Karma

word vomits world and character lore at you but specifically, about worlds and characters that live in my brain that you do not care about

[awakefor48hours]

"You should create for yourself" and "it's okay to feel discouraged when creating your own original projects if no one interacts with them" are two sentences that should be able to co-exist with each other

[awakefor48hours]

On the one hand, you should kill that capitalist in your head that tells you to make art only for the enjoyment of other people. On the other hand, it's totally fine to be disappointed that you spent hours or even days on something that only got 4 notes. You can feel both ways.

[same-soup]

"Something's wrong with the reflection..."

[vithcy]

How it feels to post about your ocs even though only 2 people care about them

[snakebites-and-ink]

I've already said that my number one piece of writing advice is to read.

But my number two piece of advice is this: be deliberate.

Honestly this would fix so many pieces of bad writing advice. Don't forbid people from doing something, tell them to be conscious and deliberate about it. This could help stop people from falling into common mistakes without limiting their creativity. Black and white imperatives may stop a few annoying beginner habits, but ultimately they will restrict artistic expression.

Instead of "don't use epithets": "Know the effect epithets have and be deliberate about using them." Because yes, beginners often misuse them, but they can be useful when a character's name isn't known or when you want to reduce them to a particular trait they have.

Instead of "don't use 'said'" or "just use 'said'": "Be deliberate about your use of dialogue tags." Because sometimes you'll want "said" which fades into the background nicely, but sometimes you will need a more descriptive alternative to convey what a character is doing.

Instead of "don't use passive voice": "Be deliberate about when you use passive voice." Because using it when it's not needed can detract from your writing, but sometimes it can be useful to change the emphasis of a sentence or to portray a particular state of mind.

Instead of blindly following or ignorantly neglecting the rules of writing, familiarize yourself with them and their consequences so you can choose when and if breaking them would serve what you're trying to get across.

Your writing is yours. Take control of it.

It probably sounds like I'm preaching to the choir here because most of my mutuals are already great writers. But I'm hoping this will make it to the right people.

[caba-111]

I like this advice. "you can do what you want, just do it with intention" applies to a lot of things.

[same-soup]

Karma with their niece and nephew, Wix and Lera (both nicknames)

I gotta figure out karma's siblings still

[same-soup]

Hyles (Prussian Blue)

[oughtnots]

ever get this feeling

[pretzelworldpreview]

[same-soup]

22-26

[same-soup]

15-21

[same-soup]

8-14

[same-soup]

1-7

[same-soup]

Anyone wanna read through and proofread what I have so far /hj

[officialfist]

[nudityandnerdery]

[christinaroseandrews]

This guy knows what he’s talking about. He’s one of the lead writers for Leverage and if you ever watch the series on DVD, do yourself a favor and listen to him talk about how the scripts got written. Some of the advice he has is stuff I use all the time: 1. Don’t introduce an important plot person or thing after the first half of the story. 2. Always tie up loose ends. 3. Introduce important things in the middle of unimportant things. 4. If you have to infodump, find an emotion to tie it to and it will seem less like infodump and more like a motive rant. Seriously this guy knows how to write.

[thewritingumbrellas]

Writing advice from my uni teachers:

If your dialog feels flat, rewrite the scene pretending the characters cannot at any cost say exactly what they mean. No one says “I’m mad” but they can say it in 100 other ways.

Wrote a chapter but you dislike it? Rewrite it again from memory. That way you’re only remembering the main parts and can fill in extra details. My teacher who was a playwright literally writes every single script twice because of this.

Don’t overuse metaphors, or they lose their potency. Limit yourself.

Before you write your novel, write a page of anything from your characters POV so you can get their voice right. Do this for every main character introduced.

[writerlyn]

This is legit good writing advice, especially the first bullet point! In playwriting class we did a bit where every bit of dialogue had to be an accusatory question and it was glorious.

[rathayibacter]

cannot recommend more putting secrets and hints in your creative work that you dont expect anyone to figure out

[rathayibacter]

act like youve got a ravenous fanbase of a million people poring over every detail, cuz then if nobody figures it out you feel cool n smug knowing something nobody else does, and if someone does figure it out then its like theyve joined a secret society