NNNNNNNNNNNN @riastarthe - Tumblr Blog

depression/grief/fatigue sex and sexuality where genital contact and nudity and orgasm are de-centered from their place of importance and consensual moments of sensuality and welcome contact occurring over days or weeks and months take precedence instead; sex that doesn’t look like sex because of the time dilation, because of the needs and capabilities of the people involved.

lamignonette

weepingwidar

Maud Madsen (Canadian, 1993) - Strawberry Moon (2023)

taujr-resort

averycooldad

I understand her on a deeper level

estrellasrojas

“Indian people know history is lived in the time and moment it is taking place. History is in the moment. History is not the past. Nor is it the future. And you ask questions so you will know history is taking place. You live history therefore. And with our questions, that is the history we are living.”

—Simon Ortiz, “Haah-ah, mah-eemah: Yes, it’s the very truth,” Questions and Swords: Folktales of the Zapatista Revolution (2001)

romancenjoyer

“the possibility of rejection is essential to forming deep relationships with people” - chanté joseph for british vogue

romancenjoyer

#yes... i miss it but i don't know. i miss it but i don't know...#+ just not having the wherewithal to make shared memories in the same ways and so valuing/being unable to provide certain things u_u

segamascott

such a good listener hard to find those sometimes

lovejapanese80s

dip in the pool　Retinae　1989年

(Xユーザーの🆃🅾🅼🅾🅷🅸🆁🅾さん: 「#女性モデルを使ったバンドジャケ貼ろうぜ dip in the poolのRetinae アルバムのジャケットに写っている女性は、ボーカルで日本人モデルの甲田益也子さん。。 https://t.co/59rFHX8TO2」 / Xから)

#this is cute...! watery!

heaveninawildflower

Iris - The Blessing of Heaven. Print by an unknown artist.

Japan (circa 1910).

Cooper Hewitt, Smithsonian Design Museum.

Wikimedia.

sukinapan

thirdity

“When I encounter a character in a story, whom I have to live with for more than a certain number of pages, by St. Marx and St. Engels, I want to know where the money comes from that buys the character’s food and shelter — if the character requires any. […] There’s no class, from the upper to the lower, that doesn’t benefit from learning to ask that question. And there’s no writer who isn’t made a more aware person by playing with the various ways of suggesting the answer — and suggesting is far more interesting than stating — in his or her texts.”

— Samuel R. Delany, “The Phil Leggiere Interview”