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#extradirty
Alisa U Zemlji Chuda
$LAYYYTER
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祝日 / Permanent Vacation
Today's Document
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@ruth-dw
For @bunn1cula and @mrs-underhill22
OMG, @bunn1cula / Tynus has her Liberator necklace on!
friendly reminder that findtags is the best way to search tumblr’s absolutely destroyed tag system. it actually accurately looks through the tags without omitting results. it’s the only thing i use at this point because it’s the only thing that works
Whisking whisker
(via)
New Star Trek headcanon just dropped: Geordi and data regularly hang out in the dark and Geordi sometimes forgets that people need light to see
This is so incredibly important how dare you hide this in the tags /lh
Pov you walk into a pitch black room and you see two creepy glowing android eyes, two flashing red lights, and the fucked up thing cats' eyes do in the dark
Further hc that Data can't actually see in the dark either.
He's just never thought to mention this because he has a photographic memory and direct neural access to all of the Enterprise's schematics, and therefore doesn't actually need sight to know where everything is.
okay no cause like i love this.
Ok but imagine the Enterprise goes to help people on this planet where everyone lives underground in the dark because of radiation or something. Like it's bad enough that hundreds of generations have lived underground and, over the course of time, have adapted to the darkness so well that light sources actually hurt them. So Picard has to figure out how to help them without sending people in with lights.
And the obvious answer is to send Geordi down, but the settlements are so far down the communicators cut out and Picard isn't sending anyone into that alone.
"Data and I should be able to handle it," Geordi says. "Neither of us need light to see and Engineering can manage fine without us for a few hours."
Picard nods and is on the verge of sanctioning the mission with his trademark, "Make it so," when Data speaks up.
"Actually, my visual sensors are designed to be as much like the human eye as possible," he says. "They only process information transmitted by the reflection of light off physical surfaces. My ability to function onboard Enterprise in unlit spaces is due to my memorization of both the ship's schematics and the design preferences of those whose quarters I visit regularly."
Behind his visor, unbeknownst to the rest of the crew, Geordi blinks as he tries to process this new information. He's almost about to apologize to Picard and Data for the assumption when Data continues.
"However, I would be able to integrate the information from our tricorder scans to navigate without much difficulty. I could accompany Geordi to the settlement and provide some level of assistance."
Picard looks a bit confused at the correction, but nods. "Make it so."
Later, when they've beamed down into the caverns, Geordi asks why Data never mentioned that he couldn't actually see in the dark. He would've turned the lights on if he'd known.
"I did not need it," Data answers simply, as if that was explanation enough.
"Data, most people like the lights to be on, even if they don't need it," Geordi points out. "It's a comfort thing. And polite, too, I guess."
Data pauses, processing. "I was not uncomfortable, nor did I find the lack of light to be rude. I enjoy our conversations in the dark."
"Huh." Geordi stops, watching as Data continues down the tunnel a bit further. "But you keep your quarters dark sometimes, too."
"Spot is nocturnal," Data explains. "I have read that it is important for cats to maintain a sense of routine, including a regular day and night cycle."
"You do your work in the dark for Spot?"
"For my friends."
Oh god this is adorable! I love it!
@loathsome-aesthete’s got the Avon pose nailed, I think!
This is a working replica Orac - the original was also there but no longer functions.
I don’t know if you heard him at the time, @loathsome-aesthete, but on rewatching this tiny clip you can hear that in the background the owner of the model is saying, “dressed as Avon, you can’t say no, can you?”
Fun fact: I nearly walked backwards into Michael Keating while trying to get pictures of LA with this prop. That would have been super embarrassing.
That’s me in the background!! An awesome thing to see a working Orac. He’s done good👍🏻
I don't think I've seen this reblog before! Which one is you?
The thing that works about Blake's 7, fundamentally, is that revolutionary freedom fighter and do-gooder Blake is written as a good guy and a hero. And Gareth Thomas chooses to play him as a baddie (he's talked about it in interviews) meanwhile, his foil - his untrustworthy, self-centred sidekick Avon - is written as a nasty piece of work. But Paul Darrow is utterly convinced he's the hero of the show, and plays him as one. And so there's a constant tension, with both actors choosing to play against the way they've been written; the tension between the characters is there in the script, but with both actors undermining the text by reinterpreting the roles, there's this extra layer of ambiguity threading through all of it. There's a third layer here, which is the presence of Kirk and Spock. Kirk is a do-gooder heroic space captain with a big heart, and Spock is his friend - the more reserved and unemotional Vulcan that always acts from logic. Blake and Avon - sort of - fill these familiar genre roles. And yet that isn't quite right either. Avon certainly self-identifies as a logical, unfeeling person - but it's not even slightly true. Avon is a wreck behind a mask, and as the series progresses his feel-then-act-then-think decision making becomes more and more prominent - fatally so. Meanwhile - Blake certainly cares, but his caring is tempered by ruthlessness; he loses it in the first episode; he never does so again. Wanting to save the world might make him a bleeding heart by conviction, but day-to-day he has got his heart clamped down. Unlike Avon (whose love life is a trashfire), hero-of-the-show Blake has no romantic partners. A clearly signposted romance with the female lead evaporates. He either feels nothing, or is fully on top on what he is willing to allow himself. Blake is charismatic - or manipulative: notable episodes where he seems to be overcome by guilt or emotion are undercut by how effective his emotional response is at getting his unwilling crew to do exactly what he wants. So that's the dynamic. A hero, being played as a bad guy, seemingly all heart but in practice all head; and a baddie, being played as hero, defined by callous logic which he never lives up to, because he feels everything acutely and can't restrain it. And they don't get on, and they're stuck together, and they're obsessed with one another. That's what makes the relationship crunch, what elevates the show above others of its era. The contradictions and the ambiguity make it compelling - make it fruit for a thousand fanworks - make it infinitely rewatchable and reinterpretable (as I am sure there are commenters on this post ready to vigorously disagree with my readings!) But there's a lesser version of this show "played straight", that follows the script and the expected genre tropes - where little disagreement would be possible; headcanons and AUs, yes, but not right there in the text, a constant uncertainty of how far anyone is who they say they are and who they seem to be. You can disagree with my readings, but the contradictions between actors, text and genre create the gaps in which those disagreements can take place. An uncertain universe for an audience to interpret at their peril; a fan who trusts can never be betrayed,
screencap study. need to draw stuff that isn't Avon but... the lighting in this shot was really nice