sapphic yue rights 2022 @sailorfables - Tumblr Blog

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milowing

the father (dolly parton), the son (sabrina carpenter), and the holy spirit (miss piggy)

kataraslove

ships so good they get official artwork depicting their connection as spiritual

#korrasami #kataang

whatifitookalilnap

Hate to say it but he makes an excellent point:

#legend of korra #korrasami

rainintheevening

I am definitely in love with Edmund fighting with Peter's sword, and Lucy with Susan's bow in the final fight with the sea serpent in the Dawn Treader movie. That connection to their siblings in a time of horror and darkness, even as they move forward and commit new deeds of bravery with the old and storied weapons. Very, very nice touch.

#edmund pevensie #lucy pevensie #narnia movies #narnia

mozart-the-meerkitten

So I rewatched The Lion the Witch and the Wardrobe today and I gotta say it's weird to me that people misunderstand Edmund and rag on him about getting taken in by the White Witch because it could have happened to any of the siblings.

In fact, Lucy does the exact same thing Edmund does when she first comes to Narnia. She trusts the first person she meets, goes to his house, eats his food and is put under a spell. Literally the only difference is that Tumnus regretted his actions because he wasn't evil. The White Witch had no regrets about how she manipulated Edmund, but the fact remains that she and Tumnus do the same things.

If Lucy had encountered the Witch the first time she was in Narnia, it would have been incredibly easy for the Witch to trick her, probably without even using enchanted food. Lucy was very willing to trust Tumnus until he actually told her he was kidnapping her. If the Witch had been charming with her and asked her to bring her siblings to Narnia Lucy would have tried, just like Edmund.

Susan wouldn't have been much harder, but she would definitely have required some sort of spell since she's so skeptical. But we know that, presented with the actual evidence that Narnia exists, Susan does accept it. From there it'd be fairly easy for the Witch to manipulate her by playing off how Susan's siblings don't like to listen to her logic even when she's right or has better ideas. I think Susan would also like the idea of being a queen and making her siblings listen to her.

Peter is a little harder, just because he's older and more cautious, but I think that it could be done. He has, honestly, the same vice as Edmund at the beginning. He's frustrated at the defiance his little brother is giving him and overwhelmed by the situation he's in. If the Witch could convince him that, when she made him king, his siblings would finally obey him, I think that he, like Edmund, would fall for it (especially if magic was involved in tricking him).

So, yeah, Edmund is just the kid who happens to get taken in by the Witch, but it could have been ANY of the siblings who betrayed the others. And that's the point. Edmund could be any of us- and at the same time, he is all of us. "For all have sinned and fall short of the glory of God." That is the point that Lewis is making with Edmund. It is so easy to let ourselves be deceived when we hear what we want to hear, because that road seems so much easier. But in the end it traps us and enslaves us, like Edmund was to the Witch, and there is only one who can pay the price for our betrayal.

#narnia #the chronicles of narnia #the lion the witch and the wardrobe #edmund pevensie #susan pevensie #lucy pevensie #peter pevensie

kingorqueenofnarnia

TCON HEADCANON

I've seen so many people say "Susan is the mum", "Susan is the mother figure", "Susan is motherly" AS IF PETER MOTHERFUCKING PEVENSIE ISNT RIGHT THERE

Have you seen that boy? He is the Mum of the four. He is the mother figure. He is the Mother Hen. He has Eldest Daughter Syndrome™ and as an eldest child myself I CAN ATTEST TO IT. Look me in the eyes and tell me I am wrong. I dare you.

Susan gets her cheek kissed against her will and he has a dagger at the offender's neck. Susan, who has her own dagger out, rolls her eyes and glares at him until he sulks away with a pout scowl.

Edmund gets wounded in battle and Peter shoves all his duties onto the girls' shoulders, spending day and night at his little brother's side, wiping his forehead and dressing his wounds and pressing kisses to his brow every other minute.

Lucy latches onto his back and he doesn't say a word, simply carries on with his royal duties and ignores the looks he gets from the courtiers and lords. She spends the entire day hanging off his back, and he occasionally reminds her that "I do need to breathe, Lu, loosen your arms a little."

