LE Lupercalia: Blend of rose otto, carnation, vanilla flower, lavender and jasmine with the clarity of crystalline white musk and the warmth of golden amber.
Sonnet VII from The Sonnets and Ballate of Guido Cavalcanti
Who is she coming, whom all gaze upon,
Who makes the air tremulous with light,
And at whose side is Love himself? that none
Dare speak, but each man's sighs are infinite.
Ah me! how she looks round from left to right,
Let Love discourse: I may not speak thereon.
Lady she seems of such high benison
As makes all others graceless in men's sight.
The honor which is hers cannot be said;
To whom are subject all things virtuous,
While all things beauteous own her deity.
Ne'er was the mind of man so nobly led
Nor yet was such redemption granted us
That we should ever know her perfectly.
LE Lupercalia: White musk, osmanthus, Nile lily and frankincense.
I Worship You by Charles Baudelaire
I worship you like night's pavilion,
O vase of sadness, o great silent one,
And love you more since you escape from me,
And since you seem, my night's sublimity,
To mock me and increase the leagues that lie
Between my arms and blue immensity.
I move to attack, beseige, assail,
Like eager worms after a funeral.
I even love, o beast implacable,
The coldness which makes you more beautiful.
LE Yules: Thin, tinny ozone with frankincense, white sandalwood, white amber, hyssop, bitter violet leaf, and shadowy wisps of smoke.
There's a Certain Slant of Light by Emily Dickinson
There's a certain Slant of light,
Winter Afternoons -
That oppresses, like the Heft
Of Cathedral Tunes -
Heavenly Hurt, it gives us -
We can find no scar,
But internal difference,
Where the Meanings, are -
None may teach it - Any -
'Tis the Seal Despair -
An imperial affliction
Sent us of the Air -
When it comes, the Landscape listens -
Shadows - hold their breath -
When it goes, 'tis like the Distance
On the look of Death -
Visiting the Temple of Auspicious Fortune Alone on the Winter Solstice
LE Yules: Temple incense, rain, and dust.
Visiting the Temple of Auspicious Fortune Alone on the Winter Solstice by Su Shi
Deep at the bottom of the well no warmth has yet returned,
The rain which sighs and feels so cold has dampened withered roots.
What sort of man at such a time would come to visit the teacher?
As this is not a time for flowers, I find I've come alone.
LE Yules: An offering of frankincense, gold, and myrrh, with coriander, cumin, ambergris, white wine grape, and vanilla bean.
The Magi by William Butler Yeats
Now as at all times I can see in the mind's eye,
In their stiff, painted clothes, the pale unsatisfied ones
Appear and disappear in the blue depth of the sky
With all their ancient faces like rain-beaten stones,
And all their helms of silver hovering side by side,
And all their eyes still fixed, hoping to find once more,
Being by Calvary's turbulence unsatisfied,
The uncontrollable mystery on the bestial floor.
LE Yules: black poppy, lavender, thick black incense, black amber, rose geranium, Brazilian rosewood, and benzoin.
You, Darkness by Rainer Maria Rilke
You darkness, that I come from,
I love you more than all the fires
that fence in the world,
for the fire makes
a circle of light for everyone,
and then no one outside learns of you.
But the darkness pulls in everything;
shapes and fires, animals and myself,
how easily it gathers them! --
powers and people --
and it is possible a great energy
is moving near me.
LE Yules: Skin musk, white sandalwood, balsam fir, frozen black berries, cedar, winter rose, and white amber.
Lines Written among the Euganean Hills by Percy Bysshe Shelley
Senseless is the breast and cold
Which relenting love would fold;
Bloodless are the veins and chill
Which the pulse of pain did fill;
Every little living nerve
That from bitter words did swerve
Round the tortur'd lips and brow,
Are like sapless leaflets now
Frozen upon December's bough.
LE Yules: Crystalline, glassy ice whipped by a snowstorm. Piercing ozone, winter darkness.
