Though you are gone from me
We never can really be apart
What's written on the wind
Is written in my heart
Written on the Wind (1956)
Peter Solarz

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RMH
hello vonnie
Cosmic Funnies

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shark vs the universe
DEAR READER

祝日 / Permanent Vacation
Claire Keane

JVL

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NASA
Alisa U Zemlji Chuda
TVSTRANGERTHINGS
dirt enthusiast
styofa doing anything
KIROKAZE
todays bird

#extradirty
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@serialmoms
Though you are gone from me
We never can really be apart
What's written on the wind
Is written in my heart
Written on the Wind (1956)
Don Ivan Punchatz, 1977
Owl-shaman, by Inuit artist Manasie Akpaliapik. 1999
bone, antler, sinew, and baleen (whale bone)
Oliver Scarlin - Green bathroom scene (2026)
Isabelle Huppert in Duran Lantink for Hube Magazine by Lennert Madou
El Greco (Doménikos Theotokópoulos), Greek (born Candia [Heraklion], Crete, then part of the Republic of Venice), (1541-1614). The Burial of the Count of Orgaz, 1586–1588, detail. Oil on canvas, 480 × 360 cm. Church of Santo Tomé, Toledo.
Commissioned in 1586 by Andrés Núñez, parish priest of Santo Tomé, this monumental canvas commemorates the medieval nobleman Gonzalo Ruiz de Toledo, lord of Orgaz (d. 1323). According to local tradition recorded in parish documents, Saints Stephen and Augustine descended miraculously to lay his body in the tomb in recognition of his piety and charitable benefactions to the church.
The composition is divided into two clearly articulated zones. The lower register presents the burial attended by clergy and prominent citizens of Toledo, many of whom are understood to be contemporary portraits. Among those traditionally identified are Andrés Núñez and other notable figures of late sixteenth-century Toledo; a young boy at left is widely accepted as Jorge Manuel Theotokópoulos, the artist’s son. The armor-clad body of the Count is borne by Saints Stephen and Augustine, distinguished by their liturgical vestments.
Above, a celestial vision unfolds. Christ presides at the apex, flanked by the Virgin Mary and Saint John the Baptist in an arrangement associated with the Deësis. Apostles, saints, and angels occupy the luminous upper sphere as the Count’s soul, depicted in infant form, is received into heaven. The painting’s elongated forms and heightened verticality exemplify El Greco’s mature manner in Toledo.
Executed between 1586 and 1588, the work remains in its original location in the Church of Santo Tomé, for which it was created, and continues to be documented as one of the most significant large-scale ecclesiastical commissions in late sixteenth-century Spain.
Angelyne inspired Miss Piggy billboard
Joan Taylor - Earth vs. the Flying Saucers (1956)
Maja Klaassens
Zendaya and Rob for Interview Magazine by Nadia Lee Cohen
Félix Vallotton
Nu au Fauteuil Rouge, 1897
The Testament of Ann Lee (2025) dir. Mona Fastvold
Stefan Karpiniec, Lyle Closs jumps to Albert’s Tomb, Organ Pipes Mt. Wellington, Tasmania, 1974
To work it out, I let them in. All the good guys and the bad guys that I've been. All the devils that disturb me, and the angels that defeated them somehow. Come together in me now.
Phantom of the Paradise (1974) dir. Brian De Palma
Fiona Apple photographed by Fredric Reshew, 2000
Peaches in Warsaw. 2002. Photograph: Schaub Stierli.