rose compositions

fanfic sideblog || multifandom

[jahnny]

[kingsmannetwork]

Conrad [played by Harris Dickinson] is the son of the Duke of Oxford [played by Ralph Fiennes]. Oxford is a reactionary, Conrad is a revolutionary. It’s about a father and son relationship where they couldn’t have more opposing views on life, yet love each other dearly. — Matthew Vaughn

[cheenault]

THE KING’S MAN, 2021

[mcondance]

miss her the most feat. luke alvez angst haha inspired by and title from miss her the most by alec benjamin

luke misses you the most when you’re not leaving. when you’re curled up into him on the couch, your behavior telling him that he’s the epicenter of your existence right now.

it’s because of what’s he lost. it’s because he knows he loves you with everything he has, and more he’s willed unto him.

and all this occurs in his brain unbeknownst to you. he wonders how you don’t feel what he’s thinking about. he’s grateful you don’t.

when he’s reminded of the reserve of love you have for him, and the multitude of love he has for you, his heart aches and he’s aware that he has something that he cannot lose.

when you’re tangible, when you’re right under his arms, when you’re living and breathing in the palms of his hands, is when he misses you the most.

[strawberryy-pop]

HOW TO DONATE TO BLM WHEN YOU HAVE NO MONEY! a black woman named zoe amira posted a video on youtube. this video is an hour long and filled with art and music from black creators. 100% of the ad revenue from the video will be dispersed between various blm organizations, including bail-out funds for protesters. it has a ton of ads, and in result will rack up a ton of revenue. turn off your adblocker and do not skip ads. between each time watch 3-5 other videos (mix it up) before restarting. this will ensure you aren’t marked as spam by youtube. don’t mute the video itself. and let. it. play.

donations will be dispersed among the following organizations:

1. brooklyn bail fund

2. minnesota freedom fund

3. atlanta action network

4. black visions collective

5. george floyd’s family gofundme

6. blacklivesmatter.com

7. reclaim the bloc

8. aclu

9. the bail project inc

10. chicago bond

PLUS MORE

[virtygo-deactivated20200825]

if you don’t support #blacklivesmatter, unfollow me.

if you think that the riots are too much, unfollow me.

if you don’t think that change needs to happen now, unfollow me.

if you refuse to recognize your privileges, unfollow me.

if you’re not a decent human being, unfollow me.

[rosecomposition]

I know I’ve been super inactive on this blog, but I am currently writing a Santino D’Antonio ff over on Wattpad and the second chapter is going to be posted within the hour!!

If you’re interested, look up @/aomg-trash or use the link below for the book!

(https://my.w.tt/LoBdTDiAOY)

[imagines-for-the-fangirls-soul]

Sonny carisi as a new Dad?

He WOULD BE SO EXCITED!!

He has been practicing for the last nine months, he has read every book about being a new parent, so he is totally prepared

He has had practice with his sisters’ and Amanda and Liv’s kids

He would designate himself on diaper duty and would always get up in the night with you

He would call you mommy and himself daddy at all times, even when you’re out in public and without your baby

He is always down on the floor with the baby, playing games, making ridiculous faces and sounds

The second your baby shows any signs of sickness, he takes them to the doctor immediately

Even if it’s just a runny nose 

He has seen really bad parents come into work, so he knows the importance of being there for your child and for you

Even though you are parents he knows the importance of keeping your romance alive, so he makes sure to plan lots of mommy and daddy dates

He wants to have those obnoxious family pictures taken where you’re all wearing the same color shirts and you look at your baby like they’re the entire world (which they are)

He has a million pictures of your child and you on his desk and always talks about the two of you when he’s away

[writing-prompt-s]

You suffer from having really terrible memory, and misremembering things a lot. This is actually because every time you fall asleep, you shift universes slightly, ending up someplace just slightly different. At least, they’ve been subtle, until today that is…

[writing-prompt-s]

You’re the time traveller who is responsible for converting prophecies into hoaxes. What did you do the week before the 21st of December, 2012?

[thecaffeinebookwarrior-deactiva]

How to Write a Novel:  Tips For Visual Thinkers.