Archangel Winter by Victor Hugo
In the dread circle hemmed by glaciers,
Pallid waste where no radiant fathomers,
Columbuses or Gamas, ever pass,
In realms of dingy gloom and deep crevasse
Seized from creation by nonentity,
Beyond ice floe and berg and ice-bound sea,
Deep in the fog that quenches every ray,
In stone waves and rock waters, far from day,
Amid the gloom, there, on the pole, stands black
Archangel Winter, darkness on his back
And trumpet at his lips; nor does he cast
One flash of eye, or blow one clarion-blast;
He never even dreams, being sheer snow;
The winged winds, captives of that age-old foe
Silence, are in his hand-birds in a snare;
His sightless eyes horribly watch the air;
Hoarfrost is in his bones and on his head,
And he is swathed in ever-petrified dread;
He terrifies the Vast, he seems so wild;
He is harsh, dismal, ice-that is, exiled;
The earth beneath his feet, in its dark cape,
Is dumb; he is the mute white stony shape
Set on that tomb in the eternal night;
Never does any motion, sound, or light
Brush the lone giant in that somber pall.
But when, on the timepieces that we call
Stars, the last day, endless and centerless,
Will sound, then the Lord's face will luminesce
And melt the spirit; his mouth will distend
Suddenly, in a savage, dreadful bend,
And the worlds-skiffs rudderless, rolling on --
Will hear the storm-blast of his clarion.
LE Yules: Autumn leaves damp beneath the first snowfall.
November by William Cullen Bryant
Yet one smile more, departing, distant sun!
One mellow smile through the soft vapoury air,
Ere, o'er the frozen earth, the loud winds ran,
Or snows are sifted o'er the meadows bare.
One smile on the brown hills and naked trees,
And the dark rocks whose summer wreaths are cast,
And the blue Gentian flower, that, in the breeze,
Nods lonely, of her beauteous race the last.
Yet a few sunny days, in which the bee
Shall murmur by the hedge that skim the way,
The cricket chirp upon the russet lea,
And man delight to linger in thy ray.
Yet one rich smile, and we will try to bear
The piercing winter frost, and winds, and darkened air.
LE Yules: Winter aconite, balsam fir, cedar leaf, and white mint.
The Snow-Storm by Ralph Waldo Emerson
Announced by all the trumpets of the sky,
Arrives the snow, and, driving o'er the fields,
Seems nowhere to alight: the whited air
Hides hills and woods, the river, and the heaven,
And veils the farm-house at the garden's end.
The sled and traveller stopped, the courier's feet
Delayed, all friends shut out, the housemates sit
Around the radiant fireplace, enclosed
In a tumultuous privacy of storm.
Come see the north wind's masonry.
Out of an unseen quarry evermore
Furnished with tile, the fierce artificer
Curves his white bastions with projected roof
Round every windward stake, or tree, or door.
Speeding, the myriad-handed, his wild work
So fanciful, so savage, nought cares he
For number or proportion. Mockingly,
On coop or kennel he hangs Parian wreaths;
A swan-like form invests the hidden thorn;
Fills up the farmer's lane from wall to wall,
Maugre the farmer's sighs; and, at the gate,
A tapering turret overtops the work.
And when his hours are numbered, and the world
Is all his own, retiring, as he were not,
Leaves, when the sun appears, astonished Art
To mimic in slow structures, stone by stone,
Built in an age, the mad wind's night-work,
The frolic architecture of the snow.
LE Yule: The snow-covered foliage of the Black Forest and the fruit and woods of apple and almond trees.
Knecht Ruprecht by Theodor Storm
I came here from the forest
I tell you, it is a very holy night!
All over the tips of the firs
I saw bright flashes of golden light;
And from above, the gates of heaven
I saw with open eyes the Christ-child
and as I wander through the dark forest
I hear a light voice calling me.
