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Linz Brucknerhaus DOOR FOR HUXLEY 1989

Interactive Computer/Video Installation, Ars Electronica 89, 1989. Video projection with sensor controlled computer animation, video tape, 2 live cameras, real doors, 1 B& W monitor, art reproduction, sensor controlled sound.

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/ William Eggleston, 1960s- 1970s

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Vivian Meier, Self-Portrait/ Self-Shadow, 1956

distantvoices

Angeth Joh by Eomji Sim for Novembre Global February 2026

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Nan Goldin, self-portrait

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'aoi kotsuhioroi, "forbidden color," 2013' in killer heels: the art of the high-heeled shoe - lisa small (2014)

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Alexandra Ranner

“Ranner’s impenetrable interior models radiate an oppressive aura of alienation and isolation, which she heightens by erecting them as free-standing constructions. Consequently, visitors can only view the interiors from the outside – as if they were looking at paintings. The spaces are reminiscent of sets where a scene has just been played out, or is about to begin. This makes for a theatrical feel. But because the interiors are completely devoid of distinguishing personal features, they are also utterly anonymous – much as most hotel rooms are. Through her installations, Ranner exposes a typically modern void: the loneliness resulting from detachment.”