FRANKENSTEIN (2025) : dir. Guillermo del Toro
been thinkin about them again

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"I'm Dorothy Gale from Kansas"
sheepfilms
he wasn't even looking at me and he found me
taylor price

titsay

shark vs the universe
cherry valley forever
art blog(derogatory)
trying on a metaphor
wallacepolsom

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Discoholic 🪩
I'd rather be in outer space 🛸
Lint Roller? I Barely Know Her
Jules of Nature

oozey mess

❣ Chile in a Photography ❣
RMH

Kaledo Art

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@ruby-moon23
FRANKENSTEIN (2025) : dir. Guillermo del Toro
been thinkin about them again
I KNOW IM LATE BUT I DONT CARE! WE FINALLY HAVE NEWS ABOUT E DAY AND IM NOT GONNA SHUT UP ABOUT IT AND NO ONE IS GONNA STOP ME AND IM GOING TO DRIVE EVERYONE I KMOW CRAZY WITH THIS SHIT BUT INDONT GIVE A DAMN AND I JUST NEED JUNE TO GET HERE NOW
i apologise in advance for the person im going to become once dune 3 is out. it's happening again, folks. strap in.
i apologise in advance for the person im going to become once dune 3 is out. it's happening again, folks. strap in.
love an unhinged scary woman
just saw the avatar movie, i am OBSESSED with her
𝐕𝐚𝐫𝐚𝐧𝐠 Warming up doodle of Varang from Avatar: Fire & Ash. Really hope I can see the movie the upcoming weeks. I'm a big fan of Avatar, esp the world and creature design. And I just loved Varang's design from the first time I saw her ❤️
queen
Varang was a fuckin awesome villain. Oona Chaplin really recovered from that wedding in her last big project.
Avatar: Fire and Ash (2025) Oona Chaplin / Varang
Varang and the whole Mangkwan clan are batshit crazy and I'm absolutely here for it.
FRANKENSTEIN (2025) : dir. Guillermo del Toro
Happy Birthday
Hellboy (5th October 1617)
Hellboy
Happy Birthday to my favorite boy❣️
reblog if you're corny and insufferable
@ruby-moon23
yeeeep lmao
if christmas can start on November 1st, then Halloween can start today (July 5th)
HAPPY HALLOWEEN!
One of the things that always drives me insane is seeing people try to work out coherent chronology and continuity of the Mad Max series, and the thing that makes me crazier is when people push back on this by being like "it's a dumb movie about crazy driving and explosions! it doesn't NEED to make sense!" because in reality the lack of a defined chronology or continuity is a feature, not a bug, and the reason for it is not that the movies are too dumb to be held to that standard, it's that the movies are much smarter than anyone trying to Figure Them Out give them credit for
The short version of my explanation is that, in the Mad Max series, "Max Rockatansky" does not exist any more than "Jack" is a single boy who slew a giant, jumped over a candlestick, and went up the hill with his sister Jill
The long version is that the Mad Max series is a narrative within a narrative, with the movies being legends and campfire stories, an oral tradition of the storytellers of the wasteland, all of whom are, to some degrees, unreliable narrators because they're telling stories of things that happened a long time ago from their point of view, if they happened at all. The events of the movies are likely either exaggerated or outright invented whole-cloth in the same way that the myths and legends of antiquity were. "Mad Max Fury Road" is the founding myth of the Citadel, and if the Citadel is Rome, then Furiosa is their Romulus.
At some point, someone founded Rome, and the character in that legend may have been based on a real man, but how that man aligns with the myth is almost immaterial. The myths and legends of antiquity, crucially, all took place in what the ancient world would consider "the ancient world," in a mysterious far-off time period when the gods still mingled with mortals. Whether Max or Furiosa or Immortan Joe or any of the characters we see in the movie "actually existed" within the movie's world is as irrelevant as whether The Real Herakles at the root of the legend was actually the son of Zeus. In the story, he is.
"Max" as a character exists on the screen because a lot of the real stories in that world involve mentally unstable loners with obvious PTSD showing up, helping people out of a situation, and then leaving without telling anybody anyone about himself, and the oral histories and myths reflect that. "Max Rockatansky" is a stock character whose general identity and loose backstory is retroactively ascribed to any characters in any legend who fit that basic description.
To try to figure out the chronology and continuity of the Mad Max movies or the associated protagonist is like trying to figure out how it's possible that The Big Bad Wolf is killed in both "The Three Little Pigs" and "Little Red Riding Hood," or determine in what order Prince Charming married so many different fairytale heroines or why he never mentioned any of his past wives.
And, for the record, just to be clear so it doesn't seem like I'm overthinking this-- this is shown explicitly in the narrative, the second movie uses The Campfire Stories as an unambiguous framing device. The filmmaker behind the series has outright stated this is an intentional choice he made. This isn't just me taking the car explosion movie too seriously, this is the explicit text of the series
Mother FUCKER.
I feel so vindicated in my “Mad Max Fury Road is the latest descendant in humanity’s 3+ millennia history of creating epics” thesis, holy shit.
I walked out of the theater after seeing it for the first time thinking, “That was Aeschylus. That was Homer. That was Sophocles.” Human beings up against forces beyond their ken who still find a way to meet their destiny, defy the gods, strike down the oppressor. Destiny/fate in the Oedipus Rex cycle (and the ancient consciousness generally) is a circle, not a straight line - you can run as far as you want from the fate you’re destined to fulfill, but in running, you end up in the very situation you were running from. No SHIT they turn back to the Citadel in the fifth act rather than try to escape across the flats. That would have been the Hollywood deconstructionist ending. But George Miller tapped into this ancient vein of storytelling that, again, goes back MILLENIA and remixed the Iliad, the Eumenides, and Antigone all at once. With the most badass effects of any movie of this century to back it up.
I repeat:
Mother fucker.
he's found out he can have commercial success by making the monster fucker girlies horny and he's going full speed ahead
@ruby-moon23