Elie Saab Haute Couture Spr/Sum 2025

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Today's Document

bliss lane
Misplaced Lens Cap
The Stonewall Inn
Lint Roller? I Barely Know Her
Monterey Bay Aquarium
d e v o n
Cosimo Galluzzi
Cosmic Funnies
almost home

Andulka
Claire Keane
YOU ARE THE REASON
TVSTRANGERTHINGS
The Bowery Presents

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@theartofmadeline
we're not kids anymore.
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seen from Bangladesh
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@screamingdrunk
Elie Saab Haute Couture Spr/Sum 2025
Thea :: @TheaEuryphaessa
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Jungian, Marion Woodman on the power and importance of Crone energy for women.
Cherry season
Portrait of Sappho, fresco from Pompeii
The root cause of many chronic health challenges can be traced back to overgiving—giving out more energy than you have or more energy than you are receiving back and going years without doing life differently.. —India Ame’ye, Author
Shirley Jackson, Elizabeth
Sofia Foiera (Italian, based Italy) - Face Art inspired by detail from Kirkstall Abbey by George Lambert (English, 1700-1765, b. Kent, England), Face Arts
— Sylvia Plath.
unbuttoning anything for someone is… incredibly intimate and cinematographical, oscar worthy to say the least
some of u didn’t grow up with a mentally ill mother and it shows
visual representations of how intense heartbreak and loneliness feel
A false-color image of the mid-infrared emission from the Great Galaxy in Andromeda, as seen by Nasa’s WISE space telescope.
Credit: NASA/JPL-Caltech/WISE Team
Krishna Adorning Radha’s Hair ca. 1815-20, Unknown Artist (Indian), opaque watercolor and gold on paper, sheet: 8 7/8 × 6 3/8 in. (22.54 × 16.19 cm)
Writers and artists never tired of describing every detail of Krishna and Radha’s romantic dalliances. While titillating, these encounters were also profound theological statements about the soul’s passionate desire for union with God. Here, as part of their love play, the blue-skinned deity toys with Radha’s long, raven-black tresses and a string of pearls as she places an ornament on her ear.
(via Instagram: VMFA Virginia Museum of Fine Arts)
“I walk into the fire always, and come out more alive.”
— Anaïs Nin, from a letter quoted in The Diary of Anaïs Nin, Volume IV (1944-1947)
Aboriginal sand painting by Kaapa Tjampitjinpa