look at that fucking gleeful "oh ho ho" shit face Ralsei makes if you turn off Flowery's voice clips
hater Ralsei is best Ralsei

Kiana Khansmith
š
taylor price
$LAYYYTER

shark vs the universe

blake kathryn

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Aqua Utopiaļ½ęµ·ć®åŗć§čØę¶ćē“”ć
2025 on Tumblr: Trends That Defined the Year
RMH
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almost home
NASA

gracie abrams
YOU ARE THE REASON
I'd rather be in outer space šø
Keni
Monterey Bay Aquarium
art blog(derogatory)

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@redchill-i
look at that fucking gleeful "oh ho ho" shit face Ralsei makes if you turn off Flowery's voice clips
hater Ralsei is best Ralsei
susie both hates sans and thinks sans is fucking funny lol
nightmares
part 2 to this everyone lives au comic (and this one also lol.) 24 pages of asgore and chara arguing over the morality of killing children as promised
More for the AUā¦
the condescending asshole is right sorry guys
i told myself i would lock in this july and then i ended up playing this game lmao. these are my personal takes on the characters etc etc let me know if you want me to draw a specific one, i guess
Fat Horse No. 20
Itās the year of the horse and Iāve always been a horse girl at heart, so Iām finally taking advantage of the excuse to fill the world with fat little horses! These felted friends are about the size (and shape!) of an apple, and if you happen to have any apples to share Iām sure theyād help you out! You know I had to make a pigeon once I decided to do a pegasus. The chest features Angelina sparkle fiber for that flash of iridescence!
This piece is SOLD but Iām already hard at work on a herd of new ones for Furrydelphia, August 7-9th!
To the bathroom, move bro
Itās not exactly pressing or an official site but have you seen hadesā page on the villain wiki. Whoever wrote that was very angry lmao
HELP ??? š
rewatched Wake Up Dead Man last night and something struck me about the scene right before the phone call with Louise.
Blanc picks up the Jesus figurine - the last piece of the box they haven't dismantled to search. And he looks up at Jud, almost asking permissionā
āwhich Jud gives immediately, because he sees where Blanc is going with that (it's hollow, there could be a clue inside).
and at first I was like. oh haha Blanc looks at the priest to get permission to smash the Jesus figurine. and then I was like. oh. Blanc looks at the priest to get permission to smash the Jesus figurine, and the priest doesn't even hesitate.
yeah, it's a cheap trinket, of course it doesn't really matter if they break it. but look at the context of the scene! Jud is getting swept away in the mystery, in Blanc's game of crime-solving, and forgetting his real priorities. As he puts it later:
Jud: IT IS A GAME! ... And by using me in it, you're setting me against my real and only purpose in life! Which is not to fight the wicked and bring them to justice, but to serve them and bring them to Christ. Otherwise I'm just as bad as Wicks, making it about me and not Jesus.
Because as we all know, the scene immediately after smashing the figurine is when Jud calls Louise. And he's impatient. He's rushing her. He's trying to get the answer, to solve the crime, and Blanc is there in the background urging him on. When Louise says, can I ask you something? his answer is if you can make it quick.
and then.
It shocks Jud out of his impatience and focus on the crime. Where before he was talking quickly and speaking over Louise, he now stops and takes his time, actually considering what to say and, more importantly, listening to her.
As she talks, Jud looks at Blanc, who is still like ?? but who, to his credit, doesn't try to rush the conversation when he sees the look on Jud's face. And then he looks at the Jesus figurine.
Which he allowed, and encouraged, Blanc to destroy. Just like he's allowing and even encouraging Blanc to destroy the members of his church, who he is supposed to serve. Making it about him and not Jesus.
road to Damascus moment.
this scene is masterful for so many reasons, but I love the use of the Jesus figurine to symbolize Jud's relationship to the church, and how Blanc interacts with that relationship. Because Blanc asks!! He doesn't just break the figurine, he waits for Jud to agree. None of this is on Blanc (aside from perhaps his characteristic flippancy about murder), he's just doing his job. As an atheist, he has no qualms about dismantling religious systems and bringing people to justice instead of extending grace, and he's not the bad guy for that! We have two whole movies before this where it's clear that Blanc's methods work and are the right thing in certain circumstances!
It's just that in this circumstance, they fundamentally conflict with Jud's core beliefs, and it's on Jud to hold himself to those standards and set that boundary with Blanc. Once he does, Blanc reassesses his methods and respects Jud's wishes.
Jud just needed this scene to remind him of those beliefs.
this scene was SO FUNNY
obsessed with the fact that Jud is not a short person (6'1") and yet he is always either shot in a lower angle to make him appear smaller, or he makes himself smaller (slouching, sitting, just softer body language in general)
even though it's well established that Jud not only has a past in boxing, but we've seen that he is physically very strong and can throw a damn good punch, he makes himself smaller. Which has multiple meanings to me, which i see as: trauma response, him knowing that he is a tall and sometimes physically intimidating person and compensating for that, and also just some personality
anyways i love Jud Duplenticy and Josh O'Conners acting is fucking fantastic
the camerawork and composition of Wake Up Dead Man is incredibly instrumental to the storytelling in a way that I think most people miss if they aren't art students or insane film nerds. (i am said art student and film nerd, my niche is literally camera angles)
Wicks is almost ALWAYS shot in a low angle. (also known as a worm's eye view). This is an angle used to make the subject look larger than they really are (think, a person looking down at the ground). This is used in film to convey power or presence in a scene. This angle conveys authority, power, who's in control in the scene. Now, it can also be used in reverse, but this is not the case with how it's used to frame Wicks. And if he is not in a low angle (rare), he is shown to be in control in other ways, be through other framing devices, or the fact that he is yelling or physically moving towards someone. Even in the scene where Jud is UP ON A LADDER, Wicks is positioned in frame as bigger than him. Wicks is always bigger. (AND WICKS IS SMALLER THAN JUD. JUD IS 6'1".)
And by contrast, Jud is, for most of the film, while interacting with the flock, shot in an level angle. Even if the angle has a slight high or low tilt, he is almost always equal in height or positioning with the other characters in the scene. While yes, he has authority and power over them via his position in the church, he does not abuse that power over them like Wicks does. He is trying to stay on their level. He is equal to them, and sometimes, he's shot in a way that makes him SMALLER than them. Jud is not a short character, and his past would imply he should have power over other characters if he wanted to. But he is small. He does not take up space. (which is another great element to characterization but that's for another post).
The camera angles and shot blocking of this movie are just as instrumental to the emotional storytelling and impact as the lighting is, and I hope it's noticed by more people
Also I love seeing how Blanc has grown since Glass Onion like
Blanc to Helen: Iām sorry, I am still held liable by police and the courts, I canāt lie for you even if itās the right thing to do
Blanc with Jud: Why no officer I do not know where your prime suspect is. I actually donāt know what happened in this case at all. Furthermore I am looking away, I do not see the highly valuable gemstone on the floor right there.
i know iām late to the party, but the fact that Prentice Wicks, when ensuring his daughter would never get his promised fortune, chose to spend it all to buy a useless rock, instead of actually donating it to charity or giving to the poor. it really speaks of how much it was just about hurting Grace. it serves nothing and no one, it is a petty, cruel act of a hateful man.
sultans game
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