That is, if you haven’t already. There’s that sick feeling in her stomach again. Nothing matters. Everyone she aches for now may one day repulse her, or leave her, or decide they just need a break from her dramatics. She wouldn’t even blame them. She’s sick of herself sometimes.
She thinks about the inevitable drift a little too long. The distance.
It’s already happening. Willow knows. She’s too perceptive, too analytical, too much of an over thinker to remain oblivious to it. Or maybe it’s just the unmedicated OCD. She’s been thinking about going back on her medication for that. She’s also been thinking about leaving the country without a word. Cutting all ties and making them all miss her. She really should get back on her meds.
“Do you two love each other?” Willow asks. She feels small and stupid. Wishes her question had some venom to it, but she’s unfortunately earnest in her ask. “Are you in love?”
Language falls short. Love is such a small, trite word. Cheap. Chintzy. Teddy bears and Hallmark cards, red roses and wedding dresses, a quaint human pastime. To call their centuries together love feels laughable and alienating; it misses the mark.
But Valentina cannot describe this to the younger ones—least of all Willow, who seems to measure everything by human language and emotion, at least as she currently understands them. As the children age, they will come to see the intricacies of this existence, the way certain concepts—certain words—fail, lose their meaning and merit.
But for the purposes of this conversation, love, she supposes, is the closest word they have. She laughs, nods, shrugs.
“Yes. We love each other very much.”