1.  Plotting is your friend.

This is basically a must for all writers (or at least, it makes our job significantly easier/less time consuming/less likely to make us want to rip our hair out by the roots), but visual thinkers tend to be great at plotting.  There’s something about a visible outline that can be inexplicably pleasing to us, and there are so many great ways to go about it.   Here are a few examples: 

The Three-Act Structure

This one is one of the simplest:  it’s divided into the tried-and-true three acts, or parts, a la William Shakespeare, and includes a basic synopsis of what happens in each.  It’s simple, it’s familiar, it’s easy to add to, and it get’s the job done. 

It starts with Act I – i.e. the set-up, or establishing the status quo – which is usually best if it’s the shortest act, as it tends to bore audiences quickly.  This leads to Act II, typically the longest, which   introduces the disruptor and shows how characters deal with it, and is sandwiched by Act III (the resolution.)  

The Chapter-by-Chapter

This is the one I use the most.  It allows you to elucidate on the goings on of your novel in greater detail than the quintessential three act synopsis generally could, fully mapping out your manuscript one chapter at a time.  The descriptions can be as simple or as elaborate as you need them to be, and can be added to or edited throughout the progression of your novel.

Can easily be added to/combined with the three-act structure.

The Character Arc(s)

This isn’t one that I’ve used a lot, but it can be a lot of fun, particularly for voice-driven/literary works:  instead on focusing on the events of the plot, this one centralizes predominantly around the arc of your main character/characters.  As with its plot-driven predecessors, it can be in point-by-point/chapter-by-chapter format, and is a great way to map out character development.  

The Tent Moments

By “tent moments,” I mean the moments that hold up the foundation (i.e. the plot) of the novel, in the way that poles and wires hold up a tent.  This one builds off of the most prevalent moments of the novel – the one’s you’re righting the story around – and is great for writers that want to cut straight to the action.  Write them out in bullet points, and plan the rest of the novel around them.

The Mind Map

This one’s a lot of fun, and as an artist, I should probably start to use it more.  It allows you to plot out your novel the way you would a family tree, using doodles, illustrations, and symbols to your heart’s content.  Here’s a link to how to create basic mind maps on YouTube.

2.  “Show don’t tell” is probably your strong suit.

If you’re a visual thinker, your scenes are probably at least partially originally construed as movie scenes in your head.  This can be a good thing, so long as you can harness a little of that mental cinematography and make your readers visualize the scenes the way you do.

A lot of published authors have a real big problem with giving laundry lists of character traits rather than allowing me to just see for myself.  Maybe I’m spoiled by the admittedly copious amounts of fanfiction I indulge in, where the writer blissfully assumes that I know the characters already and let’s the personalities and visuals do the talking.  Either way, the pervasive “telling” approach does get tedious.

Here’s a hypothetical example.  Let’s say you wanted to describe a big, tough, scary guy, who your main character is afraid of.  The “tell” approach might go something like this:

Tommy was walking along when he was approached by a big, tough, scary guy who looked sort of angry.

“Hey, kid,” said the guy.  “Where are you going?”

“I’m going to a friend’s house,” Tommy replied.  

I know, right?  This is Boring with a capital ‘B.’  

On the other hand, let’s check out the “show” approach:

The man lumbered towards Tommy, shaved head pink and glistening in the late afternoon sun.  His beady eyes glinted predatorily beneath the thick, angry bushes of his brows.

“Hey, kid,” the man grunted, beefy arms folded over his pot belly.  “Where are you going?” 

“I’m going to a friend’s house,” Tommy replied, hoping the man didn’t know that he was ditching school.

See how much better that is?  We don’t need to be told the man is big, tough, and scary looking because the narrative shows us, and draws the reader a lot more in the process.  

This goes for scene building, too.  For example: 

Exhibit A:

Tyrone stepped out onto his balcony.  It was a beautiful night.

Lame.  

Exhibit B: 

Tyrone stepped out onto his balcony, looking up at the inky abyss of the night sky, dotted with countless stars and illuminated by the buttery white glow of the full moon.

Much better.

3.  But conversely, know when to tell.

A book without any atmosphere or vivid, transformative descriptors tends to be, by and large, a dry and boring hunk of paper.  That said, know when you’re showing the reader a little too much.

Too many descriptors will make your book overflow with purple prose, and likely become a pretentious read that no one wants to bother with.

So when do you “tell” instead of “show?”  Well, for starters, when you’re transitioning from one scene to the next.

