this is my pile of garbage, asshole!

proprietor of several sad, gloomy beaches / any name and pronouns; lesbian / i like a lot of things but fallout and rdr are my favorites / neither "anti" nor "pro"; please just dnf if you crank it to fictional kids

[ammnontet]

hitchhiking

[rednightmare18]

the annoying thing about serial killer fiction (writing) is that once you do The Big Kill Scene everything else will feel boring as fuck. there's no way to follow it. so far i have stuffed this chapter with multiple letters, a permanent new family member for the protagonist, the Big Reveal and confession about one of THE major deaths the story has dangled for literal fucking ages, a nastily intimate fight & big fucking aww moment, DEATH BY TRAIN DANGER at 500 ft in the air or something, the imminent arrival of one of the most vital/central characters to the story, and EXTREMELY pointed will she/won't she murder tension toward the secondary character and I'm like "damn so nothing happens in this chapter huh. nobody even died"

[maturiin]

good luck gentlemen

[im-mender]

It's important to note that Chekhov's Gun was not originally about foreshadowing, but a piece of advice to playwrights about how every element in a play should have narrative relevance. The corollary to Chekhov's Gun is that if a gun mounted on the wall in act 1 is never used at all in the entirety of the play, then it should be omitted from the play entirely.

[pmamtraveller]

Jean-Michel Folon: The Return of the Two Snails, 1979.

[sorrrowfull]

[perriaeyjeve]

[perriaeyjeve]

[bad-system]

istvan as carl otto czeschka's 1904 kalender (february)

[drtrinitysantos]

the kids are calling them "stone fruits." they start off small—think cherries. then they're hooked and they need a quick fix, they get peaches, maybe some nectarines. it's all they can think about. before you know it, they're trying the really hard stuff—apricots, plums. once they taste a mango there's no going back.

[balaclava-trismegistus]

Just saw my doctor type "FUCKED FOR LIFE" on my chart then he turned the screen away and stopped making eye contact with me

[ymutate]

Uchida Masayasu (Japanese, 1922–2019)

"Wind Path", 1978.

Paper Collage, 18.2 × 25.7 cm.

Private Collection.

[sh4ke111]

Practice piece

[expressions-of-nature]

by Paul Lichtblau

[rrondo]

[requiem-on-water]

Sulfur combusts on contact with air to create stunning blue lava-like rivers of light in the Kawah Ijen crater on the island of Java | Ph: Olivier Grunewald

[1five1two]

Carved ripples on granite. Shen Lieyi.