& that's how Suh sees it.

Burbling. Lots of it.

[collegelifecrisis]

WHEN MY FRIEND GETS SLOPPY DRUNK AND I HAVE TO DELIVER HER TO HER BOYFRIEND

[dejanentendu]

I almost spit out my water

[thenatsdorf]

The Evolution of Douchebag Style [full video]

[anarcho-compass]

Oh, he’s good.

[oparnoshoshoi]

I don’t know whether he deserves an Oscar or a restraining order.

[takealookatyourlife]

I die laughing at this every god damn time. The prayer hands are so fucking funny

[neckkiss]

[gif87a-com]

Framerate synced with a bird’s wings

[espressobean]

[teddypdf]

little my’s official character description in the moomin books

(Comet in Moominland)

[axe-fx-deactivated20200722]

tweet of the millennium

[courteous-gentleman]

[boymeetworldtradecenter]

2006 internet joke that still makes me laugh

[dankmemeuniversity]

[talesandthoughtsfromreality]

Me.

[pajamaslam-deactivated20190101]

the switch from ‘a girl worth fighting for’ to coming upon the decimated village in mulan is THE MOST kick-in-the-teeth mood change IN ALL OF CINEMA

[furikomaru-deactivated20190920]

That scene shift did more for our generation’s understanding of the horror of war in ten seconds than Game of Thrones did in eight seasons, and it did it without showing us a single dead body. 

[genresavvygentleman]

OKAY BUT HOLD ON THOUGH.

I’ve spent the past… five? Let’s say five - the past five years analyzing the structure of Disney Musicals as part of the process to write my own/a parody of them, and the thing is that all the modern ones have roughly the same number of songs - except Mulan.

Mulan has about half, because after AGWFF ends with that unresolved final phrase, there are no more songs until the end credits, which isn’t even sung in-universe.

Mulan wasn’t even the REALM of fucking around - when they arrive at that village, when the true horrors of war are brought into the story, not only does it interrupt THAT song, it breaks the entire fucking mold - the movie’s damn genre changes; it is no longer a musical.

And the Huns represent this from the start - Jafar and Hades are notable for not having proper villain songs, but Jafar does get his Prince Ali refrain and Hades and his plan get sung ABOUT by the muses. No scene with the Huns has any singing, they are mentioned once in song (the second line of Man, natch), and they of all Disney Villains are probably the most serious - no jokes, no witty asides, no sassy delivery of dry humor. The Huns are an invading army who plan to straight up kill a fuckton of people, including children, and AGWFF’s sudden end is the moment when our happy go lucky MUSICAL protagonists finally come in contact with them and their work directly - and it breaks them. Because shit like the Huns cannot exist in happy go lucky musical world. They just exist in our world. The real world. And you can’t sing your problems away here.

The end of A Girl Worth Fighting For is a brilliant use of metanarrative sensibilities to convey a message. It is utterly perfect.

[truelight8]

Daaaamn, Tony. That’s fucking deep, my guy

[genresavvygentleman]

I didn’t spend two years and thousands of dollars on a Master’s Degree in literature to NOT over analyze every text I engage with.

[toastbutteregg]

[miseducatedmelanicmuse]

[anonymokey]

I fucking love this show

[ayeforscotland]

Twitter Blue going about as well as everyone expected.

Shame Elon Musk fired the team that rigorously tested how new features would impact their global social media platform.

What advertiser, company or person of interest is going to want to use Twitter now?

It’s almost like he’s not that smart.

[lizclimo]

[wytrykusarchives]

The Milt Kahl Head Swaggle (Source: Cartoon Brew)

[spootywabbit]

I love it when you can pick up an animator’s quirks. 

[kaseylgifford]

     I’ve read in old interviews with Milt Khal’s fellow animators that he did the swaggle to purposefully show off. Moving the head in 3-d space is an exceptionally hard thing to do but Khal upped the level of difficulty to a place many animators wouldn’t go.      Not only are they all doing the swaggle you’ll notice they are all TALKING while they are doing it. This is back in the days where you had to use a timing sheet to pace your animation and a head swaggle doesn’t work if its too slow or too fast so he had to figure out the right speed so it looked natural while the character finishes what they have to say while not interfering with the distinct mouth shapes.       Not only did Khal do it without any shifting weight problems or timing issues he would often do it while moving the rest of the body. This isn’t his signature move just because he was good at it.This is his signature move because he was one of the only people skilled enough to DO IT AT ALL.

Milt Khal was a MASTER.

[riverthunder]

God, I can’t express to you how fucking DELIGHTED I become whenever they Milt Khal Head Swaggle Post graces my dash with its presence again.

[crackmetal-deactivated20210206]

So no one told you life was gonna be this way *Phantom of the Opera overture*