For example:

As the second hand of the clock sluggishly ticked along, the sky ever-so-slowly transitioning from cerulean, to lilac, to peachy sunset.  Finally, it became inky black, the moon rising above the horizon and stars appearing by the time Lakisha got home.

These kind of transitions should be generally pretty immemorable, so if yours look like this you may want to revise.

Day turned into evening by the time Lakisha got home. 

See?  It’s that simple.

Another example is redundant descriptions:  if you show the fudge out of a character when he/she/they are first introduced and create an impression that sticks with the reader, you probably don’t have to do it again.  

You can emphasize features that stand out about the character (i.e. Milo’s huge, owline eyes illuminated eerily in the dark) but the reader probably doesn’t need a laundry list of the character’s physical attributes every other sentence.  Just call the character by name, and for God’s sake, stay away from epithets:  the blond man.  The taller woman.  The angel.  Just, no.  If the reader is aware of the character’s name, just say it, or rework the sentence. 

All that said, it is important to instill a good mental image of your characters right off the bat.

Which brings us to my next point…

4.  Master the art of character descriptions.

Visual thinkers tend to have a difficult time with character descriptions, because most of the time, they tend to envision their characters as played their favorite actors, or as looking like characters from their favorite movies or TV shows.

That’s why you’ll occasionally see characters popping up who are described as looking like, say, Chris Evans.  

It’s a personal pet peeve of mine, because A) what if the reader has never seen Chris Evans?  Granted, they’d probably have to be living on Mars, but you get the picture:  you don’t want your readers to have to Google the celebrity you’re thirsting after in order for them to envision your character.  B) It’s just plain lazy, and C) virtually everyone will know that the reason you made this character look like Chris Evans is because you want to bang Chris Evans.  

Not that that’s bad or anything, but is that really what you want to be remembered for?

Now, I’m not saying don’t envision your characters as famous attractive people – hell, that’s one of the paramount joys of being a writer.  But so’s describing people!  Describing characters is a lot of fun, draws in the reader, and really brings your character to life.

So what’s the solution?  If you want your character to look like Chris Evans, describe Chris Evans.

Here’s an example of what I’m talking about:

Exhibit A:

The guy got out of the car to make sure Carlos was alright, and holy cow, he looked just like Dean Winchester!

No bueno.  Besides the fact that I’m channeling the writing style of 50 Shades of Grey a little here, everyone who reads this is going to process that you’re basically writing Supernatural fanfiction.  That, or they’ll have to Google who Dean Winchester is, which, again, is no good.

Exhibit B:  

The guy got out of the car to make sure Carlos was alright, his short, caramel blond hair stirring in the chilly wind and a smattering of freckles across the bridge of his nose.  His eyes were wide with concern, and as he approached, Carlos could see that they were gold-tinged, peridot green in the late afternoon sun.

Also note that I’m keeping the description a little vague here;  I’m doing this for two reasons, the first of which being that, in general, you’re not going to want to describe your characters down to the last detail.  Trust me.  It’s boring, and your readers are much more likely to become enamored with a well-written personality than they are a vacant sex doll.  Next, by keeping the description a little vague, I effectively manage to channel a Dean Winchester-esque character without literally writing about Dean Winchester.

Let’s try another example: 

Exhibit A:

Charlotte’s boyfriend looked just like Idris Elba. 

Exhibit B:  

Charlotte’s boyfriend was a stunning man, eyes pensive pools of dark brown amber and a smile so perfect that it could make you think he was deliciously prejudiced in your favor.  His skin was dark copper, textured black hair gray at the temples, and he filled out a suit like no other.

Okay, that one may have been because I just really wanted to describe Idris Elba, but you get the point:  it’s more engaging for the reader to be able to imagine your character instead of mentally inserting some sexy fictional character or actor, however beloved they may be.

So don’t skimp on the descriptions!

5.  Don’t be afraid to find inspiration in other media!

A lot of older people recommend ditching TV completely in order to improve creativity and become a better writer.  Personally, if you’ll pardon my French, I think this is bombastic horseshit.  

TV and cinema are artistic mediums the same way anything else is.  Moreover, the sheer amount of fanart and fanfiction – some of which is legitimately better than most published content – is proof to me that you can derive inspiration from these mediums as much as anything else.