"Knecht Ruprecht" it called, "Old man
Lift your legs and hurry! Fast!
The candles alight
the gates of heaven open wide
old and young
shall rest from the hunt of life
and tomorrow I shall fly to earth
as it shall be Christmas again!"
I said: "O dear master, Christ
My trip is almost at an end;
It is only this one town / where the children are good".
"Do you have your sack with you?"
I said: "The sack, it is here;
apples, nuts and almonds
solemn children do enjoy".
"Do you also have your cane?"
I said: "The cane, it is here.
But only for the bad children,
to hit their right rear".
The Christ-child spoke: "That is good;
So go with god my faithful servant!"
I came here from the forest
I tell you, it is a very holy night!
Speak now how I find it here
Are the children good or bad?
LE Yule: The hope of springtime penetrating winter darkness. Snow, darkness, and icy air illuminated by the thrush's song: warm amber, soft orris, and melancholy violet.
The Darkling Thrush by Thomas Hardy
I leant upon a coppice gate
When Frost was spectre-grey,
And Winter's dregs made desolate
The weakening eye of day.
The tangled bine-stems scored the sky
Like strings of broken lyres,
And all mankind that haunted nigh
Had sought their household fires.
The land's sharp features seemed to be
The Century's corpse outleant,
His crypt the cloudy canopy,
The wind his death-lament.
The ancient pulse of germ and birth
Was shrunken hard and dry,
And every spirit upon earth
Seemed fervourless as I.
At once a voice arose among
The bleak twigs overhead
In a full-hearted evensong
Of joy illimited;
An aged thrush, frail, gaunt, and small,
In blast-beruffled plume,
Had chosen thus to fling his soul
Upon the growing gloom.
So little cause for carolings
Of such ecstatic sound
Was written on terrestrial things
Afar or nigh around,
That I could think there trembled through
His happy good-night air
Some blessed Hope, whereof he knew
And I was unaware.
Out of the bosom of the Air,
Out of the cloud-folds of her garments shaken,
Over the woodlands brown and bare,
Over the harvest-fields forsaken,
Silent, and soft, and slow
Descends the snow.
Even as our cloudy fancies take
Suddenly shape in some divine expression,
Even as the troubled heart doth make
In the white countenance confession,
The troubled sky reveals
The grief it feels.
This is the poem of the air,
Slowly in silent syllables recorded;
This is the secret of despair,
Long in its cloudy bosom hoarded,
Now whispered and revealed
To wood and field.
LE Yule: A winter's horror: smoke and stillness, faded incense and the metallic tang of blood.
The Cracked Bell by Charles Baudelaire
How bittersweet it is, on winter's night,
To listen, by the sputtering, smoking fire,
As distant memories, through the fog-dimmed light,
Rise, to the muffled chime of churchbell choir.
Lucky the bell -- still full and deep of throat,
Clear-voiced despite its years, strong, eloquent --
That rings, with faithful tongue, its pious note
Like an old soldier, wakeful, in his tent!
My soul lies cracked; and when, in its despair,
Pealing, it tries to fill the cold night air
With its lament, it often sounds, instead,
Like some poor wounded wretch -- long left for dead
Beneath a pile of corpses, lying massed
By bloody pool -- rattling, gasping his last.
LE Yule: Skeletal limbs of birch and fir coated in a thick, impenetrable blanket of snow. This is the death of the year personified.
Poetical Sketches To Winter by William Blake
‘O WINTER! bar thine adamantine doors:
The north is thine; there hast thou built thy dark
Deep-founded habitation. Shake not thy roofs,
Nor bend thy pillars with thine iron car.’
He hears me not, but o’er the yawning deep
Rides heavy; his storms are unchain’d, sheathèd
In ribbèd steel; I dare not lift mine eyes,
For he hath rear’d his sceptre o’er the world.
Lo! now the direful monster, whose skin clings
To his strong bones, strides o’er the groaning rocks
He withers all in silence, and in his hand
Unclothes the earth, and freezes up frail life.
