ok first of all, let’s not insult “folk” by putting it into such a tiny box. how many of the most influential folk bands of the 60’s and 70’s fit the description chang gives? and our generation is all about genre mixing. lecrae raps about jesus, why can’t mumford sing about existentialism while picking the banjo?
chang’s lyrics references were kind of hilarious. i would have been more likely to laugh and be on board had he quoted all the lyrics correctly, but i see where he’s going, and i like it.
anyone who knows me well has heard me say that mumford and sons is my favorite band. that being said, i too have criticized the sons for stringing together a bunch of epic one-liners without ever actually saying anything (my exact words a few days ago; i think this chang guy read my mind). but for the most part that criticism is overshadowed by how good it feels to shout out those weird lyrics and how satisfied i feel at the end of each climactic number.
i have decided that “where are you now” is my favorite song on the new album. it is the only one that stays truly slow for the entirety of the song, and it’s the only one i can completely understand and relate to. however, i do think it’s ok that the sons offer up these open-ended questions and musings without ever giving an actual resolution. the only thing worse than offering no answer to the hard questions is offering one. i don’t need four british men, whom i’ve never met and are no older than me to tell me the meaning to life and the answer to tricky relationships.
i agree that this album is regressive. instead of making themselves more diverse, the sons just took the one thing they know how to do and repeated it 12 times on one album. the recordings may be slicker and more layered, but their talent is no more defined.
because “the carpenter” came out so near to “babel,” i inevitably compare the two albums. mumford is nowhere near the level of the avetts. two totally separate categories. i don’t think in real life the sons seem to take themselves too seriously, but their music doesn’t leave any room for humor or self-deprecation. an interview might show them to be humble and silly, but there is nothing light-hearted about their music. again, take a page from the avett’s book and write a ridiculous song about being embarrassed about being seen in your swimming trunks and my level of admiration and devotion will increase ten-fold.
and likening the sons to muse just makes me like them more. muse is the shiz.
re:modern praise music. i have never fallen for the repetitive, emotional praise style. i find it boring and i’m constantly wondering when the song will end, and i can’t seem to even remember what the beginning of the song sounded like. that happens with mumford too. the beginning and the end of each song don’t have a connection. i start a song and then by the end i am in a different song. however, i am more willing to let a key change and a kick drum manipulate me when the music is not intended to be spiritual. i won’t let a banjo conjure up the holy spirit, but i will let it move me to stamp my foot and turn up my car stereo and drown out the life going on outside my windows because that life doesn’t make any more sense than mumford and sons’ lyrics. and i’m okay with that.