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@sacred-architecture
Grundtvigs kirke  ©Shinji Aratani
(vĂa Grundtvigs Church on the Behance Network)
John Pawson, Wooden Chapel, Unterliezheim, 2018
www.johnpawson.com/
Cathédrale Saint-Pierre, Beauvais, France.
Sens dessus dessous.
Church of the Immaculate Conception Hans Fackelmann
Model of Iglesia de Iesu, Rafael Moneo, San Sebastian, Spain.
JOHN PAWSON, renovated the Church Moritzkirche, Augsburg, Germany, 2008-13
Hybrid Modernism. Churches in Kerala by Haubitz-ZocheÂ
Photographer Stefanie Zoche of Haubitz-Zoche has captured a series of vibrant images showcasing the âhybrid modernismâ churches of the Southern Indian region of Kerala. The images below, also available on the artistâs website, depict the blend of modernist influences and local architectural elements that defined many Indian churches following the countryâs 1947 independence.
As Zoche explains, the post-independence Indian church establishment sought to differentiate itself from the historic colonial building style, and hence drew inspiration from the modernist icon Le Corbusier. The buildings in Zocheâs gallery often display an âeffusively sculptural formal language and a use of intense colorâ with Christian symbols âdirectly transposed into a three-dimensional, monumental construction design.â
bergkapelle kendlbruck ~ hannes sampl | photos © albrecht imanuel schnabel
A series of contemporary religious architecture that show how architects are breaking the creative boundaries of design
Westminster Abbey extended with âsteampunk gothicâ tower by Ptolemy Dean ArchitectsÂ
Ptolemy Dean Architects has added a star-shaped tower to Londonâs Westminster Abbey, the most significant addition to the building since 1745. Standing at seven stories tall, the ÂŁ23 million Weston Tower is a modern take on gothic, which has been been described as âsci-fi gothicâ by Guardian critic Olly Wainwright, and âsteampunk gothicâ by broadcaster and critic Tom Dyckhoff. Designed by Ptolemy Dean Architects, the tower has been built to provide access to the Queenâs Diamond Jubilee Galleries, which open to the public on 11 June, 2018.
Domus Alba by Federico Scarchilli
CISTERCIAN ARCHITECTURE IN ITALY
Domus alba is an imaginary reign build with stone, a natural uncolored material which evokes valors that have been forgotten with modernity. Domus alba aims on bringing back the human being in his primitive spiritualness, indeed these way of thinking is disappearing by new generations.
Domus alba tries to reconstruct our spiritual identity and connecting it with the higher power: this place helps to separate us from our world that is dominated by hyper saturated colours, it estranges from the unstoppable frenzy that burns instantly our lives and from those delirious sounds we hear daily.
Domus alba is a rest-land that can save you after the storm, where you can finally hear silence again elevating yourself and mind is able to restore its greatness.
Chapel Salgenreute by Bernardo Bader Architects
Photographer Visits 20 Catholic Churches to Capture the Grandeur of Pipe Organs
Kapelle Salgenreute in Krumbach
In the words of the architect Bernardo Bader Architects:
Topographically attractively situated at the NagelfluhrĂŒcken, next to the Krumbacher moor, the existing Lourdes âChapel was rebuilt. A renovation of the old chapel was no longer possible and to regenerate the existing was not the desired aim of the community of Krumbach. Rather, to use the existing knowledge and the courage to create the new. Â Several years of designing and constructing made an exemplary project visible. More than a hundred of volunteers made it possible to realize the project.Â
The chapel Salgenreute unites the historical and traditional aspect that characterizes many places in the Bregenzerwald. The chapel is built out of wood and stone. The sun is going to change the wooden façade â it will turn darker, black in the south, silver-grey in the north, just like the old farmhouses from the area. The basic shape is based on the existing 200 year old chapel and includes a main ship as well as an apse. The shape of the room is new â an outstanding steep rising spatial folding made out of wood. The inside of the chapel is dominated by  the homogeneous material of the wall and the roof. The light that shines through the frontal window is providing a special atmosphere. The statue of mother of God, originated from the existing building, is arranged in an other way than in the classical concepts at the side of the apse. The view straight ahead through the white apse leads directly into the nature. Whoever enters the chapel leaves the solid ground and proceeds a reflective journey.
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