprings of their own unconscious which had become for them inaccessible, gains their thanks and admiration, and he has thus won through his fantasy what he had originally achieved only in his fantasy; namely, honor, power, and the love of women.
Sigmund Freud (via jacqueslacan)