It had been an interesting 10 days. Alongside sneaking into the Du Cap for a star studded lingerie launch, we’d also snuck into the Sin City afterparty, Naomi Campbells birthday celebrations (and the subsequent after party), and turned up at some horrific pink themed night in ‘celebration’ of Paris Hiltons debut movie/insult-to-humanity called “Pledge This”.
Then there was Star Wars and various independent and not-so independent picture house events. We even drained the bar at a party that the guy who used to play ‘Sanjay’ in Eastenders had put on in order to (re)launch his acting career. That failed miserably, obviously (for him, not for us). It was fair to say that we’d turn up to the opening of an envelope if it meant free booze and the chance to chat shit with fellow “industry” people.
There was quite a buzz around ‘Film Noir Magazine’ at this point, which was impressive seeing as it didn’t even exist but that didn’t seem to worry the various studios who happily invited us to attend press calls and conferences for whatever 2 hour snoozeathon they were desperately pushing in order to recoup production costs.
As I mentioned before, I was heavily into the lie at this point - practically believing I was actually the news editor for a brilliant new publication that would set the film press on fire. I think this is pretty much borderline sociopathy but I really didn’t care. Because that’s the point of sociopathy. Apparently.
Most days looked a bit like this. Martini, the drinks company, had hired out this rooftop bar/club place, so we’d go down there and drink the horrible Rosso concoctions they handed out (tip: They taste a lot better when they’re free, fuck knows how bad they’d be if you had to pay for one of them), whilst reeling off advertising costs to marketing people whose names we would never remember and offer generous editorial coverage to anyone with a VIP invite.
In the afternoon and early evening, we’d head back home to get changed into our suits and then back down to one of the marquees on the beach just as whatever dreary daytime party they were holding was coming to an end. Then, brazenly, we’d just sit there watching the staff clear up and set the evenings event up. This was good because it stopped the awkwardness of having to deal with club security by going in when the party actually started. I think we did this 4 or 5 times.
It was the final night of the festival - and the closing party was being held at VIP club down the road, hosted by Dolce & Gabbana. Annoyingly, we didn’t have tickets or even names for this but we kind of figured something would come up. Something always comes up.
So, we did the usual, sat in the bar watching everyone clear up whilst getting ready for whatever event they were holding. Sadly, and this was annoying, one of the managers had noticed that we had nothing to do with the event and really shouldn’t be there so asked us to leave.
Protesting with our made up journalism credentials didn’t do much good and before we knew it, we where standing out on the jetty wondering what to do next whilst staring out at the sea. I couldn’t help but notice that a couple of guys were hastily loading cases of Vodka and Champagne into a small boat at the end, so we edged a bit closer and started chatting to two very tall and glamorous looking girls. At this point, one of the goons loading the booze asked us if we were here for “the party”.
As a general rule, it’s always good to lie in situations like this.
We got in the boat with the girls and set off out to sea. The bay of Cannes is pretty impressive if you like boats and still pretty impressive if you don’t. The further out to sea you get, the bigger the ships are. We sailed past Paul Allen’s hotel sized cruiser (was his wife on board?), away from Stelios of Easy Jets ship (huge but tackily orange with his logo plastered all over it), alongside a couple of other liners so expensive looking that they couldn’t possibly be owned by honest people.
The sun was starting to set and we were quite a way out from the shore - the Majestic hotel had shrunk to matchbox sized and even some of the smaller yachts looked like toys in the distance.
The launch pulled up at the back of a ginormous leviathan called “The Annalise”. This was the Starship Enterprise of boats, a white Death Star stuck into the ocean. I googled it when I got home and, at the time, it was the largest yacht for hire in the world and the third largest overall. I mean, it had a fucking helipad on it (where was the helicopter, I wonder?) and a rental price of around £400,000 a week. Fuck me.
We got on board and were greeted by a smartly dressed Italian guy wearing deck shoes. Quite reasonably, he asked us who we were and what we were doing at this private party. We started lying on autopilot about how we were there to cover the party for “Film Noir Magazine” and he, again politely, said that that was very strange as it was a private party and wouldn’t be covered by anyone
Whom, he enquired, had invited us? My friend was two steps ahead of him having cast an eye over the boarding ledger and reeled off the name of the PR head at Chopard who we kind of knew), as the invitee. The Italian raised an eyebrow and said he needed to check this out, before picking up a satellite phone and heading back up to deck.
