"365 : 33" (2010), THE WORKROOM
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"365 : 33" (2010), THE WORKROOM
Model Deborah Harris wearing a custom-designed mermaid’s tail by Bob Mackie for Town & Country, May 1990, on location in Malaysia. This story was Norman Parkinson’s last shoot. / Photographer: Norman Parkinson
docomo touch wood SH-08C
I’m way too autistic for human connection
In the beginning ... was a very female sea. For two-and-a-half billion years on earth, all life-forms floated in the womb-like environment of the planetary ocean—nourished and protected by its fluid chemicals, rocked by the lunar-tidal rhythms. Charles Darwin believed the menstrual cycle originated here, organically echoing the moon-pulse of the sea. And, because this longest period of life's time on earth was dominated by marine forms reproducing parthenogenetically, he concluded that the female principle was primordial. In the beginning, life did not gestate within the body of any creature, but within the ocean womb containing all organic life. There were no specialized sex organs; rather, a generalized female existence reproduced itself within the female body of the sea.
Before more complex life forms could develop and move onto land, it was necessary to miniaturize the oceanic environment, to reproduce it on a small and mobile scale. Soft, moist eggs deposited on dry ground and exposed to air would die; life could not move beyond the water-hugging amphibian stage. In the course of evolution, the ocean—the protective and nourishing space, the amniotic fluids, even the lunar-tidal rhythm—was transferred into the individual female body. And the penis, a mechanical device for land reproduction, evolved.
The penis first appeared in the Age of Reptiles, about 200 million years ago. Our archetypal association of the snake with the phallus contains, no doubt, this genetic memory. This is a fundamental and recurring pattern in nature: Life is a female environment in which the male appears, often periodically, and by the female, to perform highly specialized tasks related to species reproduction and a more complex evolution.
.... Among mammals, even among humans, parthenogenesis is not technically impossible. Every female egg contains a polar body with a complete set of chromosomes; the polar body and the egg, if united, could form a daughter embryo. In fact, ovarian cysts are unfertilized eggs that have joined with their polar bodies, been implanted in the ovarian wall, and started to develop there.
This is not to say that males are an unnecessary sex. Parthenogenesis is a cloning process. Sexual reproduction, which enhances the variety and health of the gene pool, is necessary for the kind of complex evolution that has produced the human species. The point being made here is simply that, when it comes to the two sexes, one of us has been around a lot longer than the other.
—Monica Sjöö & Barbara Mor, "The Great Cosmic Mother: Rediscovering the Religion of the Earth."
Disney: Model Sheet, Sleeping Beauty
I made this skirt out of an old bed sheet xxxx
“Female sex objects abound, but they are all manmade; when is the last time you saw a centerfold with hairy armpits, hairy legs, and a bloodflow? The young girl of the modern West learns from all these subliminal signals to distrust, to dislike, and be ashamed of her own body and feelings, and those of other women. The femaleness she knows—body hair, sweat, monthly bloodflow, menstrual odor, ovulation discharge—must be hidden, taken care of in secret; while the femaleness men want to see (their own?) must be enhanced, publicly flaunted. Whether she really feels like doing this or not, she sees all the other women doing it. The message is that she must depend on something outside herself (men, male taste) for her self-definition. And she is on her own, isolated.”
— Monica Sjöö and Barbara Mor, The Great Cosmic Mother: Rediscovering the Religion of the Earth
Euphoria (2019-2026) S3E4 dir. Sam Levinson
"I remember perceiving very early, in almost a raw way, that if people didn't find women almost seductive, they generally regarded them with disgust. I remember seeing that and knowing there wasn't a neutral feeling toward women, whereas people mainly felt toward men in a neutral way. They didn't go out of their way to make fun of an older man walking down the street, whereas with a woman there were countless ways to describe her, as a cow or a dragon lady, all those contemptuous terms. Unless she's upfront seductive, generally the terms are contemptuous. I remember realizing that as a kid. I remember even discussing it with people, trying to figure out why it was so. I was absolutely baffled by it because I perceived myself mainly as neutral and invisible, and I didn't particularly want to be perceived either way, either with disgust or as seductive. So obviously that must influence my writing. I don't like to deal with that aspect of life. I don't like going around in a book being somebody who has to either be seductive or face people's disgust. I haven't resolved all my feelings about it, so it's easier to write from the male point of view. I do find it easier to write about gay men for that reason and others. I feel like I'm removed from everything, that I can really have a fresh perspective." -- Conversations With Anne Rice, by Michael Riley
The Mermaid’s Lagoon (illustration from Peter Pan) by The Art of Scott Gustafson