He takes his seat upon the cliffs,—the mariner
Cries in vain. Poor little wretch, that deal’st
With storms!—till heaven smiles, and the monster
Is driv’n yelling to his caves beneath mount Hecla.
LE Halloweenie: Dark amber, dead leaves, khus, saffron, bitter clove, chrysanthemum, camellia, galangal, and a drop of oud.
The Death of Autumn by Edna St. Vincent Millay
When reeds are dead and a straw to thatch the marshes,
And feathered pampas-grass rides into the wind
Like aged warriors westward, tragic, thinned
Of half their tribe, and over the flattened rushes,
Stripped of its secret, open, stark and bleak,
Blackens afar the half-forgotten creek , --
Then leans on me the weight of the year, and crushes
My heart. I know that Beauty must ail and die,
And will be born again, -- but ah, to see
Beauty stiffened, staring up at the sky!
Oh, Autumn! Autumn! -- What is the Spring to me?
LE: A scent of opulence, luxury, depredation, and dissolusion: velvety orris root and glittering bergamot, ambergris, red currant, honey, and neroli, with red oakmoss, patchouli, labdanum, and black musk.
The Deserted Village by Oliver Goldsmith
Sweet Auburn! loveliest village of the plain,
Where health and plenty cheer'd the labouring swain,
Where smiling Spring its earliest visit paid,
And parting Summer's lingering blooms delay'd;
Dear lovely bowers of innocence and ease,
Seats of my youth, when every sport could please:
How often have I loiter'd o'er thy green,
Where humble happiness endear'd each scene!
How often have I paused on every charm,
The shelter'd cot, the cultivated farm,
The never-failing brook, the busy mill,
The decent church that topp'd the neighbouring hill;
The hawthorn bush, with seats beneath the shade,
For talking age and whispering lovers made!
How often have I bless'd the coming day,
When toil, remitting, lent its turn to play,
And all the village train, from labour free,
Led up their sports beneath the spreading tree!
While many a pastime circled in the shade,
The young contending as the old survey'd;
And many a gambol frolick'd o'er the ground,
And sleights of art and feats of strength went round;
And still, as each repeated pleasure tired,
Succeeding sports the mirthful band inspired --
The dancing pair that simply sought renown,
By holding out to tire each other down;
The swain mistrustless of his smutted face,
While secret laughter titter'd round the place;
The bashful virgin's side-long looks of love;
The matron's glance, that would those looks reprove.
These were thy charms, sweet village! sports like these,
With sweet succession, taught e'en toil to please;
These round thy bowers their cheerful influence shed;
These were thy charms -- but all these charms are fled.
Sweet smiling village, loveliest of the lawn,
Thy sports are fled, and all thy charms withdrawn;
Amidst thy bowers the tyrant's hand is seen,
And Desolation saddens all thy green:
One only master grasps the whole domain,
And half a tillage stints thy smiling plain.
No more thy glassy brook reflects the day,
But, choked with sedges, works its weedy way;
Along thy glades, a solitary guest,
The hollow-sounding bittern guards its nest;
Amidst thy desert walks the lapwing flies,
And tires their echoes with unvaried cries:
Sunk are thy bowers in shapeless ruin all,
And the long grass o'ertops the mouldering wall;
And, trembling, shrinking from the spoiler's hand,
Far, far away thy children leave the land.
Ill fares the land, to hastening ills a prey,
Where wealth accumulates, and men decay.
princes and lords may flourish, or may fade;
A breath can make them, as a breath has made:
But a bold peasantry, their country's pride,
When once destroy'd, can never be supplied.
A time there was, ere England's griefs began,
When every rood of ground maintain'd its man;
For him light Labour spread her wholesome store,
Just gave what life required, but gave no more:
His best companions, Innocence and Health;
And his best riches, ignorance of wealth.
