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Paul Graham
New Europe
Wendy and Lucy | Kelly Reichardt | 2008
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Alina Van Ryzin
Theater of Women, 2016
THE DAILY PIC (#1538): Stephen Shore shot this wonderful photo of the thousand-year-old St. Sabas Monastery in the Judean desert on September 20, 2009, as part of “This Place,” a touring photography project now on view at the Brooklyn Museum in New York. Twelve photographers were invited to explore “the complexity of Israel and the West Bank, as place and metaphor,” and between them they turned out more than 600 powerful images of that vexed land and landscape.
I find that this particular photo by Shore gets at something that few of the others do: How the heavy hand of history weighs even heavier on this piece of the planet than elsewhere. Who got here first, decades or centuries or millennia ago? Who has it “really” belonged to over all those years? Who have the gods of the land truly intended it for? Who most “deserves” it now?
Shore’s image reveals how deeply those questions seem rooted in the stones of the region. What it doesn’t posit, quite, is that the best hope for peace and wellbeing for all the land’s inhabitants lies in uprooting themselves completely from that vexed past and looking relentlessly toward a different and better future. (Courtesy of the artist and 303 Gallery, New York. © Stephen Shore, all rights reserved)
The Daily Pic also appears at Artnet News. For a full survey of past Daily Pics visit blakegopnik.com/archive.
By Tamara Lichtenstein
Seth Armstrong - From the 27th Floor, 2015
Farah Al Qasimi
Can beauty save us? Yesterday I looked at the river and a sliver of moon and knew the answer; today I fell asleep in a spot of sun behind a Vermont barn, woke to darkness, a thin whistle of wind and the answer changed. Inside the barn the boys build bongs out of copper piping, electrical tape, and jars. All of the children here have leaky brown eyes, and a certain precision of gesture. Even the maple syrup tastes like liquor. After dinner I sit the cutest little boy on my knee and read him a book about the history of cod absentmindedly explaining overfishing, the slave trade. People for rum? he asks, incredulously. Yes, I nod. People for rum.
Maggie Nelson, “Thanksgiving” (via sister-garden)
Jeff Wall - Destroyed Room
Untitled (From the series American Roulette), 1988 — Shinya Fujiwara
Bertien van Manen, A Hundred Summers a Hundred Winters, Tomsk, Russia railway station, 1992
From California Postcards
Graham Hamby
“Words are loaded pistols.”
– Jean-Paul Sartre, Essays in Aesthetics
View South, 1300 Block of Channing Street, Los Angeles, October 30, 2005 by John Humble