Kinda study of a Coco from the wha art book (reference I used below) (this was totally not an excuse to try out my fancy new pen nooo why would you think that) anyways reference:
Sweet Seals For You, Always
Cosmic Funnies

blake kathryn

gracie abrams
he wasn't even looking at me and he found me
taylor price

Kiana Khansmith
The Bowery Presents
No title available
"I'm Dorothy Gale from Kansas"

No title available
PUT YOUR BEARD IN MY MOUTH
occasionally subtle
Fai_Ryy
hello vonnie
Cosimo Galluzzi

@theartofmadeline
YOU ARE THE REASON
$LAYYYTER
Noah Kahan
seen from Hungary

seen from Türkiye

seen from Brazil

seen from Malaysia
seen from Peru
seen from Iraq
seen from Malaysia
seen from Morocco

seen from United States

seen from United States
seen from Singapore

seen from Chile
seen from Brazil

seen from Maldives
seen from United States
seen from Malaysia
seen from Georgia
seen from Sweden
seen from India
seen from United Kingdom
@ricenbeans25
Kinda study of a Coco from the wha art book (reference I used below) (this was totally not an excuse to try out my fancy new pen nooo why would you think that) anyways reference:
“She changed sm in s3”
hmm I wonder why…
I think the main issue with her season 3 characterisation was the timeskip which made her change so abrupt because I honestly think that her 'villian arc' makes perfect sense.
something that kinda pisses me off is when im watching a compilation of queerness in media and they include jackieshauna (sometimes with multiple clips) but there's not a single whiff of taivan
Guys, I'm not an avatar of the Corruption, I swear! I just love Jane... trust me 👀
I hope mel doesn't get an official last name reveal in s4. Not calling her Melissa Hat anymore just wouldn't feel right
One thing that always drives me nuts about YJ fandom is that people almost never talk about class. People will ostensibly reference the way that Nat lives in a trailer/is considered a slutty burn out, but there's no discussion of, say, the way that Lottie being as rich as she did had an impact on people listening to her - by the time we hit the adult timeline, Lottie is wealthy to a degree that DOES leave her disconnected from the dangerous realities of day to day life the way, say, Van isn't. Even when Lottie's cult is dissolved, she's still got a place to stay and the ability to just gift $50k to Lisa.
Also thinking of Van and Tai's relationship, and how I think in a lot of ways Tai just did not see the hardships Van went through - Tai got to watch cartoons every Saturday morning, Van was parentified with her drunk mom. The "sad little redhead" speech that Tai gave still kind of shocks me and I wish it were discussed more - that was frankly pretty fucking cruel, and then the ending "and now you're so chill and beautiful" was just. Wow. You don't know her like you think you do, Tai.
Idk if any of this is coherent, I am very tired. But it is an analysis I wish got applied more often.
*Full yap incoming that ended up turning into somewhat of a Taissa analysis, despite that definitely not being what anon was asking about, so I'm sorry in advance!
I completely agree that class is one of the most underexamined dynamics in Yellowjackets analysis/discourse, especially when discussing characters like Nat, Van, Lottie, and Jackie. However, I also think it’s important to be careful not to neglect intersectionality and the other axes of power that exist within all of these characters in the process. Race, cultural heritage, socioeconomic status, nationality, gender, sexuality, trauma history, religion/spirituality, and disability all interact in ways that make any straightforward discussion of privilege or marginalization incomplete. I know my own analyses inevitably have blind spots, particularly around identities I don’t personally share.
The show is full of characters who hold contradictory social positions: Lottie is wealthy but mentally ill; Tai is economically privileged but racially marginalized; Nat and Van are white but are raised in poverty, abuse, and neglect. It’s important to take all of these factors into account when discussing them.
Lottie's wealth is absolutely a contributing factor in her ability to maintain social status before the crash (and not be as blatantly alienated as Misty, despite displaying some of the same social eccentricities that Misty is relentlessly bullied for), her voice being elevated in the wilderness while Natalie's is often dismissed, and her ability to establish a wellness retreat (cult) after being discharged from psychiatric hospitalization. Wealth often comes with an assumption of credibility and competence. And her wealth grants her more influence and authority over her disciples at the cult in the adult tl (wealth equals power, which so often leads to manipulation, as we all know).
And unfortunately, I think classism often leaks into fandom portrayals and discussions as well. The whole popular fabulous rich girl Lottie x burnout druggie loser Nat trope that was so common in fandom spaces (and is thankfully dying down now) often has roots in classism and harmful stereotypes about people from low-income backgrounds.