But times are alter'd; Trade's unfeeling train
Usurp the land, and dispossess the swain;
Along the lawn, where scatter'd hamlets rose,
Unwieldy wealth and cumbrous pomp repose;
And every want to luxury allied,
And every pang that folly pays to pride.
Those gentle hours that plenty bade to bloom,
Those calm desires that ask'd but little room,
Those healthful sports that graced the peaceful scene,
Lived in each look, and brighten'd all the green --
These, far departing, seek a kinder shore,
And rural mirth and manners are no more.
Sweet Auburn! parent of the blissful hour,
Thy glades forlorn confess the tyrant's power.
Here, as I take my solitary rounds,
Amidst thy tangling walks and ruin'd grounds,
And, many a year elapsed, return to view
Where once the cottage stood, the hawthorn grew --
Remembrance wakes with all her busy train,
Swells at my breast, and turns the past to pain.
In all my wanderings through this world of care,
In all my griefs -- and God has given my share --
I still had hopes, my latest hours to crown,
Amidst these humble bowers to lay me down;
To husband out life's taper at the close,
And keep the flame from wasting, by repose:
I still had hopes, for pride attends us still,
Amidst the swains to show my book-learn'd skill,
Around my fire an evening group to draw,
And tell of all I felt, and all I saw;
And, as a hare, whom hounds and horns pursue,
Pants to the place from whence at first she flew,
I still had hopes, my long vexations past,
Here to return -- and die at home at last.
O blest retirement, friend to life's decline,
Retreats from care, that never must be mine,
How blest is he who crowns, in shades like these,
A youth of labour with an age of ease;
Who quits a world where strong temptations try,
And, since 'tis hard to combat, learns to fly!
For him no wretches, born to work and weep,
Explore the mine, or tempt the dangerous deep;
No surly porter stands, in guilty state,
To spurn imploring famine from the gate;
But on he moves to meet his latter end,
Angels around befriending virtue's friend;
Sinks to the grave with unperceived decay,
While resignation gently slopes the way;
And, all his prospects brightening to the last,
His heaven commences ere the world be past!
Sweet was the sound, when oft, at evening's close,
Up yonder hill the village murmur rose.
There, as I pass'd with careless steps and slow,
The mingled notes came soften'd from below;
The swain responsive as the milk-maid sung,
The sober herd that low'd to meet their young,
The noisy geese that gabbled o'er the pool,
The playful children just let loose from school;
The watch dog's voice that bay'd the whispering wind,
And the loud laugh that spoke the vacant mind; --
These all in sweet confusion sought the shade,
And fill'd each pause the nightingale had made.
But now the sounds of population fail,
No cheerful murmurs fluctuate in the gale,
No busy steps the grass-grown footway tread
But all the bloomy flush of life is fled --
All but yon widow'd, solitary thing,
That feebly bends beside the plashy spring;
She, wretched matron, -- forced, in age, for bread,
To strip the brook with mantling cresses spread,
To pick her wintry faggot from the thorn,
To seek her nightly shed, and weep till morn, --
She only left of all the harmless train,
The sad historian of the pensive plain.
Near yonder copse, where once the garden smiled,
And still where many a garden-flower grows wild,
There, where a few torn shrubs the place disclose,
The village preacher's modest mansion rose.
A man he was to all the country dear,
And passing rich with forty pounds a year.
Remote from towns he ran his godly race,
Nor e'er had changed, nor wish'd to change, his place;
Unskilful he to fawn, or seek for power
By doctrines fashion'd to the varying hour;
Far other aims his heart had learn'd to prize,
More bent to raise the wretched than to rise.
His house was known to all the vagrant train;
He chid their wanderings, but relieved their pain;
The long-remember'd beggar was his guest,
Whose beard descending swept his aged breast;
The ruin'd spendthrift, now no longer proud,
Claim'd kindred there, and had his claims allow'd;
The broken soldier, kindly bid to stay,
Sat by his fire, and talk'd the night away; --
Wept o'er his wounds, or, tales of sorrow done,
Shoulder'd his crutch, and show'd how fields were won.
