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@richardgreenleaf
Ripley silk scarf, inspired by the deception and self-doubling of Patricia Highsmith’s The Talented Mr. Ripley and the colors of southern Italy where the novel unfolds. Printed in full color on a 24”x24” 100% silk twill scarf, double-sided print.
Order now until Sunday at 12AM EST
Required reading for fans of Ripley, btw, is John Berger on Caravaggio as a painter of the underworld 😝😝
If anyone still follows this blog I have some cool shit for you in the next day or so
"See Venice and die," is what they say? Or is it Rome?"
The Talented Mr. Ripley (1999)
The Talented Mr. Ripley (1999), TOM & DICKIE
The Talented Mr. Ripley | 1999, director Anthony Minghella
Required reading for fans of Ripley, btw, is John Berger on Caravaggio as a painter of the underworld 😝😝
Ripley — la dolce vita
Ripley — seven mercies
ripley (2024) || episode one [ I a hard man to find ] yeah, that's right. dickie. dickie greenleaf. it's nice to meet you, too. '
The most important closet in Netflix's Ripley is a room of one's own.
In a traditional closet narrative, desire is truth, one's desires are punished for being what they are, and to suppress this desire is to harm one's self by lying–a narrative that usually ends with leaving the rejecting host body, not trying to burrow yourself deeper into it. Indeed, in most coming-out narratives, to remain behind in disguise is considered losing the game of life. But for Tom–and, I'd argue, legions of dykes who see their gender identity as in flux–disguise is the lifestyle. What Tom's character experiences is much more like the desire to pass than it is the desire to live openly. But it's not passing the way trans people hope to pass: as themselves, out in the public world. It's a much more greedy, sometimes ugly desire, a desire to have more than you're entitled to, to not be accepted as you actually are or want to be but to be more than that. It’s a desire to beat an entire gender category at its own game.
I wrote a self-indulgent little blog post about what Ripley means to me as a dyke who has all kinds of complex feelings about gender identity and gay sexuality, and why the show's success in reflecting a love of duplicity makes it the best Highsmith adaptation yet. Give it a read if you want!
The Talented Mr. Ripley (1999) dir. Anthony Minghella
STOP PLEASE I CAN ONLY GET SO HARD
HEY THERE SLUTTY SCAMMERS 🤑💰💶 LIARS 💁💋 AND DOCUMENT FORGERS 😏 💌 ARE U READ TO GET 💦👅 WET💦 👅💦 IN THE MEDITERRANEAN SEA THIS APRIL? 4️⃣ DON'T ROCK THE BOAT 🍑⛵IT'S TIME TO MARK YOUR CALENDARS 📅🔥🙌 FOR THE PREMIERE OF RIPLEY AKA THE THE TALENTED MR. DICK😫🍆 LY 💦💦💦💦 EVERY HOE 🍑 DESERVES TO WITNESS THIS SOON TO BE MASTERPIECE STARRING ANDREW THOT 😱 👅 WATCH AS TOM RIPLEY TRIES TO LOCK DOWN A SUGAR DADDY 🍆💶🍆💶🍆 💶 AND IS CHASED BY VARIOUS MEN 👉🏃♂️💦🏃♂️ACROSS SOUTHERN ITALY 😏 🇮🇹 IT'S CUMMING 💦 OUT SOON 😱 SO TAKE A THOT PIC FOR YOUR FAKE PASSPORT 📷🍑 AND GET READY🍆 💁
Philip Seymour Hoffman, July 23, 1967 - February 2, 2014.
On the set of Anthony Minghella’s The Talented Mr. Ripley (1999). Photo by Brigitte Lacombe.
“Stars, hide your fires; Let not light see my black and deep desires.”
— William Shakespeare, Macbeth
PURPLE NOON / PLEIN SOLEIL (1960) dir. René Clément
