Finally making a pinned post because I got tired. Hi I’m salt and I draw sometimes. thats it
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"I'm Dorothy Gale from Kansas"
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@saltedteas
Finally making a pinned post because I got tired. Hi I’m salt and I draw sometimes. thats it
A lone male Atlantic puffin (Fratercula arctica) observes a breeding pair preening each other in Svalbard, Norway
by Tim Melling
make fun of your crush/partner in the tags and don’t hold back
@saltedteas your turn
Been rereading the novels again theyr insufferableeee
my uma musume propaganda
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Jonathan Stalling’s Yingelishi is a book of poetry that is read in two ways: in Chinese and in English. He offers a line of English poetry, then rewrites it phonetically in the Chinese language, so that the new line in Chinese has its own unique and coherent meaning, which is then translated back into English. The end result is a poem existing in multiple languages and in no languages at all, with multiple meanings that can be read many ways.
[Image ID: A line that reads, “早上好” which is Simplified Chinese for “good morning.” Then a line of English text that reads, “good morning,” followed by a line of pinyin or possibly a different method of transliterated Chinese that reads, “gũ dé mào níng.” Then a line of Chinese characters which reads, “孤德貌宁,” phonically the same as the above pinyin, followed by a line of English text which is the translation of the above Chinese, reading, “Even alone, the moral one / appears peaceful.” End image ID.]
From the book ad copy:
When read aloud, YÍNGĒLÌSHI (pronounced yeen guh lee shr) sounds like an accented pronunciation of the word “English,” while the Chinese reader sees the Chinese characters for “chanted songs, beautiful poetry.” Stalling coined this term (and “Sinophonic English”) to give a positive name to an increasingly widespread variation of English created by combining the two dominant languages of globalization (Mandarin Chinese and English). With over 350 million English speakers in China (more than there are Americans alive) many of whom speak English by recombining existing Chinese sounds into English words and sentences, this new hybrid language is already overwhelmingly present, yet its aesthetic potential has not yet been explored. Stalling’s book complicates any easy dismissal of so-called Chinglish by creating a genuinely uncanny poetry written entirely in Sinophonic English. Stalling rewrites a common English phrasebook into hauntingly beautiful Chinese poetry (which is all translated into English) that when sung, becomes an uncannily accented libretto, a story of a Chinese tourist’s one-way journey into this interstitial language and its sonorous, if disastrous, consequences.
eurasian jay :)
"I love toxic yuri" and it's just two women who hate each other, you fool, you imbecile, that is just enemies to lovers. I need you to show me two women who make each other worse in every imaginable way. I need you to show me a girl who will abuse the shit out of her friend and her friend will say thank you, I love you
Show me yuri where the world would be immensely better off if these two women never even existed.
this was partially a post about I Love Amy and I rescind my statement about yuri where the world would be better off if they never existed, give me toxic yuri where two women who are horrifically damaged beyond repair find love and healing within one another
Big sis
drawing is all sbout becoming good at illustrating one character at 3/4 angle and nothing else no backgrounds no props no furniture no money no job no future
i need to get back to drawing…ah…
Another OC PMV, this time featuring the world's most competent* mourner. and some other people** too! She loves*** to go in circles.
(frames I liked under the cut again, as always)
Another OC PMV, this time featuring the world's most competent* mourner. and some other people** too! She loves*** to go in circles.
(frames I liked under the cut again, as always)