Pleased with his guests, the good man learn'd to glow,
And quite forgot their vices in their woe;
Careless their merits or their faults to scan,
His pity gave ere charity began.
Thus to relieve the wretched was his pride,
And even his failings lean'd to virtue's side;
But in his duty prompt at every call,
He watch'd and wept, he pray'd and felt for all:
And, as a bird each fond endearment tries,
To tempt its new-fledged offspring to the skies,
He tried each art, reproved each dull delay,
Allured to brighter worlds, and led the way.
Beside the bed where parting life was laid,
And sorrow, guilt, and pain, by turns dismay'd,
The reverend champion stood. At his control,
Despair and anguish fled the struggling soul;
Comfort came down the trembling wretch to raise,
And his last faltering accents whisper'd praise.
At church, with meek and unaffected grace,
His looks adorn'd the venerable place;
Truth from his lips prevail'd with double sway,
And fools, who came to scoff, remain'd to pray.
The service past, around the pious man
With steady zeal, each honest rustic ran;
E'en children follow'd, with endearing wile,
And pluck'd his gown, to share the good man's smile;
His ready smile a parent's warmth express'd;
Their welfare pleased him, and their cares distress'd;
To them his heart, his love, his griefs were given
But all his serious thoughts had rest in heaven.
As some tall cliff that lifts its awful form,
Swells from the vale, and midway leaves the storm,
Though round its breast the rolling clouds are spread,
Eternal sunshine settles on its head.
Beside yon straggling fence that skirts the way,
With blossom'd furze unprofitably gay,
There, in his noisy mansion, skill'd to rule,
The village master taught his little school.
A man severe he was, and stern to view;
I knew him well, and every truant knew:
Well had the boding tremblers learn'd to trace
The day's disasters in his morning face;
Full well they laugh'd with counterfeited glee
At all his jokes, for many a joke had he;
Full well the busy whisper, circling round,
Convey'd the dismal tidings when he frown'd.
Yet he was kind, or if severe in aught,
The love he bore to learning was in fault.
The village all declared how much he knew;
'Twas certain he could write, and cipher too;
Lands he could measure, terms and tides presage,
And even the story ran that he could gauge.
In arguing, too, the parson own'd his skill,
For even though vanquish'd, he could argue still;
While words of learned length and thundering sound
Amazed the gazing rustics ranged around;
And still they gazed, and still the wonder grew,
That one small head could carry all he knew.
But past is all his fame; -- the very spot
Where many a time he triumph'd, is forgot.
Near yonder thorn, that lifts its head on high,
Where once the sign-post caught the passing eye,
Now lies that house where nut-brown draughts inspired,
Where grey-beard mirth and smiling toil retired,
Where village statesmen talk'd with looks profound,
And news much older than their ale went round.
Imagination fondly stoops to trace
The parlour splendours of that festive place;
The whitewash'd wall, the nicely sanded floor,
The varnish'd clock that click'd behind the door,
The chest, contrived a double debt to pay,
A bed by night, a chest of drawers by day,
The pictures placed for ornament and use,
The twelve good rules, the royal game of goose,
The hearth, except when winter chill'd the day,
With aspen boughs, and flowers, and fennel gay; --
While broken tea-cups, wisely kept for show,
Ranged o'er the chimney, glisten'd in a row.
Vain transitory splendours! Could not all
Reprieve the tottering mansion from its fall?
Obscure it sinks, nor shall it more impart
An hour's importance to the poor man's heart.
Thither no more the peasant shall repair,
To sweet oblivion of his daily care;
No more the farmer's news, the barber's tale,
No more the woodman's ballad shall prevail;
No more the smith his dusky brow shall clear,
Relax his ponderous strength, and lean to hear;
The host himself no longer shall be found
Careful to see the mantling bliss go round;
Nor the coy maid, half willing to be prest,
Shall kiss the cup to pass it to the rest.
