When I was nine, possibly ten, an author came to our school to talk about writing. His name was Hugh Scott, and I doubt heâs known outside of Scotland. And even then I havenât seen him on many shelves in recent years in Scotland either. But he wrote wonderfully creepy childrenâs stories, where the supernatural was scary, but it was the mundane that was truly terrifying. At least to little ten year old me. It was Scooby Doo meets Paranormal Activity with a bonny braw Scottish-ness to it that Iâd never experienced before.
I remember him as a gangling man with a wiry beard that made him look older than he probably was, and he carried a leather bag filled with paper. He had a pen too that was shaped like a carrot, and he used it to scribble down notes between answering our (frankly disinterested) questions. We had no idea who he was you see, no one had made an effort to introduce us to his books. We were simply told one morning, âclass 1b, there is an author here to talk to you about writingâ, and this you see was our introduction to creative writing. Weâd surpassed finger painting and macaroni collages. It was time to attempt Words That Were Untrue.
You could tell from the look on Mrs Mâs face she thought it was a waste of time. I remember her sitting off to one side marking papers while this tall man sat down on our ridiculously short chairs, and tried to talk to us about what it meant to tell a story. She wasnât big on telling stories, Mrs M. She was also one of the teachers who used to take my books away from me because they were âtoo complicatedâ for me, despite the fact that I was reading them with both interest and ease. When dad found out he hit the roof. Itâs the one and only time he ever showed up to the school when it wasnât parents night or the school play. After that she just left me alone, but she made it clear to my parents that she resented the fact that a ten year old used words like âubiquitousâ in their essays. Presumably because she had to look it up.
Anyway, Mr Scott, was doing his best to talk to us while Mrs M made scoffing noises from her corner every so often, and you could just tell he was deflating faster than a bouncy castle at a knife sharpening party, so when he asked if any of us had any further questions and no one put their hand up I felt awful. I knew this was not only insulting but also humiliating, even if we were only little children. So I did the only thing I could think of, put my hand up and said âWhy do you write?â
Iâd always read about characters blinking owlishly, but Iâd never actually seen it before. But thatâs what he did, peering down at me from behind his wire rim spectacles and dragging tired fingers through his curly beard. I donât think he expected anyone to ask why he wrote stories. What he wrote about, and where he got his ideas from maybe, and certainly why he wrote about ghosts and other creepy things, but probably not why do you write. And I think he thought perhaps he could have got away with âbecause itâs fun, and learning is fun, right kids?!â, but part of me will always remember the way the world shifted ever so slightly as it does when something important is about to happen, and this tall streak of a man looked down at me, narrowed his eyes in an assessing manner and said, âBecause people told me not to, and words are important.â
I nodded, very seriously in the way children do, and knew this to be a truth. In my limited experience at that point, I knew certain people (with a sidelong glance to Mrs M who was in turn looking at me as though sheâd just known itâd be me that type of question) didnât like fiction. At least certain types of fiction. I knew for instance that Mrs M liked to read Pride and Prejudice on her lunch break but only because it was sensible fiction, about people that could conceivably be real. The idea that one could not relate to a character simply because they had pointy ears or a jet pack had never occurred to me, and the fact that itâs now twenty years later and people are still arguing about the validity of genre fiction is beyond me, but right there in that little moment, I knew something important had just transpired, with my teacher glaring at me, and this man who told stories to live beginning to smile. After that the audience turned into a two person conversation, with gradually more and more of my classmates joining in because suddenly it was fun. Mrs M was pissed and this bedraggled looking man who might have been Santa after some serious dieting, was starting to enjoy himself. As it turned out we had all of his books in our tiny corner library, and in the words of my friend Andrew âhey thereâs a giant spider fighting a ghost on this cover! neat!â and the presentation devolved into chaos as we all began reading different books at once and asking questions about each one. âDoes she live?ââ âWhat about the talking treesâ ââis the ghost evil?â ââcan I go to the bathroom, Miss?â ââWow neat, more spiders!â
After that we were supposed to sit down, quietly (glare glare) and write a short story to show what we had learned from listening to Mr Scott. I wont pretend I wrote anything remotely good, I was ten and all I could come up with was a story about a magic carrot that made you see words in the dark, but Mr Scott seemed to like it. In fact he seemed to like all of them, probably because they were done with such vibrant enthusiasm in defiance of the people who didnât want us to.
The following year, when Iâd moved into Mrs Hâs classâthe kind of woman that didnât take away books from children who loved to read and let them write nonsense in the back of their journals provided they got all their work doneâa letter arrived to the school, carefully wedged between several copies of a book which was unheard of at the time, by a new author known as J.K. Rowling. Mrs H remarked that it was strange that an author would send copies of books that werenât even his to a school, but I knew why heâd done it. I knew before Mrs H even read the letter.
Because words are important. Words are magical. Theyâre powerful. And that power ought to be shared. Thereâs no petty rivalry between story tellers, although thereâs plenty who try to insinuate it. Thereâs plenty who try to say some words are more valuable than others, that somehow their meaning is more important because of when it was written and by whom. Those are the same people who laud Shakespeare from the heavens but refuse to acknowledge that the quote âSome are born great, some achieve greatness, and some have greatness thrust upon themâ is a dick joke.
And although Mr Scott seems to have faded from public literary consumption, I still think about him. I think about his stories, I think about how he recommended another author and sent copies of her books because he knew our school was a puritan shithole that fought against the Wrong Type of Wordes and would never buy them into the library otherwise. But mostly I think about how he looked at a ten year old like an equal and told her words and important, and people will try to keep you from writing themâso write them anyway.
2087
romaincrisis
turnnoffyourmind
titsay
theartofmadeline