The trick is to watch media that inspires you.  I’m not going to say “good media” because that, in and of itself, is subjective.  I, for example, think Supernatural is a fucking masterpiece of intertextual postmodernism and amazing characterization, whereas someone else might think it’s a hot mess of campy special effects and rambling plotlines.  Conversely, one of my best friends loves Twilight, both the movies and the books, which, I’m going to confess, I don’t get at all.  But it doesn’t matter that it isn’t good to me so long as it’s good to her.   

So watch what inspires you.  Consume any whatever movies, books, and shows you’re enthusiastic about, figure out what you love most about them, and apply that to your writing.  Chances are, readers will find your enthusiasm infectious.

As a disclaimer, this is not to say you get a free pass from reading:  I’ve never met a good writer who didn’t read voraciously.  If you’re concerned that you can’t fall in love with books the way you used to (which, sadly, is a common phenomenon) fear not:  I grappled with that problem after I started college, and I’ll be posting an article shortly on how to fall back in love reading.

So in the meanwhile, be sure to follow my blog, and stay tuned for future content!

(This one goes out to my friend, beta reader, and fellow writer @megpieeee, who is a tremendous visual thinker and whose books will make amazing movies someday.)

[writing-prompt-s]

“Before dawn’s light touches us, tell me what you most desire!”

[beaverofrp]

