Acknowledgement of Country
I’d like to begin by acknowledging the Traditional Owners of the land on which we meet today. I would also like to pay my respects to Elders past and present of the Eora Nation.
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@redfernmuralvisit-blog
Acknowledgement of Country
I’d like to begin by acknowledging the Traditional Owners of the land on which we meet today. I would also like to pay my respects to Elders past and present of the Eora Nation.
My First Impression
It’s crazy to think that this culturally-significant piece of Aboriginal art, let alone a historic landmark, is literally a 2 minute walk from the door of my apartment. I walked by it almost every day for nearly 1.5 months before I took my time to walk the wall and take the mural in, in all of its pride and glory.Â
I think that the Redfern “40,000 Years Mural” encapsulates Aboriginal history in the most simplistic and respectable way. Rather than attempting to use words or sound to tell a lengthy story, this mural tells an entire 40,000 years worth of history solely through pictures. The foot prints, situated from left to right, guide you and allow you to follow key landmarks in Aboriginal history starting from 40,000 years ago to present day.Â
After I noticed the mural was such an integral part of my everyday walk, I decided that doing this project all at once would deter from my experience of this historic landmark. Therefore, over a period of about 2 weeks, I would stop, take a picture, and continue on my way to the train station. I hope you enjoy the following photos and videos!
My view walking home to my apartment almost everyday.Â
This mural has many “warning” signs regarding trespassing. Protecting the integrity of this mural and the lot it’s situated on seems to be a largely communal effort.Â
“40,000 Years is a long, long time”Â
This part of the mural gives you ample information about the mural’s importance and restoration in recent years. Moreover, it gives you great historic info. I found it unbelievable that this mural, which I pass almost everyday, was such an integral part of the community.
One of the coolest things I gathered from this was that it is one of the few remaining original community murals from the early 1980s and has an iconic presence in the streetscape.Â
This part of the mural, to me, was one of great triumph. With bold colors and a clear expression of Aboriginal pride (as seen with the flag), this section exemplifies Aboriginal resilience in an ever-changing world. With the city scape depicted, the constantly changing city of Sydney will always be a home for Aboriginals.Â
ColonizationÂ
At first glance, I didn’t fully realize what it this part of the story was. Then, I realized the cruciforms on top of the churches. This part of the story tells the story of colonization.Â
European settlement changed the course of Aboriginal history forever, and in no positive way. Its lasting detrimental effects are still seen today - whether it be disparities in Aboriginal health, social inequality or economic inequality.Â
I especially love the footprints in the first two, their placement on the wall allows you to follow a chronological story from left to right - a story which tells “40,000 years” of Aboriginal history.Â
Here are some of my favorites from the muralÂ
This photo combines physical location and cultural objects. By doing so, cultural roots are deeply established into the corner of Lawson and Eveleigh - where the mural begins.Â
I especially loved this part of the mural because it depicts the Redfern All Black Rugby league of 1979. These players have direct ties to the Redfern community, both socially and culturally. During its recent restoration, the Redfern Station Community Group ensured that all of the members were included based off of the original photograph used.Â
The Mural - Before and After Restoration
Coming up around the corner from my apartment, the first thing I always see is the faded wall just before the actual mural. There are pictured emus, birds, various lizards, and kangaroos pictured - all animals very important to indigenous culture. Right before the mural, the words “EORA NATION” catch everyone’s eye.
I especially like the picture of where the faded mural meets the restored mural. It’s a beautiful contrast between past and present that highlights the endurance of such a strong culture.Â
Anyone passing by can read the “Stages Progressing to Restoration” sign which will be around for a while which I think is incredible, considering the fact that I saw this being put up just a few weeks ago.Â
Walking down the mural at sunset was amazing. The colors were glowing in the sunlight and there was no cloud in the sky. During rush hour (this was taken around 4:45pm on a Monday), it seems as though this is when the most people encounter the 40,000 Years Mural. As I walked through, there were multiple people stopping to take pictures and appreciate the mural. This is a beautiful example of how this mural has fully embraced gentrification in the best way possible.Â
My Reflection
Passing by the Redfern 40,000 Years Mural nearly every day to catch a train at the Redfern station, I did not fully take notice of it until I saw it being refurbished and painted the other day on my way home. I took this as an opportunity to walk around all of the paintings on that strip of wall and take them in and I was, to say the least, taken aback by the beautiful revitalization of once and currently oppressed indigenous cultures. The original Redfern 40,000 Years Mural was established in 1983 by a collective group of local and renowned indigenous artists and designers. Carol Ruff, the main mural artist, led a collaboration with the local community to create a mural to recognize the importance of Redfern as the meeting place for Torres Strait Islander and Aboriginal peoples (Griffiths, 2018). Moreover, before the mural’s implementation, Carol Ruff spent weeks engaging with the locals to ask what it should depict and how it should be depicted. This furthered deep sense of community that is such an integral part of Aboriginal culture. This mural, one of the few remaining community murals in the city, serves as a symbolic representation for cultural heritage, pride, and the collectively shared experiences in the Aboriginal community (Ruff, 1983). Situated in the heart of Redfern and in front of the bustling Redfern train station, the mural serves to connect those traveling through the land and also those living on the land, establishing a deep sense of community all through its physical location.Â
This mural, through its vibrant colors and perfectly painted figures, serves as a warm welcome for people getting on and off the train at Redfern. Traditional culture can be discerned from the contemporary Aboriginal expressions that make up the mural. Within the mural, the customary ochre and charcoal colors such as red, yellow, white, and black are heavily utilized. In addition to the colors used, the mural exemplifies a deep sense of community from the physical footprints on the wall to the legendary Redfern All Black rugby league team. The profound mural portrays images of hunting, fishing, and footsteps, all representing Aboriginality dating back more than 40,000 years.Â
Redfern is currently undergoing a period of intense gentrification where everything is being renovated and changed and yet, there seems to be one constant: the 40,000 Years Mural. It defies western modernity and interacts with contemporary western society in a way that allows itself to adapt to an ever changing environment. The mural surpasses all negative effects that gentrification can possibly have on it. The artwork on the mural has both political undertones of the Indigenous Rights movement and also cultural and social undertones of the current revitalization of once-lost aboriginal cultures. The mural’s recent restoration exemplifies how aboriginal culture remains strongly present in Redfern and in the community at large. In a classic example of aboriginal community and pride, the Redfern indigenous community has come together to beautifully conserve and restore art works that are indubitably important to their culture (Lee, 2013).
Beautifully situated across the entrance to the Redfern station, this part of the mural has striking, vibrant colors and bolded letters that appeal to the eyes of people passing by. In a way, these lyrics linger in your mind after you read them and they really make you think about the oldest surviving culture in the world.Â