i sink into bliss @rgb-hex - Tumblr Blog

mudwerks

(via Camille Vivier on Her New Retrospective: “I’m Still Romantic”)

Camille Vivier, Deborah Standing in Freud’s Cabinet, 2023

urgetocreate

Allan O'Marra (Canadian b. 1947), The Bather (La Baigneuse), 2014,. Oil and Acrylic on canvas

pokemonstadium2

when i was a child for multiple halloweens in a row my costume of choice was “fancy lady” who was a character i invented who looked like this

magictransistor

Saint Hildegard. The First Vision of the Trinity, The Fifth Vision, The Sixth Vision, The Seventh Vision, The Eighth Vision, God’s Road to Salvation in the Course of Time The Ninth Vision, The Tenth Vision of Hildegard von Bingen. Liber Divinorum Operum (Book of Divine Works). 1174.

gaylordthethird

The 4pm bird gets the weird and fucked up spider

mifinar

Errol Le Cain

redlipstickresurrected

Angela Smyth (British, based Halifax, West Yorkshire, England) - Insomniac, 2026, Paintings: Acrylic, Ink

arsacra

ap of my henry and pebbles print, on horrible sketchbook paper which is why it’s so dry and uneven. I’ll finish up the text on the banners, it’s just so tiny and my neck was hurting lol. (edit: final here!)

reference was this dot work medieval print of st. george. (under cut)

#awesome #kcd

strange-house-art

Age of Rot

weepingwidar

Henryk Weyssenhoff (Polish, 1859-1922) - Premonition (1893)

ps1

via

ratsonass

my bug

untitled-1991

ana mendieta “people looking at blood, moffit, iowa” 1973

dearorpheus

“In this piece, Mendieta spilled a large amount of what appeared to be chunky blood over a doorway and sidewalk on an Iowa City street. Then she removed herself from the scene and, from a distance, photographed the reactions of various passersby. […] It intimates to passersby that a grievous and dramatic injury has taken place, but it gives no explanation and, more important, no recourse to action. It may incite horror, concern, compassion, and revulsion—in short, pity and fear—but it doesn’t offer anywhere for these feelings to go. […] Each pedestrian’s only real choice is to walk on by, which looks from the outside—and likely felt, on the inside—like an uncaring abandonment, even if of an indeterminate or imaginary entity. […] And somewhere out of sight lurks Mendieta, a voyeur of each passerby’s involuntary voyeurism. […] People Looking at Blood says, Look at this pile of carnage, with no clear story, source, assailant, or victim. Just look at it. Now look at others looking at it. (And I will be looking at you looking.)”

— The Art of Cruelty, Maggie Nelson