Bad At Words

Mavka germ girl |28|

[rnavka]

i think i would be happier with silicon flesh and stainless steel bones.. a knit yarn heart so i know the warmth of love still

[hotvampireadjacent]

[garbage-empress]

[garbage-empress]

you listened to your plug, and kept chiefin on the chungus

[flickrat]

(:̲̅:̲̅:̲̅[̲̅:☆:]̲̅:̲̅:̲̅:̲̅)

[dogpuppy]

[depsidase]

[cosmicraven117]

The Knight and Princess

~~~~

Based on the Talisman skin

[boymounter]

just ask that person out, the worst thing they can say is an esoteric incantation that topologically inverts your body

[zeelatunes]

[dimesfacts]

[dimesfacts]

[rnavka]

?

[teomodo]

[monday-afternoon-club]

[Video transcript:] Person angrily yelling: “–fucking computers bullshit. It’s fucking sick! It’s not cool anymore! It’s not fun! It’s not fun to be on the fucking computer! They changed everything about it! It used to be so coooool!”

[2020knives]

[rnavka]

asking youtube a question and it just shows me unrelated shorts until i forget about what i was looking for

[henstomper]

hard cider was invented when someone decided to make beer that tastes good instead of bad

[impossiblepackage]

stupid fuckin post. People have been making beer since before they even knew how to write and you think that they don’t like the way it tastes?

[henstomper]

damn all that time and it still tastes really bad. huge L tbh

[takahikohayashi]

宿るかたちへ-たわいない記憶 Dwelling in the Form-An Innocent Memory  26.7 x 26.7cm copperplate print with chine colle’( etching) 林孝彦　HAYASHI Takahiko 　1999

[epicvideogamemusic]

Visit Original Link

[the-great-horned-rat-deactivate]

[creepycrag]

[mybeingthere]

Since 2000, Maiko Kobayashi has drawn and painted repetitively an un-named character, alone or in group. This hybrid creature, an animal expressing human feelings, seems to belong to the Japanese Kawaï (cute) trend. But Kobayashi uses this popular pictural vocabulary to gain from the public an easy access to the deep emotions which lie under an apparent simplicity.

Kobayashi says : “Human beings are endlessly interesting. Human emotion always fascinates me. Through my invented form I am exploring the possibilities of existence.” It is therefore a kind of existential questioning, also reflected in the artist’s choice of medium : gesso, ordinary paper or newspaper, which emphasizes the vulnerable and evanescent nature of her characters. As Kobayashi explains, there is a relationship between the quality of her creatures and the characteristics of materials expressing innocence, fragility, isolation, vulnerability and so on.

Facing these silent creatures and their empty sad eyes, the viewer tries to understand their emotions. But Maiko Kobayashi’s characters raise more questions than they answer. They rather demand of us to simply feel their presence as we are encouraged towards meditation and empathy.

Born in Japan in 1977, Maiko Kobayashi lives and works in Tokyo.

She received her MA in Fine Arts from the University of Northumbria (Newcastle, England) in 2008 with the highest honors.

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