Wip sketch for my next work
Picnic and laying on the grass (?)—this one might take longer to figure out the perspective and structure.
I may update the final one in a week or so.. just really got caught up with work :(
Skif x Dalin

JVL
One Nice Bug Per Day

oozey mess

titsay
Monterey Bay Aquarium

izzy's playlists!

Product Placement
Today's Document
PUT YOUR BEARD IN MY MOUTH
taylor price
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❣ Chile in a Photography ❣
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dirt enthusiast
AnasAbdin
Acquired Stardust
YOU ARE THE REASON
Keni
Not today Justin
art blog(derogatory)
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@redr9
Wip sketch for my next work
Picnic and laying on the grass (?)—this one might take longer to figure out the perspective and structure.
I may update the final one in a week or so.. just really got caught up with work :(
Skif x Dalin
Strider
More skif x Dalin art.
I am terrible at shadin :(
Dalin need a hug 🥰
I LOVE that movie..! Probably the best I have seen these years...
The final set design for the Spider-hideout. This set is extra special to me because I got to work closely with one of my good friends and Art Director of the film Patrick O’Keefe on this one. This design went through so many iterations and so many individual takes, but it wasn’t until Patrick took a whack at it that we started to find what would become the final version of this set. Patrick is responsible for the overall space and layout and I came in to basically digitally paint and decorate it, and also pepper in those sweet sweet easter eggs with a not-so-subtle hand. The idea here is that this Peter has got it totally figured out and he’s basically the best Spider-Man ever, and also learned to use his celebrity to help fund his endless watch over the city he loves so dearly. We tried to create the perfect work space for the Spider-Man of Miles’ world, who we so affectionately referred to throughout production as the “Full Potential Peter”. Imageworks killed it on this one and the set really looks like my paintings. One idea I wouldn’t let die was the inclusion of the original Spider-mobile. Anyways, I hope you enjoy.
Glen Keane’s Babies- Rapunzel
Ariel, Aladdin, Beast, , Pocahontas
On vous en dévoile encore un peu plus sur Kali Mata : le colorscript, des concepts et deux layouts réalisés par Amine.
Some of the color keys i did for Revolting Rhymes ! It’s an oscar nominated short film in two parts, you can see the trailer here :
CLICK
Laurits Andersen Ring - Young Girl Looking out a Window - 1885
Some of the color keys i did for Revolting Rhymes ! It’s an oscar nominated short film in two parts, you can see the trailer here :
CLICK
your art is beautiful!!! what brushes/programs do you use, if you draw digitally? i love all of your stuff so much
Hi anon! I use Photoshop most of the time. I use the default pencil brushes from Photoshop CS6 and Kyle’s brush pack. I think all her brush pack is free now and you can download that inhttps://www.adobe.com/cn/products/photoshop/brushes.htmlHope my answer helps!
Guilt