Abandoned Disco: The Party’s Over La Mure, France - July 2014
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Andulka
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Cosmic Funnies

Origami Around
Aqua Utopia|海の底で記憶を紡ぐ

★

roma★

titsay

izzy's playlists!

shark vs the universe
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PUT YOUR BEARD IN MY MOUTH

Janaina Medeiros
we're not kids anymore.
Sweet Seals For You, Always
noise dept.

#extradirty

Kiana Khansmith
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@scaremongering
Abandoned Disco: The Party’s Over La Mure, France - July 2014
Sunken alcove in the garden
“Where exactly do you put your hands on somebody who hurts everywhere?”
— Charles D’Ambrosio, The Dead Fish Museum: Stories
Chelsea Dingman, Through a Small Ghost
Louise Glück, from an interview with poet in Poets & Writers
Grażyna Smalej (Polish,b.1976)
Bath LXVI, 2011
oil on canvas
James Baldwin.
This-
Claudia Keep (American,b.1993)
Morning Swim, 2022
Oil on masonite panel
Pacific Wilderness, 1989
Georges Bataille, Guilty
Homes
21 x 29,7cm, ink on paper, Kevin Lucbert, 2021
The non-euclidean future that liberals want.
[ID: Blue pen art of suburban-style streets with houses almost identical in shape lining each parallel road, only each house has an unreal or magical design. Some of the houses are filled with patterns, such as radial lines radiating outwards, geometric shapes floating in deep blue, outlines of the house inscribed within it repeatingly, scribbles, vertical lines that give the effect of shimmering, and starbursts of white within blue. Other houses are drawn with layered repeating lines for their edges, wobbly lines instead of sharp edges, or in the style of a child with wonky lines, a chimney, and many windows. One house is completely shaded in blue, one is floating, and two are solid white but emitting auras of either deep blue or spiky lines. Cars and trucks pass along the streets. End ID]
Joan Miró (Spanish, 1893-1983) - Le Fermier Et Son Épouse, gouache on card, 58.00 x 42.50 cm (1936)
Never gonna be normal about I-Spy books <3
Lois Dodd (American, 1927), Painter Painting in Quarry (J. Wissemann), 1987. Oil on plywood, 16 x 12 in.
Adam Štěch via T Magazine
Students of Judy Chicago’s Feminist Art program at California State University, 1970.
Rainer Maria Rilke, The Dark Interval: Letters on Loss, Grief, and Transformation