Basket Weaving
"I'm Dorothy Gale from Kansas"
DEAR READER

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KIROKAZE
macklin celebrini has autism
Cosmic Funnies
hello vonnie

blake kathryn
tumblr dot com
Jules of Nature
Peter Solarz
RMH
occasionally subtle
NASA

JVL
cherry valley forever

Product Placement
Lint Roller? I Barely Know Her

roma★
taylor price
seen from Uzbekistan

seen from Malaysia
seen from Uzbekistan

seen from Mexico
seen from Morocco

seen from Malaysia

seen from United States

seen from United States

seen from United States
seen from United States
seen from United States
seen from United States
seen from United States

seen from Mexico
seen from United States

seen from United States

seen from United States

seen from United States

seen from Malaysia
seen from France
Basket Weaving
By Eva Abeling
35mm Analogue Photography Online Course
Primeras sesiones del curso de cestería y experimentación con fibras vegetales.
Betanzos, Galiza.
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First sessions of the baskestry and plant fiber experimentation course I’m teaching in Betanzos, Galicia.
By Eva Abeling
https://www.evaabeling.com/shop
//oh mu
instagram.com/ohmu_art
Humanxsilva
Landra T. Available at: www.riaqmiuq.com/shop
Ombra de la Llum. / Sombra de la Luz. / Light Shadow.
Masks made with lagenaria sicerata fruits, oak galls, plastic ropes and rusty wire. All found and grown in the garden.
MELÉNDEZ, Luis
Spanish painter (b. 1716, Napoli, d. 1780, Madrid)
Still-Life with Cantaloup Melon
c. 1765
Oil on canvas, 50 x 38 cm
Museo Nacional de Escultura, Valladolid
Like the apple in the works of Baschenis and Cézanne, the melon - in numerous varieties - is a leitmotif that “rolls” through Meléndez’s still-lifes. One of the painter’s most sophisticated compositions is Still-Life with Cantaloup Melon, in which he proves himself a fanatic when it comes to rounded forms. He devotes himself to natural produce and man-made items with equal enthusiasm, piling them one behind or on top of the other and thereby filling the pictorial space. Plates, a white cloth, bread and a knife rise above the top of the woven basket into which they have been packed. The objects are painted in close-up and brought right to the front edge of the table, so that the melon curves forward into the space occupied by the viewer. The different surfaces are perfectly imitated and the painting of the melon skin, with its strikingly reticular texture, is astounding. Some objects reflect the light while others absorb it; light assumes the function of a sculptural material. A sense of spirited dynamism arises out of the alternate enlargement and reduction in scale of the pictorial objects.
Still Life of Figs and Bread by Luis Melendez
detail of a Luis Melendez still life. 1770. MFA Boston.
Analog pictures by @_pventura
wall with @hanakomimiko for the campaign #savethearctic @greenpeace @natgeo-blog @rebobinart @murslliures #barcelona #streetart #frackingno #arctic
Prints, soon
Essaouira, Morocco 11-15