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I'd rather be in outer space 🛸
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@elinordash
A companion as no other immortal had ever been.
WE ALWAYS WIN
The Third Man 1949 | dir. Carol Reed
Can you remember the 90s?
Yes
No
As in, do any of your memories take place during the 90s (yes, a single memory from 1999 counts).
I can remember about half of them. My earliest memory was probably 1995 and they go from there.
NCUTI GATWA and SHARON D. CLARKE in THE IMPORTANCE OF BEING EARNEST (2025)
Prev, I have excellent news for you
The Importance of Being Earnest on Project Gutenberg (the script is public domain, so it’s free and legal!) (and omg so worth reading; I am rereading it now and reliving all the great moments of this production!)
Far as I can recall, the only lines added in this production were “We’ve covered the scene change” and “G, A, Y, S & M”
The rest is pure uncut original Oscar Wilde 💚 🌈
I did this too! The vegetarian joke and the stockbrokers joke are also original to the text. There were a few other places where they modernized a word or phrase (“he went to Oxford” is an update of “he is an Oxonian”; “interested in social justice” used to be “interested in social legislation”; and there were probably a few more). But it was delightful (and scary) how comprehensible it still was.
Oooh yes!
Also, I of course had to check the original stage direction for when Jack and Algy came in singing “You’re Beautiful.” Here it is, in its entirety.
[Enter Jack followed by Algernon. They whistle some dreadful popular air from a British Opera.]
Oscar, that’s so delightfully bitchy. I hope that, wherever you are, you enjoyed the choice of dreadful popular air.
Ahh yes! Oscar Wilde really said “put a terrible pop song here.” 😀
There are ways and ways to play Lady Bracknell’s response here, but I think this one was “you are SO BUSTED, Algy, I do not believe one single word coming out of your mouth about Bunbury” and honestly that’s my favorite reading.
won't make my mama proud, it's gonna cause a scene
I love you. And love isn't silly. Aren't you interested in love?
MANUELA & SERAFIN THE PIRATE│1948
SAM REID as LESTAT DE LIONCOURT Behind the scenes during the making of The Vampire Lestat.
Jean Arthur in Seven Chances (1925) dir. Buster Keaton
INTERVIEW WITH THE VAMPIRE | 2.03 No Pain
TOBY STEPHENS as Mr. Rochester JANE EYRE (2006) | Episode 1
First look at The Vampire Lestat (2026)
'Anne Rice's Interview with the Vampire' Cast Talk Influences For Rockstar Lestat | SDCC 2025
INTERVIEWER: Jacob, for you, how does the perspective shift affect the way you play Louis?
Breakfast at Tiffany’s 1961, dir. Blake Edwards
INTERVIEW WITH THE VAMPIRE | SEASON 1