But it's also important to acknowledge, alongside these discusions of class, the ways Lottie's spirituality is automatically dismissed as mental illness by her white father and by the white Western ideology she's surrounded by, the medical abuse and trauma she endures as a result of this, and the stigma she faces (both externally and internally) due to her schizophrenia diagnosis. All of these factors into Lottie's worldview and the amount of privilege she possesses.
Tai and Van's relationship is actually really interesting to view through this lens. I don't think it's entirely fair to say Tai was just watching cartoons while Van had the weight of all of these responsibilities, because I think a huge part of Tai's character is her relentless pursuit of perfection, control, and achievement, which are traits that can be understood, at least in part, as adaptations to navigating the world as a Black lesbian. She grows up under pressures and scrutiny that Van never has to contend with. Excelling academically, athletically, and socially becomes a way of minimizing scrutiny and maintaining control in a world where Tai knows she may be judged more harshly because of her race and sexuality. Her class privilege probably exacerbated that pressure in some ways.
That relentless self-discipline is one of her greatest strengths, but it's also one of her deepest burdens. It leaves very little room for vulnerability, failure, or dependence on others, which is precisely why losing control in the wilderness is so psychologically devastating for her, but also leads to an ultimately cathartic and freeing experience that she doesn't want to leave. Tai literally splits her psyche in half to cope with this side of her that does not align with the perfect, controlled image. Other Tai represents everything Tai deems as unacceptable within herself and has therefore suppressed. I think Tai's need for control is unfortunately often viewed as evidence of narcissism or self-centeredness, when I think it's really desperation and fear.
Van and Tai's argument over whether to stay in the wilderness or get rescued is really interesting to me because of the different privileges they hold. Tai wants to stay because she doesn't want to face the scrutiny she once faced in society, and has finally allowed herself to be free of it in the wilderness, which Van doesn't fully understand. But Van wants to return home, likely because she is worried about her mother (whom she has cared for her whole life) and because the wilderness no longer represents freedom to her. It has become another environment of instability, scarcity, fear, and survival, which echoes the chaos she grew up with.
Of course, Tai will never quite understand the financial and substance-related hardships Van and Nat face, and she certainly makes ignorant comments at various points throughout the series that show her privilege in these regards. Her comment to Van last season (that you mentioned) was certainly insensitive (and it's interesting that it was actually Other Tai who said it, which raises interesting questions about whether Other Tai expresses biases and resentments that Tai herself normally suppresses). I took it, at the time, as a playful jab, but there could be some serious implications behind it.
And her "You smell like a wino, get your shit together" and "Don't you have a bong to hit or a dick to suck?" digs at Nat in the pilot show a limited understanding of addiction as something deeply intertwined with poverty, trauma, and generational cycles, while her judgment of Nat's sexuality is likely informed, at least in part, by classist stereotypes. But I think there's a sense of resentment or even jealousy behind some of these comments, too. Nat can survive with an unsavory reputation in a way Tai doesn't believe she could. Tai feels she has to engage in respectability politics in ways Nat never does, because she knows any perceived flaw may be judged more harshly. And while gossip about Nat's sex life is undoubtedly incredibly harmful to her, a rumor confirming Tai and Van's relationship could threaten their actual safety. I think, in some ways, Tai sees it as a kind of freedom she can never afford (even though we can clearly see that Nat's life is anything but free). She's frustrated by what she perceives as Nat's apathy and willingness to reject respectability, while Tai feels she has to work twice as hard.