Synonyms for the Word Said

Said Synonyms- Reporting

Added: to enhance an argument

Advised: to warn, to offer help

Announced: to declare formally and or publicly

Asserted: to state positively but having no proof

Called: to capture attention by increased volume

Commented: to explain, interpret, or criticize - to make a remark

Complained: to express dislike or disagreement

Congratulated: to give wishes; to acknowledge an action or deed

Continued: to further or add to an earlier point

Declared: to make known clearly and openly

Informed: to give information, to make known; declare

Lied: to not speak truthfully

Observed: to mention casually

Offered: to suggest; to state

Mentioned: to state briefly; to bring up in conversation

Protested: to formally or openly disagree

Quoted: to repeat words of others; to cite a source

Recalled: to remember or bring up

Related: to make connection; to say allegorically

Remarked: to make a brief, casual statement of an opinion

Remembered: to recall

Reminded: to remember; to mention so as not to forget

Repeated: to say again; to restate

Replied: to answer; to say in response

Reported: to give a formal statement; to give an account of

Reassured: to give additional comfort, support, or evidence

Revealed: to make known; to publish

Stated: to say or paraphrase from official documents

Taunted: to cruelly tease in a mocking or insulting manner

Teased: to annoy or pester; vex

Tempted:  to cause to consider (usually) something bad

Said Synonyms- Explaining

Addressed: to speak directly to sme, respond or answer

Answered: to respond to a question

Asserted: to add or offer additional information

Assured: to soothe, comfort, calm

Broke In: to interrupt, supplying additional information

Cautioned: to warn or advise; strongly suggest

Claimed: to assert or maintain; to state as fact

Concluded: to finish or draw to a close; to understand

Confided: to let in on a secret; to disclose

Described: to give additional information

Explained: to make or offer an explanation

Finished: to conclude or complete

Quipped: to say ironically or unemotionally

Implied: to suggest, hint, or say without saying

Noted: to make mention; to acknowledge

Promised: to give word or make a vow

Puzzled: to say with doubt or ambiguity

Reckoned: to add or submit; to figure or believe

Rejoined: to answer an objection

Replied: to answer a question or comment

Responded: to reply or answer a question or comment

Retorted: to reply to criticism in a sharp, witty way

Returned: to answer an objection; to reply to a criticism or charge

Speculated: to guess using information available

Surmised: to conclude or deduce

Said Synonyms- Arguing

Accused: to charge, slander

Agreed: to concur, to be in harmony

Argued: defend position, disagree or dispute

Chided: to scold mildly; to goad into action

Commanded: lead; overwhelm opposition

Contended: to argue, dispute, disagree

Countered: to dispute, question

Convinced: persuaded; remove all doubt, win over

Disagreed: to be at odds; to not agree

Emphasized: to stress

Exclaimed: to speak suddenly, loudly with surprise

Interjected: to add or assert; to interrupt

Interrupted: to cut off or disrupt; to interject out of turn

Maintained: to assert, to support by argument, to affirm

Objected: to disagree; be in oppostion to

Pleaded: to implore or beg; to speak desperately

Proclaimed: to announce officially; support publicly

Proposed: to set forth a design or plan

Reasoned: to state calmly and with logic

Sassed: to speak back to authority figure; rebel

Screamed: to use high pitch loud voice

Threatened: to say in menacing manner

Warned: to make aware in advance of harm, danger, or evil

Yelled: to shout or use loud voice; scream

Said Synonyms- Suggesting

Chimed In: to add (usually) unwanted advice

Coaxed: to convince against someone’s will; change mind

Dared: challenge, question

Hinted: implies suggestion

Implied: similar to suggest - indicates a definite idea

Insinuated: to convey sth unpleasant in a sly, sneaky way

Intimidated: to say without saying, stresses delicacy of situation

Pondered: to consider; to weigh all options

Suggested: to propose as a possibility, to imply

Urged: To entreat earnestly and often repeatedly; exhort

Said Synonyms- Questioning

Asked: to question or solicit

Begged: to ask in a humble manner earnestly

Blurted: to interrupt or interject, to ask all together

Bugged: to ask repetitively; difficult or unwanted questions

Demanded: to ask for urgently and boldly

Guessed: to infer; to ask without evidence

Hypothesized: to guess, infer

Implored: to ask with fervor, implying desperation or distress

Inquired: to ask, seek information

Insisted: to demand strongly, to declare firmly

Pleaded: to answer a legal charge, to lovingly implore

Questioned: to ask, doubt, or dispute

Requested: to ask (sometimes) formally

Wondered: to say with puzzlement or doubt

Worried: to cause to feel anxious, distressed, or troubled

Said Synonyms- Acknowledging

Acknowledge: reluctant disclosure of something perhaps a secret

Admitted: reluctance to disclose or concede facts

Affirmed: implies deep conviction, little chance of contradiction

Alleged: to assert or declare, especially without proof

Approved: to consent or agree

Avowed: boldly declaring, often in the face of opposition

Boasted: to take pride in, brag or overstate

Bragged: to boast or overstate; be prideful

Conceded: similar to acknowledge and admit  

Confessed: an admission of a weakness, failure, omission, or guilt

Corrected: to instruct more correctly; remove misconception

Denied: not accepted; unused, refused

Disclosed: to reveal something previously concealed

Divulged: to reveal sth that should have remained secret

Fretted: to needlessly worry about small details

Greeted: to acknowledge presence; salute, salutation

Imitated: to copy, mimic or simulate

Jested: to make fun of, tease

Marveled: to speak with wonderment or amazement

Nodded: to move head up and down in agreement

Praised: to speak of with honor; to speak highly of someone

Revealed: to make known that which had been secret or hidden

Uttered: to articulate; pronounce or speak

Volunteered: to give or offer to give voluntarily

Said Synonyms- Sounds & Misc

Babbled: to speak incoherently; gibberish, like baby talk

Bubbled: to speak lively and expressively; with joy

Chatted: to speak informally as to a friend

Chortled: to chuckle gleefully; short laugh of joy

Chorused: to speak simultaneously, together

Chuckled: short, soft laugh; usually to one’s self

Coughed: short, strong expulsion of air from lungs

Decided: finished, set

Echoed: repeated sound

Gasped: heavy breath after scare or physical exertion

Giggled: short, high-pitched laugh from fear or nervousness

Growled: rough, threatening manner

Gulped: to speak taking in large amounts of air as if drinking

Gurgled: to speak with fluid in the throat

Hissed: to speak in evil threatening manner

Hollered: to shout usually to someone at a distance

Lisped: to speak unclearly substituting sounds especially ‘th’

Panted: to speak as if out of breath

Piped:to speak suddenly and loudly

Quavered: to speak emotionally with faltering voice

Shrilled: high pitched shriek

Sighed: to speak with difficulty as if bored

Snickered: to say derisively with a laugh

Sniffed: to say as if about to cry

Snorted: to say with contempt and a short burst of breath

Sobbed: to cry uncontrollably

Sputtered: to speak with difficulty perhaps from impediment

Stammered: repeating words and sounds while missing others

Stuttered: to repeat certain sounds multiple times

Vowed: to promise solemnly; pledge

Wept: to cry softly, quietly

Whimpered: to cry or sob with soft intermittent sounds; whine

Whine: to complain or protest in a childish fashion

Credit to http://www.synonyms-antonyms.com/synonyms-for-said.html

[north-peach]

@wolfsrainrules

weeps

[dwaynepride]

“I could kiss you all day.” With Sonny

Words: 517

Warnings: None

Tags: @n3shama

Bleary eyes blinked open to find Sonny’s face smushed up against his pillow. Despite having only about five seconds of consciousness, the sight of his messy blonde hair, the scruff on his cheeks, slightly parted lips made you snort silently in amusement.