Yes! let the rich deride, the proud disdain,
These simple blessings of the lowly train;
To me more dear, congenial to my heart,
One native charm, than all the gloss of art.
Spontaneous joys, where nature has its play,
The soul adopts, and owns their first-born sway;
Lightly they frolic o'er the vacant mind,
Unenvied, unmolested, unconfined:
But the long pomp, the midnight masquerade,
With all the freaks of wanton wealth array'd,
In these, ere triflers half their wish obtain,
The toiling pleasure sickens into pain;
And, even while Fashion's brightest arts decoy,
The heart distrusting asks, if this be joy?
Ye friends to truth, ye statesmen, who survey
The rich man's joys increase, the poor's decay,
'Tis yours to judge how wide the limits stand
Between a splendid and a happy land.
Proud swells the tide with loads of freighted ore,
And shouting Folly hails them from her shore;
Hoards, even beyond the miser's wish, abound,
And rich men flock from all the world around.
Yet count our gains. This wealth is but a name
That leaves our useful products still the same.
Not so the loss. The man of wealth and pride
Takes up a space that many poor supplied;
Space for his lake, his park's extended bounds,
Space for his horses, equipage, and hounds;
The robe that wraps his limbs in silken sloth,
Has robb'd the neighbouring fields of half their growth;
His seat, where solitary sports are seen,
Indignant spurns the cottage from the green;
Around the world each needful product flies,
For all the luxuries the world supplies;
While thus the land, adorn'd for pleasure all,
In barren splendour feebly waits the fall.
As some fair female, unadorn'd and plain,
Secure to please while youth confirms her reign,
Slights every borrow'd charm that dress supplies,
Nor shares with art the triumph of her eyes;
But when those charms are past, for charms are frail,
When time advances, and when lovers fail,
She then shines forth, solicitous to bless,
In all the glaring impotence of dress;
Thus fares the land by luxury betray'd;
In nature's simplest charms at first array'd; --
But verging to decline, its splendours rise,
Its vistas strike, its palaces surprise;
While, scourged by famine, from the smiling land
The mournful peasant leads his humble band;
And while he sinks, without one arm to save,
The country blooms -- a garden and a grave!
Where, then, ah! where shall poverty reside,
To 'scape the pressure of contiguous pride?
If to some common's fenceless limits stray'd,
He drives his flock to pick the scanty blade,
Those fenceless fields the sons of wealth divide,
And even the bare-worn common is denied.
If to the city sped -- what waits him there?
To see profusion that he must not share;
To see ten thousand baneful arts combined
To pamper luxury and thin mankind;
To see each joy the sons of pleasure know
Extorted from his fellow-creature's woe:
Here while the courtier glitters in brocade,
There the pale artist plies the sickly trade;
Here while the proud their long-drawn pomp display,
There the black gibbet glooms beside the way:
The dome where Pleasure holds her midnight reign,
Here, richly deck'd, admits the gorgeous train;
Tumultuous grandeur crowds the blazing square,
The rattling chariots clash, the torches glare.
Sure scenes like these no troubles e'er annoy!
Sure these denote one universal joy! --
Are these thy serious thoughts? -- Ah, turn thine eyes
Where the poor houseless shivering female lies:
She once, perhaps, in village plenty bless'd,
Has wept at tales of innocence distress'd;
Her modest looks the cottage might adorn,
Sweet as the primrose peeps beneath the thorn:
Now lost to all, her friends, her virtue, fled,
Near her betrayer's door she lays her head,
And, pinch'd with cold, and shrinking from the shower,
With heavy heart deplores that luckless hour,
When idly first, ambitious of the town,
She left her wheel, and robes of country brown.
Do thine, sweet Auburn, thine, the loveliest train,
Do thy fair tribes participate her pain?
