Red is the color of lust, but green is what lust leaves behind, in heart, in womb. Green is what is left when ardor fades, when passion dies, when we die, too.
The Green Knight (2021) dir. David Lowery

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@rosemooncinnamon
Red is the color of lust, but green is what lust leaves behind, in heart, in womb. Green is what is left when ardor fades, when passion dies, when we die, too.
The Green Knight (2021) dir. David Lowery
divine contact by zayn qahtani, 2022, graphite + colour pencil + chrome gilt polylactide + bahraini date palm paper + recycled cotton paper, 30 × 23 centimeters
jenny holzer
"New Year" by Rashid Dominov (1981)
The Women of Amphissa by Lawrence Alma-Tadema (1887)
everyone in this room will someday be dead- emily austin
100 ꜰᴀᴠᴏʀɪᴛᴇ ꜰɪʟᴍꜱ
61/100 — pride & prejudice | 2005
dir. joe wright ༄
Japanese Maple Tree in Winter
Alfred Eisenstaedt ~ Ballerinas standing between barre and round windows against which they are silhouetted during rehearsal in the Attic of the Paris Opera House, 1930 (for Life magazine) / src Fnac
more [+++] by this photographer
Alfred Eisenstaedt #botd (December 6, 1898 – August 23, 1995)
Edward Okuń (Polish, 1872-1945) • Four Strings of a Violin • 1914
Vase with Zinnias and Geraniums painted by Vincent van Gogh (1853 - 1890)
‘Ottoman Beauty with a Butterfly’ by Harold H. Piffard (British, 1867–1938)
Laurits Andersen Ring - At Breakfast (1898)
Some of the pages and covers of Percy Shelley’s notebooks (1811-1822) — accessed through the Digital Bodleian Library
Alice Keelhoff, Family Relics (1973)
reading in bed. painting by marta astrain.