Though, in its own way, the image he presented was rather cute. Sonny even snored lightly from time to time; a fact you’ll most certainly tease him with eventually.

But for now, the sight was too good to leave alone. Not after such a busy week of Sonny coming home late, sleeping in the same bed for just a few hours, and then going right back to work in the early morning. You missed him. A lot. So much so that you carefully started dragging yourself closer. Slowly, so you wouldn’t wake him and ruin the sleep he desperately needed.

Keep reading

[multific]

Married

Warnings: mob stuff…duh

A/N: I just read probably all existing Satino imagines, one shots, headcanons, everything. And I decided to write my own, I hope everyone likes it.

You went to a club, it was a simple girl’s night, you husband just left for a business meeting, leaving you alone. You didn’t want to sit at home doing nothing, so you dressed up, and went to town.

You sat down, alone, at the bar. You decided to have a few drinks, a little alcohol never hurt nobody.

Keep reading

[writing-prompt-s]

The sound suddenly stopped. A noise every living being has heard all their lives, for millions of years. A tone so constant and omnipresent, it is only noticable by its absence. The sound has stopped.

[rosecomposition]

Piano Lessons

Fandom: Bangtan

Pairing: Jungkook x Reader

Genre: Fluff

Description: Jimin recommends a friend to help you with a piece.

"Damn it." You laid your head against the piano keys, ignoring the blaring noise as you sighed in frustration.

"Y/N?"

"Yes?" You answered, not looking up to see who it was.

Jimin sat down next to you, a comforting hand on your shoulder. "Piano lessons again?"

You nodded as he gave a comforting smile.

"It wouldn't be so bad if there was someone to help whenever my instructor isn't available."

You shifted your head to the side to Jimin's face, his eyes looking up as if in deep concentration.

"I know just the person. I'll be back in a second Y/N."

Returning with Jungkook in tow, Jimin gave him a light push in your direction.

"Jungkook-ie here will help you."

You turned your face away, a slight blush warming your cheeks. Out of the corner of your eye, you noticed Jimin whisper something to Jungkook, who began blushing himself.

"I'll leave you two to... Do whatever it is you kids do." Jimin waved his hand in a shooing motion before leaving.

"So... Y/N..." Jungkook to say after neither of you said anything for a minute.

You scooted over on the bench, making room for him as he came to sit next to you.

"Is this the piece you're working on?" You nodded, beginning to feel relaxed in his company.

You placed your hands on the keys, taking a deep breath before starting. You were doing well until you skipped over a note, throwing the count off.

"That's where I keep messing up." You pointed out the spot on the sheet music. Jungkook leaned forward, nodding in understanding.

"Yeah that's a difficult part. Here, let me try." Jungkook began to play, nailing every note as you pouted next to him.

"Aww come on Y/N, don't look at me like that!" He exclaimed when he saw your face. Grinning, he stood up so that he could stand behind you.

"Okay put your hands here, so that we can start in the middle and focus on this one spot." You complied, placing your hands on the keys.

Jungkook placed his hands over yours, guiding you gently through. Once you finished without messing up, he removed his hands and told you to try to play it without him. Going through slowly, you hit each note.

"See? Told you you could do it."

"No you didn't. You didn't even say anything." You stuck your tongue out at him as he sat next to you again, his arm sliding around your waist.

"Aww look at my babies!" Jimin screeched, peeking out from around the corner.

You both turned to look at him, mirror expressions of confusion on your faces.

"You like Jungkook, and Jungkook likes you. This is working out perfectly."

You turned to face Jungkook, a grin etched onto both of your faces. Jungkook leaned forward to give you a quick kiss, your heads resting against each other.

"You didn't tell Jimin we were dating already?" You questioned as Jimin stood there, his mouth hanging open.

You only shook your head as you rested your head on his shoulder. "Thank you for helping me."

"No problem Y/N."

"I love you."

"I love you too."

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