E'en now, perhaps, by cold and hunger led,
At proud men's doors they ask a little bread!
Ah, no. To distant climes, a dreary scene,
Where half the convex world intrudes between,
Through torrid tracts with fainting steps they go,
Where wild Altama murmurs to their woe.
Far different there from all that charm'd before,
The various terrors of that horrid shore;
Those blazing suns that dart a downward ray,
And fiercely shed intolerable day;
Those matted woods where birds forget to sing,
But silent bats in drowsy clusters cling;
Those poisonous fields, with rank luxuriance crown'd,
Where the dark scorpion gathers death around;
Where at each step the stranger fears to wake
The rattling terrors of the vengeful snake;
Where crouching tigers wait their hapless prey,
And savage men more murderous still than they:
While oft in whirls the mad tornado flies,
Mingling the ravaged landscape with the skies.
Far different these from every former scene,
The cooling brook, the grassy-vested green,
The breezy covert of the warbling grove,
That only shelter'd thefts of harmless love.
Good Heaven! what sorrows gloom'd that parting day,
That call'd them from their native walks away;
When the poor exiles, every pleasure past,
Hung round their bowers, and fondly looked their last,
And took a long farewell, and wish'd in vain,
For seats like these beyond the western main;
And shuddering still to face the distant deep,
Return'd and wept, and still return'd to weep!
The good old sire the first prepared to go
To new-found worlds, and wept for others' woe;
But for himself, in conscious virtue brave,
He only wish'd for worlds beyond the grave.
His lovely daughter, lovelier in her tears,
The fond companion of his helpless years,
Silent went next, neglectful of her charms,
And left a lover's for a father's arms.
With louder plaints the mother spoke her woes,
And bless'd the cot where every pleasure rose,
And kiss'd her thoughtless babes with many a tear,
And clasp'd them close, in sorrow doubly dear;
Whilst her fond husband strove to lend relief
In all the silent manliness of grief.
O Luxury, thou cursed by Heaven's decree,
How ill exchanged are things like these for thee!
How do thy potions, with insidious joy,
Diffuse their pleasures only to destroy!
Kingdoms by thee to sickly greatness grown,
Boast of a florid vigour not their own;
At every draught more large and large they grow,
A bloated mass of rank unwieldy woe;
Till sapp'd their strength, and every part unsound,
Down, down they sink, and spread a ruin round.
E'en now the devastation is begun,
And half the business of destruction done;
E'en now, methinks, as pondering here I stand,
I see the rural Virtues leave the land.
Down where yon anchoring vessel spreads the sail
That idly waiting flaps with every gale,
Downward they move, a melancholy band,
Pass from the shore, and darken all the strand;
Contented Toil, and hospitable Care,
And kind connubial Tenderness are there;
And Piety with wishes placed above,
And steady Loyalty, and faithful Love.
And thou, sweet Poetry, thou loveliest maid
Still first to fly where sensual joys invade!
Unfit, in these degenerate times of shame,
To catch the heart, or strike for honest fame;
Dear charming nymph, neglected and decried,
My shame in crowds, my solitary pride;
Thou source of all my bliss and all my woe,
That found'st me poor at first, and keep'st me so;
Thou guide by which the nobler arts excel,
Thou nurse of every virtue, fare thee well!
Farewell! and oh! where'er thy voice be tried,
On Torno's cliffs, or Pambamarca's side,
Whether where equinoctial fervours glow,
Or winter wraps the polar world in snow,
Still let thy voice, prevailing over time,
Redress the rigours of th' inclement clime;
Aid slighted Truth with thy persuasive strain;
Teach erring man to spurn the rage of gain;
Teach him that states of native strength possest,
Though very poor, may still be very blest;
That Trade's proud empire hastes to swift decay,
As ocean sweeps the labour'd mole away;
While self-dependent power can time defy
As rocks resist the billows and the sky.
