
#extradirty
Keni
ojovivo
art blog(derogatory)
🪼
One Nice Bug Per Day

Product Placement
DEAR READER
Jules of Nature
cherry valley forever
2025 on Tumblr: Trends That Defined the Year
Lint Roller? I Barely Know Her

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RMH

Andulka
will byers stan first human second

⁂

if i look back, i am lost
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Sade Olutola
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@riastarthe
depression/grief/fatigue sex and sexuality where genital contact and nudity and orgasm are de-centered from their place of importance and consensual moments of sensuality and welcome contact occurring over days or weeks and months take precedence instead; sex that doesn’t look like sex because of the time dilation, because of the needs and capabilities of the people involved.
Maud Madsen (Canadian, 1993) - Strawberry Moon (2023)
I understand her on a deeper level
“Indian people know history is lived in the time and moment it is taking place. History is in the moment. History is not the past. Nor is it the future. And you ask questions so you will know history is taking place. You live history therefore. And with our questions, that is the history we are living.”
—Simon Ortiz, “Haah-ah, mah-eemah: Yes, it’s the very truth,” Questions and Swords: Folktales of the Zapatista Revolution (2001)
“the possibility of rejection is essential to forming deep relationships with people” - chanté joseph for british vogue
such a good listener hard to find those sometimes
dip in the pool Retinae 1989年
(Xユーザーの🆃🅾🅼🅾🅷🅸🆁🅾さん: 「#女性モデルを使ったバンドジャケ貼ろうぜ dip in the poolのRetinae アルバムのジャケットに写っている女性は、ボーカルで日本人モデルの甲田益也子さん。。 https://t.co/59rFHX8TO2」 / Xから)
Iris - The Blessing of Heaven. Print by an unknown artist.
Japan (circa 1910).
Cooper Hewitt, Smithsonian Design Museum.
Wikimedia.
“When I encounter a character in a story, whom I have to live with for more than a certain number of pages, by St. Marx and St. Engels, I want to know where the money comes from that buys the character’s food and shelter — if the character requires any. […] There’s no class, from the upper to the lower, that doesn’t benefit from learning to ask that question. And there’s no writer who isn’t made a more aware person by playing with the various ways of suggesting the answer — and suggesting is far more interesting than stating — in his or her texts.”
— Samuel R. Delany, “The Phil Leggiere Interview”
"National Resistance to Retrieve Lebanon from US-Zionist Control"
PFLP Bulletin No. 67, Summer 1983