occasionally subtle
will byers stan first human second
Jules of Nature
Cosmic Funnies
Misplaced Lens Cap
Not today Justin

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todays bird

if i look back, i am lost

❣ Chile in a Photography ❣
KIROKAZE
"I'm Dorothy Gale from Kansas"
hello vonnie

gracie abrams

blake kathryn
Cosimo Galluzzi
One Nice Bug Per Day
TVSTRANGERTHINGS
official daine visual archive
I'd rather be in outer space 🛸
seen from United States
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seen from United States
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@seemsnotstilish
Handing the Google executive currently chained in my basement a piece of paper that reads "Shall I end your torture?" with one checkbox that reads "No" and another that reads "Maybe later."
Boran Kuzum for the Based Istanbul photography by Mustafa Nurdoğdu
John Bolton Batman: Manbat #3 page 39 splash (1995) Source
Francis Ford & the Booze Sprites - The Craving (Francis Ford & John Ford, 1918)
FUDEZUKA Toshihisa(筆塚稔尚 Japanese, b.1957)
1. Shining Water 2 輝く水 2015 etching 21 × 15 cm 2. Rain Song 4 2015 etching 15.5 × 21.5 cm 3. Rain Song 3 2014 etching 25.5 × 39 cm via
Russell T. Limbach (American 1904-71), Winter Night, 1939, Color lithograph on paper
Death by Hanging 1968
Nagisa Oshima
“The clown figure has had so many meanings in different times and cultures. The jolly, well-loved joker familiar to most people is actually but one aspect of this protean creature. Madmen, hunchbacks, amputees, and other abnormals were once considered natural clowns; they were elected to fulfill a comic role which could allow others to see them as ludicrous rather than as terrible reminders of the forces of disorder in the world. But sometimes a cheerless jester was required to draw attention to this same disorder, as in the case of King Lear’s morbid and honest fool, who of course was eventually hanged, and so much for his clownish wisdom. Clowns have often had ambiguous and sometimes contradictory roles to play.”
— Thomas Ligotti, from The Last Feast of Harlequin
backrooms date night
Franz von Stuck
The Kiss of the Sphinx, Franz Von Stuck, 1890-1914.
Charcoal, pastel, and chalk drawing resembling his 1895 painting of the same name.
Zurab Kipshidze
Desire (2025)
22.5 x 31.5 in
Ceramic, soda fired earthenware
Alexandre Alexeieff, 1929, illustration for Gogol’s Diary of a Madman