At this point, after over a week of posturing bravado we started to panic. We’d possibly bitten off more than we could chew this time and here we were, half a mile out to sea with a boat full of strangers who, at any point, were about to rumble our lies and probably throw us overboard.
Just as I was mentally planning hijacking the launch boat and racing back to shore, the guy walked back down with a warm smile, apologised for keeping us waiting and asked us to take off our shoes (so we could put deck shoes on) and follow him upstairs.
I’ve never taken Heroin but I imagine that the rush I felt then, as I giddily clambered up to deck, is quite similar. It was immense and I had to restrain myself from laughing and slapping my own back.
There was a DJ spinning records and 20 or so black tied waiters and waitresses handing out canapés and glasses of Champagne that were bottled before I was even born. All the staff were irritatingly good looking but still made to look like mutants next to the wave of impossibly beautiful, surgically enhanced guests. I couldn’t imagine it getting any better than this. But it would.
We were introduced to a few people and relaxed back into our pretend lives of international movie journalists whilst getting slowly, but steadily, smashed on the free booze.
A couple of my friends went and had a jacuzzi at the front of the ship whilst I explored inside. It had a very nice cinema, a gym, it’s own spa and several dining rooms. Every cabin (all 18 of them), was en-suite and decked out to resemble a Harrods showroom.
“It’s a shame it’s dark now”, explained one of the ship hands showing me around, as otherwise I could have taken one of the Jet skis out for a little ride before coming back for more food. Oh well.
Although I hadn’t quite grasped just how expensive this evening would be, I was perfectly aware that it wouldn’t be cheap. Who, I wondered, would be swallowing the cheque for all this?
I was introduced, enthusiastically, to Roberto by a beautiful Italian girl from Porto Fino I’d been chatting to called ‘Alex’ but more on her later.
Possibly, because unlike us he wasn’t inhaling alcohol with all the restraint of a starving labrador in a pedigree chum factory, Roberto seemed quite sober. Alex introduced me whilst Roberto listened skeptically to my grand claims of film journalism. I think it’s fair to say that Roberto thought I was a liar. I think it’s also fair to say that Roberto was right.
Attempting to keep things civil, I asked Roberto what he did for a living. He leaned in close, put a hand on my shoulder.
“I’m a business man” he said darkly.
Roberto leant back and eyeballed me for a very unnerving few seconds before his contorted expression relaxed back into a smile and then walked off to talk to my friends, including one of our gang, Kate, who was Film Noir’s non-existent layout director or something.
I took another look around the deck. There I was, stood on a gigantic boat surrounded by a bunch of models and several much older Italian men who didn’t want to tell me what they did for a living but were obviously rich enough to buy small Islands. And probably whole police forces. It was dark now with the water suddenly looking very black and cold and I started to regret never continuing my childhood swimming lessons.
It’s conjecture to suggest that my generous hosts might be into sub-legal activities but the paranoia that a two week piss up affords you let my mind run wild.
The fear only lasted about 30 seconds or so before Alex took my hand and led me to the deck for a dance. Alex and I chatted away - she was my age and was a gemologist apparently though freely admitted she hadn’t worked for the last three and a half years as she hadn’t found the right position. I agreed, reassuring her that it was perfectly normal to wait for the right opportunity whilst trying not to imagine the sheer amount of fucking cold calls I’d have to be making when I got back to my real life in Recruitment in the comparative Hades of dreary London.
She relayed their plans to head to the Dolce and Gabbana closing party and I said how funny that was because we were going too. Alex and her friends were traveling by speedboat and offered us a lift. As you do.
About an hour later, we were bumping through the water at top speed. Alex and I were getting on great by this point and although the air was a bit cold, I gave her my suit jacket and she linked her arm through mine. It was like a Jennifer Lopez video, except I was in it, Lopez wasn’t and it was dark. After 10 minutes or so, we got to the back of VIP club by the jetty.
