@s3t0 - Tumblr Blog

this is a blog for my oc's ^__^

@rayver | @panellefruit

oc carrd | toyhouse (outdated)

inthesensethat-deactivated20240

lysandros, in life, is a rather reserved character. yes they might have been one to indulge in their sexuality every now and then but they mostly travelled and fought alone, apart from where *chilles and the tr*jan war called for them or even for when the gds took favour on them. although being a particular devotee of h*des, and a gd in their own right, the likes of ares and apollo were quite fond of them. in death they're one to lament and to keep to their work, to curse ares, to work as a seer, and to eventually work alongside two mortals and a vampire

#oc: lysandros

polka defects, actually, at some point. the guilt eats her up inside but she knows theres no one back at home waiting for her, and in less than ten years she might become "obsolete", so she has no choice but to remain in am*rica if she wants to stay alive. at this point MS is dead and her life purpose has been fulfilled and she can attempt to regain some of her autonomy or the freedom of childhood, but it's an odd concept and she wouldn't know where to start

#oc: polka

gatheringbones

a list of character questions:

what does this character want?

how are those wants limited by their present circumstance, current perception, their past experiences, and the scope of their imagination and language

what do they not know they need?

what needs to happen to them to transform them into a freer and more fully realized version of themselves?

what light does their existence shed on the personalities around them? what qualities do they bring out in other people?

what kind of personality would be very annoying for this character to be around? or pleasurable? or confusing?

what is the last possible combination of events this character would ever want to have happen to them? how can you do that to them?

gatheringbones

for romance:

who does character A realize they themselves are in the context of their interactions with character B?

What role(s) do they inhabit during these interactions?

What qualities are brought out in them?

What do these roles and qualities mean and what do changes do they provide the catalyst for?

How do the characters think and feel about this?

How much do they notice how they think and feel?

gatheringbones

for plot:

if your protagonist is solving a specific problem or achieving a specific goal, how would you describe the intersection of systems that led to the formation of this problem/goal?

what are smaller, more immediate metaphors for these larger systems that your protagonist could encounter early on in the story to give them that initial understanding of what you want them to face later?

how are other characters involved in this slow evolution of related concepts? what part do they play in this deliberate demonstration of related ideas?

If your protagonist has to learn something in order to solve/gain something, and you wanted a secondary character to matter to them (and the reader) very much, how could you involve that secondary character in that learning process in a way that is meaningful and compelling?

#character prompts