printed picture of my great-grandma on a silk slip
noise dept.
$LAYYYTER

Kaledo Art
dirt enthusiast
Today's Document
Xuebing Du

#extradirty

Andulka
Cosmic Funnies

ellievsbear
"I'm Dorothy Gale from Kansas"
PUT YOUR BEARD IN MY MOUTH
Monterey Bay Aquarium
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❣ Chile in a Photography ❣
DEAR READER
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JBB: An Artblog!
wallacepolsom
almost home

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@rupalinodi
printed picture of my great-grandma on a silk slip
Harley Weir Beauty Papers
SANDY LIANG: Leather Mary Jane Pointe Shoe (Black)
i don’t even know what to do. every single day i don’t even know what to do
my roles in life
GIRL ON VERGE OF NERVOUS BREAKDOWN
RECLUSE
GIRL #6
EMOTIONAL EXHIBITIONIST
GIRL WITH BLISTERS ALL OVER FEET
SNOBBY RELATIVE YOU CANT RELATE
student :) daughter :) friend :)
BITCH
CRASH (1996) dir. by David Cronenberg
“It’s all very satisfying. I’m not sure I understand why.”
Nakshi kantha (Bengali: নকশি কাঁথা) is a type of embroidery tradition from Bengal region, i.e Bangladesh and Indian states of West Bengal, Tripura and part of Assam. The basic material used is thread and old cloth. Traditionally, kantha was produced by women strictly for the use of the family. However, these days after the revival of the nakshi kantha art form, they are produced commercially.
The name nakshi kantha is derived from the Bengali word naksha, which means artistic patterns, and kantha which originated from the Sanskrit word kontha, meaning rags, as kantha is made of rags. Traditionally kanthas had a white background accented with red, blue and black embroidery; later yellow, green, pink and other colours were also included. The running stitch called 'kantha stitch' is the main stitch used. Even though no specific strict symmetry is followed, a finely embroidered kantha will always have a focal point. Most kanthas will have a lotus as focal point, and around the lotus there are often undulating vines or floral motifs, or a shari border motif. Other motifs may include solar, lunar, wheel, swastika or other circular images as well as flowers, leaves, birds, fish, and animals. Although most kanthas have some repeated traditional motif, no two naksi kanthas are same and the individual style of the artist is retained.
1 / 2 / 3 / 4 / 5 / 6 / 7 / 8 / 9 | textile series
she worked her way into his mouth.
sl33zyskiz collage made by me
It's that time of the year again
*balam pichkari starts playing in the background*
Hajime Sorayama: The Gynoids (1994)
id never suck someone 'silly' it is serious to me.
Devdas (2002) Dir. Sanjay Leela Bhansali
Listen: my father speaks Urdu language of dancing peacocks rosewater fountains even its curses are beautiful. He speaks Hindi suave and melodic earthy Punjabi salty rich as saag paneer coastal Kiswahili laced with Arabic, he speaks Gujarati solid ancestral pride. Five languages five different worlds yet English shrinks him down before white men who think their flat cold spiky words make the only reality.
- Shailja Patel, 'Dreaming in Gujarati'