The first thing I saw was a load of torchlights waving madly as security came to greet us. Then I heard their dogs. These dogs were even bigger than the mutts at the Du Cap, those now looking like moody Chihuahuas in comparison to the mad genetically engineered super soldier Rottweilers fed on a diet of steroids and pure rage in front of us now. I decided that even though I was probably about to be torn to shreds by Satan’s own hell hounds, I’d had a pretty good run of if for the last week or two so I probably had it coming.
Fortunately, the security restrained the animals as we stepped onto dry land. Success! The euphoria of not being mauled to death was quickly displaced by security telling us that we had to go and queue round the front like the rest of the general public losers.
This afforded quite a few issues - I had no invite and had already told Alex I could get her in with us (even though Roberto had her name). The front of VIP club was chaos, crowds of desperate goons clamoured to get in or get a glimpse of the A list attendees.
Reeling off various names at the door at no effect and we were turned away. Alex looked disappointed as she tried to call Roberto to arrange entry.
Around this point, and I’m not making this up, I saw a sparkly covered unsealed wrist band on the floor with the D&G logo on it. Someone had fucking dropped it. Unbelievable. This is the party equivalent of finding a wad of £50 notes on the floor or uncovering a treasure trove of jazz mags in the woods when you’re 14 in the pre-internet days. Amazing
Alex insisted I use it as she could get in herself on her own later but I said not to worry, strapped the band on and used it to blag us both in. Before we went up the red carpet, we got handed some free sunglasses (D&G, nice, I went back and got another 6 pairs later before eventually being told to fuck off) and strolled in the front past a wave of camera flashes. Hilarious.
The party inside was, predictably, sickeningly brilliant. Some performers were hanging off red drapes hanging from the very high ceiling and some DJ (Morillo?), was blasting out only vaguely offensive euro house from Heaven’s own sound system.
Penelope Cruz walked out as we strolled in. I tried, causally of course, to catch her eye but she was transfixed by Alex. My date! Well, this was turning out to be a brilliant night, wasn’t it?
As I walked into the huge arena, I passed a journalist (a real journalist, someone who actually got paid for what I was pretending I did) I’d met at a party a couple of days ago, the first person I’d met in my stay with enough sense to realise that I was lying through my teeth. She’d managed to rumble my lies when, during the course of an explanation as to why I had gotten in to all of these places I told her I was a guy called Baz Bamigboye, a film critic for The Daily Mail. She called me a liar and countered my protestations to the contrary by pointing out that Baz was in his 40s, short, bald and black.
I saw her, only briefly, as I was ushered into the VIP area by some gorilla like bouncer, pausing only to absorb her confused expression - a cocktail of irritation, admiration and jealousy - before I was handed more free booze.
Roberto eyed me suspiciously whilst I looked around. To my right was Victoria Silvstedt who, at the time, was earning around $200,000 a nipple for Playboy, being helped back into (or out of?), her ridiculously small top whilst Cuba Gooding Jnr (he won a fucking Oscar!) looked on smiling. I wonder where all these people are now? Fickle, fame is.
Everyone else was some kind of Producer, Director, music licenser or something. All you really had to say is “I’m in Cannes on business” slightly louder than normal speaking volume and seven strangers would hand you cocaine.
Just as I was starting to REALLY enjoy myself, Roberto cornered me and bombarded me with horrible questions about Film Noir Magazine - who was the publisher, when did it come out, who was the head of sales and so on - all perfectly obvious and reasonable questions to which I had never even thought of to make an imaginary answer to it. I tried to slow the pace of the conversation down by repeated sips of champagne as my brain tried to access it’s index of lies and come up with believable answers. I was on the verge on coming clean, admitting my lies and throwing myself at his feet to beg for mercy when I was rescued by Alex, who, possibly recognising my distress and not caring about my mistruths, grabbed me over the Dance Floor.
I kissed Alex there and then, in this giant hall, surrounded by the cast of the A/W ’05 Dolce and Gabbana catalogue, half of Hollywood, a sound system that was really a Giant’s defribulator disguised as a pair of speakers and, from what I could tell, glitter being blasted through the aircon. I don’t want to try and eulogise too much here but it was certainly quite a few steps up from any of the experiences I’d ever had in Infernos in Clapham.
But such is life, all good things must come to an end. And I was really, really hoping that that end would be at some point the next day. Alex, it seemed, had the same idea.