Any one of them turns to him with wide eyes and their bottom lip stuck out, and my guy cannot deny them. He just pinches the bridge of his nose and sighs. They can have whatever they want as long as they stop making that face at him, please, for the love of Aslan.

All three of them keep calling him Mama Bear. He cannot get them to stop. Random Narnian children are picking up the habit now, because of them.

He's tired. Exhausted. And annoyed, oh Great Lion, so annoyed.

He loves his siblings but they are exhausting, and he wants to sleep without one of them causing a mess. He just wants one night when he can actually sleep through the night.

#narnia #the chronicles of narnia #peter pevensie #pevensies #pevensie siblings

rainintheevening

It's Edmund who figures it out first, you know, who Aslan is. Like, a week after they're back in England, they go with the Professor to the little village church, and they stand and sing Amazing Grace, and the rector preaches something about Jesus dying for sinners, and Edmund is nailed to the pew with utter certainty: That's Aslan.

He doesn't say it directly to anybody, he has to chew it over, has to test it and try it, and see if it holds true. He and the Professor have many lively discussions about what Narnia actually is, what it's for, what other worlds would mean for science or philosophy or theology. But every time he goes back to the Bible and reads it, he finds echoes of Narnia, echoes of the Lion's voice, and the truth settles into him, becomes something solid and certain deep down inside.

Peter... sees the possibility almost as quickly. He's not so sure of it though, is a bit shy of something so incredible, doesn't want to get it wrong. He wants it to be true. He thinks about it a lot. But he doesn’t say any of it aloud, until he says to Aslan, at the end of his last trip to Narnia. It gets decided then, in there somewhere. He doesn't understand how or why, but he will believe anyway.

Lucy, now, Lucy always knew in a way that was beyond words, unconsciously, deep inside somewhere she never stopped to examine. She stands in Eustace's room, with Aslan’s words ringing in her ears, and it's like a light bulb has come on, or a bucket of cold water has been dumped over her head. Oh. Oh, that's what he meant, oh, now I understand.

And Susan, dear Susan, she suspects, she wonders, but no. Impossible. Too strange, too illogical. Waves it away like a nagging fly. But she figures it out years later, not too late, no sir, not too late at all. Maybe it's a book, maybe it's a song, maybe it's retelling the Easter story to a little girl curled up in her lap. Maybe it's an old poem pulled from the wreckage of a train. She pauses, startled, before the tears come tumbling down, and she murmurs the name she hasn't spoken in what feels like a lifetime, murmus it like a prayer: Aslan.

Jesus.

#aslan #edmund pevensie #lucy pevensie #peter pevensie #susan pevensie #narnia headcanons #chronicles of narnia

mikilavellan

To the girl in my literature class who referred to the forgiveness of Mr. Tumnus as "just christian propoganda," you have lived rent free in my head for three years.

When you one day find yourself looking in the mirror and seeing Mr. Tumnus looking back at you, not because you were necessarily not brave enough, wise enough, or kind enough to avoid becoming Mr. Tumnus, but because everyone takes a turn being Mr. Tumnus, I hope you have a Lucy by your side.

#narnia #literature #the chronicles of narnia #lucy pevensie #mr tumnus

rainintheevening

They're his children of course. Richard still recognizes them; it's only been two years.

And yet...

Peter is a man. Still six months shy of his draft papers, but he stands, walks, sounds like a man. He always has a pocket knife, he tips his hat to all the females, he sings in a baritone that will only get deeper and richer. The tea he makes is decent, but sometimes he drinks coffee now. He talks about horses and crops and reads Augustine. He can drive a car. He gives orders, and expects them to be followed.

They all look to him, to Peter. Helen calls him to open a jar, Susan questions how her hair looks, Lucy runs to him in tears. As for Edmund, he and Peter are curiously joined, they turn to each other with their laughter, their thoughts, their books and newspapers and letters. As often as his family swirls around him, Richard sees them swirl around Peter, a habit, he knows, born of necessity, but that doesn't prevent it from being strange. Even painful.

Peter moves to take the head of table, catches himself. They both start to say grace, stop, glance at each other. Peter takes the newspaper over breakfast, and is a page in before he remembers. And every time he apologises. Each time he smiles at his father, and it is warm, glad, even benevolent.