I do think Tai has grown and changed a lot from that mentality in the adult timeline. Tai’s “Who does Natalie have?” speech has some roots in her recognition of the class disparity between herself and Nat. Tai mentions “luck” and “fate” to describe how she has more social support and resources than Nat; she was born into the privilege of a financially stable household and therefore has had a stronger foundation to build on. Many of Nat’s struggles are rooted in coming from a very low-income household heavily impacted by substance use. It is so important that Tai corrects Shauna's instinct to frame Nat's addiction as simply a matter of personal failure or a lack of willpower. Tai now recognizes that addiction and recovery are far more complex, and that Nat has faced structural barriers that neither she nor Shauna has ever had to contend with. She understands that Natalie has never had the same safety net, financial security, or social support she did, and her repeated willingness to pay for Nat's rehab is, at least in part, an acknowledgment of that inequity and an attempt to provide the support Natalie has always been denied.
Anyways, yap is over. I could talk about Tai and Nat's dynamic all day.
I'm so sad that the Magnus Protocol is a sequel of the Magnus Archives rather than it's own separate thing. Like I love the characters and the plot of season 1 but season 2 just feels like it disrupted the TMA ending which I really liked and wish had been left be. I also just don't think the cases are as good as the TMA statements.
And a lot of the issues I have with TMA were solved in protocol such as there being better voice acting and the cast and characters being more diverse and there being more women.
But a lot of the things I love about TMA are gone like the vibe of the statements in the first 4 seasons, I doubt there'll be another statement like hive or fatigue or the eye opens.
For example, I feel that Binary in the protocol format wouldn't be as cool because they'd spend the whole time reading out computer commands. Now I think of It, half the statements feel like they're meant to be read and seen in the printed format rather than listened to.
And also I feel like the alchemy thing is trying to outsmart the audience.
Idk what I want to get from this, I used to think that protocol was brilliant because I was so obsessed with it that I'd relisten to the episodes 5+ times in the week that they released. But 2 years later I'm very aware that it's just not that good. But I think that that characters are brilliant and I like the plot, I just wish it wasn't tied to TMA.
I need SOME of the Shauna haters and fans on tiktok to understand a few things:
Explain≠ excuse
Bad person≠ not complex
Shauna fan≠ Shauna apologist≠ Shauna defender
as a fandom we need to talk more about tai. she is so underrated like bro. (she’s also so fine 🥹)
“Tai can’t be final girl because Shauna’s so ruthless!!” “Tai can’t be final girl because Shauna’s so powerful!!” “Tai can’t be final girl because Shauna-“ Taissa Audrey Turner beat the actual SHIT out of a WOLF with an AXE in season ONE. Taissa MOTHERFUCKING Turner gave Shauna ONE LOOK in season 3 and that bitch backed down like a dog with its tail between its legs. Taissa THE GOAT Turner has a literal vengeful evil murderous other self in her head that she’s been battling the entirety of the show and the first thing they have EVER agreed on is that Shauna’s bitchass has to die. And the two of them are now in an alliance with fucking mysterious fentanyl quigley over here in the corner. Shauna is one hundred percent toast are we for real
Unpopular opinion, perhaps, but I don't believe that what happened to Father Burroughs was the work of more than one Entity except inasmuch as they cannot truly be separated from each other. Of course there is overlap, but the core fear is very clearly Spiral. It's not the cannibalism that is horrifying per se; it's that he committed a horrible taboo without knowing that was what he was doing. His first failed exorcism, the one that Marked him, was performed on a woman who was losing her mind and had the word MENTIS written on her wall (a dead ringer for the Spiral). Next you'll tell me her experience had no clear ties to one single Entity because she attacked someone with a knife while under her delusions, and blades and violence are the Slaughter.
My offering to the phm fandom This is the first digital illustration I've done in ages but I'm really happy with it!!
nothing just taivan wanting to kiss sooo badly after tai thinking she had lost van forever but they’re only able to look longingly at each other while they hold out their hands, knowing where they should but can’t go
i was just in the car with my dad and he, unprompted, started playing Casual by Chappell Roan… and then halfway through the song he turned to me and asked, “is this where that line from The Pitt comes from?”
I have such a deep obsession with episode 32 of the Magnus Archives I must have listened to it over 20 times probably 30 times, I almost have it memorised it is my favourite piece of literature ever.
GIVE THOSE ACES SKIRTS AND CANES!!!
Shift of power~
Based on a Reddit theory that Tai will be the final AQ, partly because she's the only person Shauna could willingly secede power to. I like the idea of Tai offering to protect Shauna from her ex-subjects, as more and more YJs turn rightfully against her in S4 (which would explain why they stick together in the adult timeline).