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@theartofmadeline

roma★
todays bird

Discoholic 🪩

Origami Around
Misplaced Lens Cap
occasionally subtle

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blake kathryn

Kaledo Art
ojovivo
One Nice Bug Per Day

#extradirty
Peter Solarz
AnasAbdin
DEAR READER

祝日 / Permanent Vacation

oozey mess
wallacepolsom

seen from Malaysia

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seen from United Kingdom
seen from Indonesia
seen from United States

seen from Italy
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@rosskt1989
2012 | 2021
You’ve been calling my bluff on all my usual tricks So here’s the truth from my red lips
That oughta do it.
aarondessner : @taylorswift's "Fearless (Taylor's version)" is out everywhere today. I was honored to play a part in helping Taylor reinterpret and reclaim her past. Thank you so much to @marenmorris and @keithurban for lending their incredible voices and @heyjonlow, @kaufyismynamo, @brycedessner, @strangeamerica, @kresnick and @kiyukiyukiyuki for joining us on the two "From The Vault" songs I produced: "You All Over Me" and "We Were Happy". Hope you enjoy the entire record!! We had so much fun making these songs.
Taylor rerecording some of her past work with Aaron Dessner
Cardigan, I just love how this song feels just like that old cosy cardigan we all have. Its brand new but yet feels like something I've known forever. Warm, comfortable and cosy.
Most of the things I had planned this summer didn’t end up happening, but there is something I hadn’t planned on that DID happen. And that thing is my 8th studio album, folklore. Surprise 🤗Tonight at midnight I’ll be releasing my entire brand new album of songs I’ve poured all of my whims, dreams, fears, and musings into. I wrote and recorded this music in isolation but got to collaborate with some musical heroes of mine; Aaron Dessner (who has co-written or produced 11 of the 16 songs), Bon Iver (who co-wrote and was kind enough to sing on one with me), William Bowery (who co-wrote two with me) and Jack Antonoff (who is basically musical family at this point). Engineered by Laura Sisk and Jon Low, mixed by Serban Ghenea & Jon Low. The album photos were shot by the amazing Beth Garrabrant. Before this year I probably would’ve overthought when to release this music at the ‘perfect’ time, but the times we’re living in keep reminding me that nothing is guaranteed. My gut is telling me that if you make something you love, you should just put it out into the world. That’s the side of uncertainty I can get on board with. Love you guys so much ♥️
This is completely unexpected, at first I thought it was a hoax then realised no this is real! I'm looking forward to listening to the new album now as soon as it is out finally something to look forward to after such a terrible year.
folklore.
I've lived for thousands of years, so long I've lost count.
Laughs in European
Headlights pass the window pane, I think of you.
Don’t know what else to do
Guys - It’s been announced recently that the American Music Awards will be honoring me with the Artist of the Decade Award at this year’s ceremony. I’ve been planning to perform a medley of my hits throughout the decade on the show. Scott Borchetta and Scooter Braun have now said that I’m not allowed to perform my old songs on television because they claim that would be re-recording my music before I’m allowed to next year. Additionally - and this isn’t the way I had planned on telling you this news - Netflix has created a documentary about my life for the past few years. Scott and Scooter have declined the use of my older music or performance footage for this project, even though there is no mention of either of them or Big Machine Records anywhere in the film.
Scott Borchetta told my team that they’ll allow me to use my music only if I do these things: If I agree to not re-record copycat versions of my songs next year (which is something I’m both legally allowed to do and looking forward to) and also told my team that I need to stop talking about him and Scooter Braun.
I feel very strongly that sharing what is happening to me could change the awareness level for other artists and potentially help them avoid a similar fate. The message being sent to me is very clear. Basically, be a good little girl and shut up. Or you’ll be punished.
This is WRONG. Neither of these men had a hand in the writing of those songs. They did nothing to create the relationship I have with my fans. So this is where I’m asking for your help.
Please let Scott Borchetta and Scooter Braun know how you feel about this. Scooter also manages several artists who I really believe care about other artists and their work. Please ask them for help with this - I’m hoping that maybe they can talk some sense into the men who are exercising tyrannical control over someone who just wants to play the music she wrote. I’m especially asking for help from The Carlyle Group, who put up money for the sale of my music to these two men.
I just want to be able to perform MY OWN music. That’s it. I’ve tried to work this out privately through my team but have not been able to resolve anything. Right now my performance at the AMA’s, the Netflix documentary and any other recorded events I am planning to play until November of 2020 are a question mark.
I love you guys and I thought you should know what’s been going on.
Taylor
Taylor Swift City of Lover Concert in Paris, September 9, 2019
the necklace™️ is back y’all