One of the first nights, shortly after Christmas, Peter finds him sitting in his old armchair, staring into the fire, after everyone else has gone up to bed. "Dad?" comes the question, and he looks up blinking at the tall man, lamplight crowning him in gold, blue eyes deep and dark with knowledge and certainty.

"I'm not who I was," Richard says, a confession, the kind a father shouldn't burden his son with he thinks immediately, but then Peter is down on one knee, reaching for the mangled hand, tender with the three fingers as he clasps strong calloused palms around them.

"Neither am I, Dad. None of us are." Peter's gaze is earnest, bright. "But you are still my father. And I will always be your son. I am forever grateful for that."

It is as if a great burden rolls off of his shoulders, and he finds no shame in leaning on Peter's hand to rise.

When the holidays end, and the four go back to school, Peter says I love you to each of them at the station.

If Peter is a man now, Susan is a lady.

She sits straight, she walks gracefully, she can cook anything as well or better than her mother. She reads the newspapers with Peter, she scolds Lucy for coming home with twigs in her hair and a tear in her stocking and wet shoes.

She talks less than her father remembers, and there is a woman's sadness in her gazing out the window or into the fire. She is also very admiring of the boys in uniforms, and Richard requests her arm on the way out of church with a father's righteous sense of protection.

But she is also gentler than he recalls, she does not shy away from his injured hand, she takes care of him without making him feel as if he needs care. She sits on a cushion by his feet as she braids her hair in the evenings, leans on his knee as she reads aloud, and Richard thinks, Not my little princess, but a queen now.

At the train station, she kisses him goodbye, and he hugs her close, and there are tears in her eyes as she says I love you.

Edmund is the closest to unrecognizable, the once-obvious four year span between he and Peter seemingly halved. He greets his father wordlessly, all shining eyes and bright smile, and his face is so close to Richard's own it makes his heart break a little.

Ed is no more little boy, he is tall, slim, oddly graceful, but his handclasp is strong. He holds himself the same way Peter does, with squared shoulders and lifted head, but he wears that nobility in a quieter fashion. He's quick to see, quick to hear, quick with a wisecrack that makes Peter laugh out loud. He plays the violin now. He returns the family Bible to the living room with an apology for having kept it since the summer holidays. He reads Agatha Christie as a personal challenge, whispers to Susan in French, and his chess games with Peter are fierce battles of strategy that Richard cannot keep pace with.

In discussions of the war and its movements, he is sober and considerate, he meets each of Peter's moods with a balancing counter, he has a way of phrasing questions that pull out stories Richard had never planned to tell.

A few nights before the children return to school, Richard sits up in bed, certain he has heard a faint cry, and he slips away from his exhausted wife to check on his children, remembering how Edmund had suffered from night terrors as a child, imagining little Lucy inflicted with some dark dream.

But all he finds is shadows in the boys' room, and quiet whispers—Peter's apologies, Edmund's reassurance, and allusions to things Richard has no context for. He lingers by the door, an outsider in his home, until silence falls, and he returns with morning light to find them curled together in Peter's bed, Pete with an arm over Ed, and the father's love is bittersweet.

They have fought their own battle over here, on the home ground, Richard reminds himself. In their own way they have each faced terror and learned to conquer or be conquered, but perhaps he can meet them somewhere in between. Only time will tell.

On the train platform, Ed hugs his father tightly, gives him a smile, tells him to keep out of trouble.

Lucy is the least changed, though she too is taller and stronger, and her eyes are deeper. She still sings, still dances, still tries to make friends with all the animals, still smiles and speaks kind and stares dreaming at the Christmas tree.

She still gives fierce hugs, still climbs into her father's lap, though her head comes up higher on his chest, on his shoulder.

But then he finds gaps in his library, and Lucy returns the medical books with a winsome apology, she asks questions about his practices in the field, she winces but does not shy away from the blood and broken things he speaks of.

Then she recites long poems, words spinning off her tongue until they become half song; she dances swift and graceful, she and Peter laughing and stepping and clapping and spinning in intricate patterns to the swing song on the radio; and it is she who, breathless, quotes Byron: "On with the dance! Let joy be unconfined!"