“You can stay on the boat” she said, adding “with me”. For the first time in my life, I started to seriously consider that God may exist. Admittedly a very distracted God who had taken his eye off the ball or had made an admin error in picking me for his mighty benevolence.
As we strolled outside the front, my brain a fizzing cocktail of champagne, lust and Peruvian hospitality, I briefly considered the logistics of how we’d be getting back on the yacht. Alex was way ahead of me.
“I’m just gonna check with Roberto”. My heart sank. I’d already clocked Roberto. Him and another fat and menacing looking Italian were leaning up against a Red Ferrari and Yellow Lambourgini - as you do. I got the distinct impression that whilst Roberto and his pal didn’t own the cars, no one was going to tell them to stop leaning on them.
I can still picture it now. Alex, with her back to me, jabbering away in fast Italian to Roberto who, arms folded and relaxed on the bonnet of the Ferrari nodded away in response to whatever she was saying. He wasn’t looking at her though, he was looking straight at me, right into my eyes. He shook his head and slowly, deliberately, mouthed “No”.
Alex walked back over to me looking forelorn and told me that Roberto had said I couldn’t stay on the Yacht. She asked me what I was going to do and I said I wasn’t sure as I couldn’t remember the address of my Villa (true), and hadn’t been able to speak to my friends who had long since left to find out (kind of true, I obviously hadn’t bothered calling any of them). I mean, technically, I was stranded. Technically.
Alex said not to worry as she had a better plan anyway, we’d get a hotel room. Apparently she knew one of the guys at The Majestic and he’d probably be able to sort us out with a suite that had been kept back. I’m not sure how much a suite at the Majestic is during the Film Festival in 2005 but I’m pretty sure that if I had stuck it on card, I’d still be paying it off now.
Fucking hell...would it be worth it...should I...do I even have that kind of limit? I didn’t really have the chance to answer myself because Alex announced she would stick it on whatever nuclear powered credit card she had glowing in her Louis Vuitton purse.
Were the heavens looking down on me? Maybe... but God was obviously still very much distracted by more important things and had given some irresponsible angel - presumably the celestial equivalent of the work experience kid - carte blanche to give me the greatest night of my life.
I was imagining Crystal on room service, 20 billion thread count sheets and the sun of the French Riveria gently creeping through the bay windows of our suite the next morning when Alex, sadly, had to ruin it.
“I just gotta check with Roberto”.
Replay the previous scene, the head shake, the firm yet silent “No” mouthed across the road to me.
I guess at this point, Alex was explaining to Roberto that I couldn’t remember the address of my Villa and couldn’t get hold of my friends because my phone had run out of battery (well, I’d turned it off), after “repeatedly calling them to find out how to get home”.
Roberto produced something from his pocket. I couldn’t read the name on it but I knew what it was. It was a fucking Film Noir business card.
“I have your colleague Kate’s business card” he said “let me try”.
Predictably, he connected to Kate within 2 rings. She had been asleep (having not been woken up already by my non-existent phone calls).
Fortunately, he passed the phone straight to me and I started having a go at her for not picking up her phone (I hadn’t rung her), and leaving me on my own (I’d said goodbye to her about 3 hours before and told her not to worry about me getting back), and so on.
It went a little like this:
Me: “why didn’t you pick up your phone, why did you leave me?”
Kate: “John, what are you going on about?”
Me: “It’s fine, I forgive you, I’m just glad I finally got hold of you”
Me: “It’s cool, stop apologising, just give me the address”
She gave me the address and I hung up.
“Phew” I said, not entirely convincingly and we all said our goodbyes. Under Roberto’s watchful eye Alex just kissed me on the cheek and skipped off towards a waiting launch boat, never to be seen again. Roberto shook my hand and then he just pointed at me. I was waiting for him to say something but he didn’t, he just walked off.
I got a taxi back to the villa, on my own, and fell asleep, on my own.
I received a text from Alex the next day while we were driving down to Monaco to blag our way into the Grand Prix, saying they were already sailing to St Tropez for the day because a new D&G shop was opening.
That ship cost Four Hundred thousand a week.
Well, that makes sense, doesn’t it? Who wouldn’t spend fifty seven grand to go checkout some new swimwear.