face tutorial by phobs
Face Tutorial by phobs

roma★
Aqua Utopia|海の底で記憶を紡ぐ
Interview Vampire Daily

Game Changer & Make Some Noise
YOU ARE THE REASON
𓃗
Xuebing Du

Discoholic 🪩
Cookie Run:Kingdom Official!
The Stonewall Inn
Claire Keane
h
ojovivo

oozey mess
No title available

PR's Tumblrdome
let's talk about Bridgerton tea, my ask is open
official daine visual archive

❣ Chile in a Photography ❣
No title available
seen from Indonesia
seen from Jamaica

seen from Germany
seen from Costa Rica
seen from United States

seen from Netherlands
seen from United States
seen from United States
seen from United States
seen from United States
seen from Netherlands
seen from United States
seen from Russia
seen from Czechia

seen from United States
seen from United States
seen from United States

seen from United States
seen from France

seen from United States
@resourcesforart
face tutorial by phobs
Face Tutorial by phobs
GGGUNS AND STUF i forgot who asked for it , as usual look up different refs to ;earn how to draw the amny differnt varieties of guns!!
For those who asked, here are better examples of some of the brushes from my new Ultimate Drawing Set for Photoshop. I know the video doesn’t show much, so these images should help a lot!
Please share this with your art friends and happy drawing, everybody!
-Kyle
Iain McCaig (born 1957) is an illustrator and conceptual designer. He was involved in the Star Wars and Harry Potter film projects as well as John Carter of Mars.[1] He has some helpful how-to's on his website as well.
Skin Tutorial by acidlullaby from DeviantArt
Also check out the rest of their Tutorial gallery section for more tutorials about skin!
In general, edges are:
Harder in the light, softer in the shadow
Harder in bright light, softer in dim light
Harder in focused light, softer in diffused light
Harder in the foreground, softer in the background
Harder on smooth forms, softer on textured forms
Harder on hard forms, softer on soft forms (Duh, but really)
Harder on flat forms, softer on rounded forms
Harder on thin forms, softer on thick forms
Harder on still forms, softer on forms in motion (on moving forms they are harder on the leading edge and softer on the trailing edge)
Harder at the center of interest, softer as you move away
Of course, any of these guidelines can be ignored/modified for pictorial effect.
Part 2: http://fox-orian.deviantart.com/art/Perspective-Composition-Pt-2-125042592