Her comfort is both generous and thoughtful, and she strokes her father's hair with a motherly hand that makes his eyes sting, and he kisses her fingers, looks up at her to whisper, "Don't- don't grow up quite so fast, my darling."

When she hugs him on the platform, Susan waiting for her, the boys already gone, she doesn't want to let go, and there are tears on her cheek, that he wipes away gently. "Be careful, Daddy," she whispers. "Get strong. Take care of Mummy."

"Yes, little mother," he smiles back.

And then they are all gone, and he takes a cab home, weary of his still-recovering body.

He will have to learn his children all over again, he thinks. But he is proud of them still. That has not changed.

#mr pevensie #peter pevensie #richard pevensie #susan pevensie #edmund pevensie #lucy pevensie #pevensie siblings

fallingskiesandrisingseas

But what was most baffling to all that met the Pevensies after they came back was that they were kind.

Really. Not pretending, not because they were insecure. True, empathic. Far too understanding for children their age. They all have music in them.

Peter’s hands feel too small for him, but he shakes hands all the same. Gentle pressure. There is nobility behind those eyes. Eyes that always border on the supernatural sort of blue, especially in the dark.

He plays the guitar, gently coaxing otherworldly sounds out of an instrument that did not know it could be played like that. He helps his siblings with their homework, is taller much faster than his peers. Seems to take up more space, even though no one understands how a teenage boy manages that.

He doesn’t like doing nothing, ever. He instructs his classmates in grammar, gives away figures he cuts from wood with a knife that seems too sharp for a boy that small. He never hurts himself, though.

As the years pass, Peter grows strong. But he is gentle. He does not seem to be brash, even when many of his friends are. Peter keeps his emotions in check. Noble. Not undangerous, but not belligerent. Peter only ends fights, and only with people that deserve it.

He offers advice, a pat on the back. Teachers wanna dislike him, some do not like the look behind those eyes. Most find they cannot. Peter is popular with both adults and children, speaks sense and laughs often.

Peter is kind. Pious, devout. His faith is unmovable like rock. Did the kids meet God on the estate of their uncle?

Edmund plays the violin. A sad Edmund is a rare sight, but when he plays sad he can keep his whole floor awake. Somehow, Peter always finds h him quickly, effortlessly attuned to his brother’s moods. They play chess, then. Their chess master must have been a champion, Ed beats people with ease. He’s usually not smug about it.

Ed speaks politics and war in earnest, accepts critique graciously, is elegant in a way Peter never manages. Peter speaks frankly, but Edmund can wrap words up real nice. He doesn’t mince words, but his classmates grow into liking the sound of his voice. They appreciate that Edmund does not lie, even when speaking tactfully. Edmund can dial the temperature in a room, change it to suit himself.

He, too, laughs often, but Edmund is known to smirk. He likes being right and he often is. He’ll entertain anyone with a good story, always seems to have the right information to help you out. Remedies to illness, connections, job openings, how to sneak out of PE.

He’s a spider in a web. A bit reserved for a 11 year old, and oddly well-connected. A real ghost when he wants to be, but he never scares people with it.

Aslan would not approve of that. He believes in God as well, but much more intellectually. He’s got the intelligence to back it up and wit to match. A scholarly belief, but not lacking conviction.

Teachers like his enthousiasm, remember a moody nagging child when he left and see a secure young man come back.

Edmund will stand up for what is right. He gets into some trouble like that, but his verbal agility saves him always. Edmund has strong principles and will not bend them for anyone. No matter the trouble he gets in.

The bond with his brother is unbreakable. They even walk the same, chest out, left hand on their belt. They seem most at ease when fencing.

Susan was always warm and tenderhearted, but when she comes back there is a difference.

She seems to have gained authority. It’s real strange watching a 13-year old use her beauty like a grown woman, but Susan has learned to wield it, to stun people so she can creep under their skin. People LISTEN to her now.

Her wit is like a knife, but she avoids cutting deep. Susan is reasonable, and strong, and principled. The little drama others get involved in does not bother her, and she seems immune to petty insults. She has killed before, with her hands.

