INTERVIEW WITH THE VAMPIRE 2x07・I Could Not Prevent It
unwelcome clarity?
Claire Keane

gracie abrams

❣ Chile in a Photography ❣
TVSTRANGERTHINGS
Game of Thrones Daily
Stranger Things
almost home
NASA
he wasn't even looking at me and he found me

#extradirty
noise dept.
$LAYYYTER

Kiana Khansmith
I'd rather be in outer space 🛸
KIROKAZE

oozey mess
Cosmic Funnies
untitled
hello vonnie

Product Placement

seen from Malaysia
seen from Malaysia

seen from United States

seen from United States
seen from South Africa

seen from Venezuela
seen from United States

seen from United States
seen from United States
seen from United States

seen from Australia
seen from Mexico
seen from United States
seen from United Kingdom
seen from Netherlands
seen from United Kingdom
seen from Türkiye
seen from United Kingdom
seen from United States
seen from Argentina
@ripe-for-the-seizing
INTERVIEW WITH THE VAMPIRE 2x07・I Could Not Prevent It
unwelcome clarity?
Are you gonna teach me to be a man, Lestat de Valois?
The vibe he gives when he delivers this line.
The vibe he gives when he delivers this line.
Cyberpunk cowboys 1h doodle
Lasenic Tarot
Ana Teresa Barboza, embroidery and photo transfer on fabric.
“Midsommar mostly takes place in Sweden, but at its core is a particularly American sense of rootlessness. The characters long for a sense of community and continuity, which leads to selectively romanticizing the customs of others and the connection to the past they represent…It’s only Dani who understands this, who in a warped way ends up acclimating best to the increasingly outrageous customs because she appreciates the greater attachments they represent. Pelle, who sees Dani in a way that Christian and his friend don’t, tells her that everyone deserves to have people they feel held by. It’s Dani, who has abandonment nightmares about everyone driving away laughing in the middle of the night and leaving her behind, who actually needs those connections, who desperately wants to be part of a group in a more meaningful and lasting way.” - Midsommar (2019) dir. Ari Aster
The VVitch and Midsommar are both really interesting to me both as horror films and as the way that we read horror films, because the visuals of the ending make it easy to interpret them as films of bloody, violent female liberation, but it’s also very easy to view them as films where women subjected to physical and psychological violence get converted from one form of Oppressive Control to another. The trappings change but they are just as imprisoned. But watching the ending of both, I did still nevertheless have the feeling of “good for her” while simultaneously being like “I mean NOT GOOD GIRL, GET OUT.”
Horror movies function as very weird parables where what’s metaphorically happening and what’s literally happening and what’s thematically underlying everything (i.e. systems of control) and what’s actually underlying everything (i.e. LOTTA BODIES) can create such dissonance, where done well there’s a horrifying blend of revulsion and attraction to the exact same things. A lot of works of fiction have a similar feeling (like reading about unhealthy romances where you’re like “this is bad but hot but wouldn’t it be nice if someone was that protective over me but also NO NO definitely not”) but horror allows us to indulge in that disgust and sense of wrongness so you get to wallow in ugliness and contradiction in a way that we don’t always feel free to do with other things we like but think we shouldn’t.
Antique Prayer Cards.
instagram: laitdelune
New hyperfixation (that I’m years late for but at least it’s still ongoing)
Celestial Mapping and Celestial Proportions by Tallmadge Doyle
An Archive of Our Own, a project of the Organization for Transformative Works
Chapters: 1/1 Fandom: ATEEZ (Band) Rating: Explicit Warnings: Creator Chose Not To Use Archive Warnings Relationships: Kim Hongjoong/Park Seonghwa, Kim Hongjoong/Reader, Park Seonghwa/Reader Characters: Park Seonghwa, Kim Hongjoong, Reader Additional Tags: Polyamory, Established Relationship, Domestic Fluff, Baking, Cunnilingus, Oral Sex, Rough Oral Sex, tw: author is argentinian and proud of it, buckle up my children you will learn about chocotorta today Series: Part 5 of Home is where the Matz is Summary:
"Well someone's in the most fantastic mood today", Hongjoong observed as Seonghwa carried Y/N over his shoulder towards the couch and smacked her ass, making her giggle again. Well, it wasn't a lie, really. Usually the smack would've made Y/N jump and moan. Today, though? Tickles. It was all she could feel. "This might be fun", Seonghwa said as he raised an eyebrow to Hongjoong, giving an unspoken command.
An Archive of Our Own, a project of the Organization for Transformative Works
Chapters: 1/1 Fandom: ATEEZ (Band) Rating: Explicit Warnings: Creator Chose Not To Use Archive Warnings Relationships: Kim Hongjoong/Reader, Park Seonghwa/Reader, Kim Hongjoong/Park Seonghwa Characters: Reader, Kim Hongjoong, Park Seonghwa Additional Tags: Polyamory, Established Relationship, Threesome - F/M/M, Mild Hurt/Comfort, Sub Kim Hongjoong, Oral Sex, Cock Warming, Nipple Piercings, Office Blow Jobs, Domestic Fluff, Makeup Sex, did you now that hongjoong has a virgo mars on his birth chart, well now you now Series: Part 6 of Home is where the Matz is Summary:
"Do you want me to stop, kitten?", he asked Y/N gently, slowly licking her juices from his plump mouth. The sight, for once, wasn't enough to get her other soulmate out of her mind. "I'm sorry, I'm not really here", she recognized. "I know where you need to be right now", he sweetly told her, kissing her forehead once more before getting up and grabbing his leather jacket. "Get dressed, I'll go start the car", he added with the sweetest, most reassuring smile. Unconditionally, Y/N thought as she quickly got dressed. Seonghwa truly understood what it meant.
The Caramel Clock. Chocolate chip cookie base, hazelnuts financier sponge, soft caramel crémeux, vanilla salted caramel and light caramel mousse! by Amaury Guichon
DO YOU HEAR THAT FUCKING GROWL?!?!?,!?!
choi san… would you be so kind as to fuck me?