She will do it with kindness now. She is not very approachable ( that would be Lucy ), but she is kind. She used to mother over her brothers and sisters, but now that they have raised each other in a court full of magic she has gotten more relaxed. They listen to her on important issues, trust in her judgement. Her brothers does not deem himself more important, she is both well-spoken and well-respected by her siblings. Equal. It baffles the old men that teach her. Irritates them, too.

There is an air of mystery around her. Half a look is enough to get what she wants, Susan’s friends laud her security in herself, her Mona Lisa smile. She seems to temper moods easily, makes people feel at ease.

She most of everyone exudes royalty. It’s the grace. Susan plays the harp, her long fingers dancing across the strings like she’s had a lifetime of practice. She’s elegant, never caught off guard. Jamais faux pas.

She does not get angry. She knows who she will be. She is anxious to become an adult, yes, but she only wishes to look how she feels. Not to look differently. Yet the wish to be taken seriously, to have someone see you as an adult, it makes her surprisingly similar to her peers.

Her friends have not been old yet, is all. But Susan is calm and collected. People see her as someone you can tell a secret to. She never hurts someone, is usually a neutral party, speaks sense to adult and kids alike. She is not ignorant, however, will use every trick in the book to keep the peace. She knows when to go nuclear. Vis pacem para bellum.

Lucy is a sun in human form. She has a joie de vivre that is unmatched, is gay and golden-haired and never in a bad mood.

Lucy is kind by default, does not turn it off, does not turn it down. She’s witty and funny and quick on her feet. She has been grown before, yes, but enjoys being young for a few years more. She dances, sings old tunes. Her voice is her favorite instrument, you can usually hear Lucy coming.

Whistling a tune in the halls is known to improve the moods of everyone who hears it immensely. Young girls need to figure out who they are, but Lucy knows, knows what she’ll be and who she likes and what kind of people she wants to be around. She is not pretending, never moody. She can get sad, of course, but her older brothers and sisters are always nearby when that happens.

Lucy is genuine and fierce and convinced, immovable at times. Admired for her drive, but respected for her empathy. She speaks to everyone, often distributes flowers. There’s no naivite in her at all, she simply wishes to be like this so that the world may imitate her. She likes to see people prosper, is the first with praise.

She will go far, is the consensus. There’s steel beneath the soft exterior, Lucy has fire below the flowers. She’s well-liked and well-loved. She has love in spades, it seems, animals and stragglers and misfits and outcasts. She’s popular, her room is a good place to get a cup of tea and someone who will listen to you for some time. After a while she no longer bothers with the door.

That a heart that size fits in a girl that small is a mystery to many. Lucy does not think it is a mystery at all. It is the heart of a lion.

Her faith is as vocal as the rest of her, she sees it confirmed in all that is beautiful, all that is kind. She never tries to convert anyone but there are several people who have told her that version of God is someone they would like to know.

The Pevensies often see each other at parties, where they like to stand together. Edmund knows about everyone, everyone knows Peter, everyone likes Susan, but it is Lucy who knows everyone.

They are kind, but not weak. Peter gets his knuckles bloody sometimes, Edmund does not abide by the rules of unjust teachers. Susan and Lucy solve their problems differently but no less effective. Kindness is their usual way of operating, but they are still kings and queens. They will not allow cruelty, will not let bullies go unpunished.

They are sure of what they are and sure of what comes after death and this makes them kind. Kind , not harmless. Kind, not spineless. Kind, not ignorant. Kind, not naive.

Kind despite. Maybe kind because. The kings and queens of Narnia are proud of what they are, honour the teachings of their lion friend. Kind.

When the crash happens and three siblings die, everyone they know mourns deeply. Without them, the world is less kind.

#narnia #peter pevensie #edmund pevensie #lucy pevensie #susan pevensie #the lion the witch and the wardrobe #the chronicles of narnia

aangarchy

Incredibly specific moments in atla i think about ALL the time (i am Not normal)

Zuko's eyes slightly widening when witnessing Katara's bloodbending for the first time

Aang and Katara just missing each other looking back at the other after their argument in The Warriors of Kyoshi

Toph holding onto Sokka's arm once on Appa when he didn't have a saddle and once on the boat bringing them to the lake town

The moon being in full view as Suki tries to kiss Sokka in the Serpent's Pass, and the shadow returning as Sokka leaves

The "four seasons for love" motif coming back throughout the episodes of the Northern Watertribe and specifically as Sokka gives himself up to serve in the battle against Zhao's seige and Yue turns away and quietly cries as she watches him walk off

Longshot talking for the first time ever as Jet lay dying

In that same breath, the way Toph says "he's lying" as they walk away from Jet knowing that he's going to die

Aang looking back at the Southern Airtemple ruins along with Momo as they fly away from it, seeing it disappear behind the clouds (this one specifically makes me cry so much)

The chants as Aang gets summoned by the Lion Turtle in book 3 being the SAME as the chants when Aang fuses with the ocean spirit in book 1 (there's other moments with these chants i think but i can't remember them off the top of my head)

Aang taking down Ozai's airship in the finale as his first attack and Sokka cheering him on like a proud older brother

Katara immediately without a shadow of a doubt responding "Aang won't lose" when Zuko questions if he'll be able to take on Ozai

Aang knowing Zuko was gonna fire at him in the crystal catacombs as soon as Zuko laid eyes on him (he gasped before Zuko even made a move) when even Azula wasn't sure what Zuko was gonna do in that scenario

#omggg all of these #atla #zuko #aang #jet #sokka #toph #yue #katara

comradekatara

the poison. the poison for azulon, the poison chosen especially to kill azulon. azulon's poison.

#ursa queen slayyyy #atla

midnightblue66

If Thranduil had a magic mirror

#THIS IS SO HIM #thranduil

narrativelysignificantturtleduck

my initial reaction to this new princess zeisan character was just to say her design was weird but honestly the problems with her design don't bode well for her writing. like already the premise of "fire nation royalty joins the air nomads" is kinda weird bc someone from a nation's royal family is probably one of the people LEAST able to break free from the propaganda. like it only happened to iroh and zuko because of major life-changing events (losing lu ten & being banished) and you wouldn't include their transformations in a short description of their characters bc iroh's is slowly revealed and zuko's happens over the course of the story. and her design is just an air nomad necklace and sash on top of a fire nation royal outfit so like...where's the transformation? and how are zuko and iroh notable for breaking free if someone barely two generations earlier was able to?

like are we supposed to believe everything was totally chill between the fire nation and the air nomads before the sozin's comet genocide? bc that's not how genocide works. how could sozin have justified sending all those soldiers to the air temples if there wasn't already a concerted anti-air nomad propaganda effort in the fire nation? not all fire nation citizens bought into it obviously (kuzon) but a member of the royal family? a member of the royal family wearing the whole fucking shoulderpads and hairpiece get-up? where's the treason haircut? the rags from living among the people for years unlearning what she was raised with? the visual reflection of her turning her back on her culture?

creating a new character that's an existing character's previously-unmentioned sibling is already hokey and fanfiction-y, having her be the air nomad convert sister of the Guy Who Committed Genocide Against The Air Nomads strains believability, and the laziness of her design means that i have little faith in her writers' ability to make anything good out of this

atlaculture

Yeah, I agree 100% with all of this.

Another possible inspiration for Zeisan’s character might be the tendency of royalty/nobility and institutional religion to become intertwined. In Medieval Europe, many abbots (head monks) were recruited from the nobility; in Dynastic China, any wives and concubines that weren’t the empress (1st wife) were expected to become nuns and join a monastery after the death of the emperor.

However, the Fire Nation already has its own organized religion through the Fire Sages. Wouldn’t it make more sense for Zeisan to join up with them and try to gain influence through their status as spiritual leaders? Radicalize the Fire Sages by reminding them that it’s their institution that should be guiding the Fire Nation and not the corrupt royal family. And maybe an uprising happens, Sozin squashes it, executes his sister, and starts becoming more ruthless as a ruler.

In any case, I’m getting kind of tired of the Fire Nation getting so much attention in the extended universe or supplemental canon or whatever you want to call it. In the main series alone, we know their greetings, their cuisine, their beliefs, their recent history, their ancient history, their politics, their geography, their ecology, their weddings and their funerals. I want to see that same level of love and detail for the Air Nomads and Water Tribes. It would be so much fun to analyze.

And there’s plenty of interesting cultural inspiration to draw from!

#atla