watched obsession this weekend
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Product Placement

Kaledo Art
we're not kids anymore.

tannertan36
Today's Document
NASA

roma★
Three Goblin Art
Sweet Seals For You, Always

#extradirty
Stranger Things
Aqua Utopia|海の底で記憶を紡ぐ

★
KIROKAZE
let's talk about Bridgerton tea, my ask is open
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pixel skylines
todays bird
TVSTRANGERTHINGS
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@shallahraekwon062488
watched obsession this weekend
My "Obsession" film poster.
Now available in my shop:
https://www.etsy.com/shop/MikeSapienzaDesigns
INDE NAVARRETTE "The fake answer that I love to give [for my childhood crush] is Channing Tatum in Step Up. But the real answer is Optimus Prime in Transformers. Specifically, obviously, the first one. There's a monologue that he has at the end of the movie that leads right into [a Linkin Park song]. I think that was my awakening."
it is terrifying that bear only sought to "alter" his wish rather than cancelling it but what is even more terrifying is that he wouldn't even have called the number had nikki not inconvenienced him. if she did not act in such extreme ways bear wouldn't even have a problem. which is sooooo sooooo terrifying because he was completely fine living and being "loved" by nikki who he knew wasn't the real her. he claimed to love her, but even when she started acting like a totally different person it was water off a duck's back for him. he DIDN'T CARE whether it was the real nikki or an entirely different person.
even when she begs him to kill her, he does not feel even a shred of pity for her; he only worries "is being with me that bad".
the only reason he tries to change anything is because her behavior started to scare him FREAK him out. had she acted in a meeker way, bear would've lived with her HIS WHOLE LIFE knowing she ISN'T the real nikki NOT GIVING A FUCK about what she would've wanted. PERIOD.
the more i sit with it the more i realise that the title of the movie did not refer to nikki's obsession with bear but rather his obsession with her. because i know fs that what he felt for her definitely wasn't love.
Moments where the real Nikki breaks through the wish OBSESSION (2026) Dir. Curry Barker
my favorite thing about louis is he's a business major in a world of theater kids. everyone's playing psychological games with each other through theater and rock music and the fractured art of storytelling and he's like "but what are the margins on my vampire hotel"
It’s so fucking bananas that the last straw for Lestat in that meeting was finding out that Louis was getting 45% of merch profits on his tour. What kind of joker ass motherfucker becomes an investor in their ex’s crash out??? Louis Du Pointe Du Lac no one ever did it like you
not me
She is in the sunken place and her place is occupied by a demon who will kill himself if it's not loved back. Nicky is the monster of this movie but it's also the victim.
✊🏽Black men deserve peace.
✊🏾Black men deserve respect.
✊🏿Black men deserve to feel safe.
✊🏽Black men deserve to grow.
✊🏾Black men deserve to thrive.
✊🏿Black men deserve to love.
✊🏽Black men deserve to be themselves.
✊🏾Black men deserve to live their lives.
Weird Fantasy (1950) #18 written by Al Feldstein and drawn by Joe Orlando, with editor Bill Gaines
So he said it can't be a Black. So I said, "For God's sakes, Judge Murphy, that's the whole point of the Goddamn story!" So he said, "No, it can't be a Black". Bill just called him up and raised the roof, and finally they said, "Well, you gotta take the perspiration off". I had the stars glistening in the perspiration on his Black skin. Bill said, "Fuck you", and he hung up.
Al Feldstein, Tales of Terror: The EC Companion
Just to add context for those not aware of the impact of this story.
The reason it was so important for narrative purposes, was that the plot concerns the visit of the Astronaut, in his completely opaque spacesuit, to a planet populated entirely by self-aware robots (originally from Earth) who have built their own society and are petitioning to be allowed to interact with Earth again as equals.
They have a democratic government and free choice of careers etc. as the orange robot serving as guide tells the Astronaut.
The Astronaut notices that there are two different types of robot on this world; the orange ones, who are in charge, gifted access to all information and facilities. and the blue robots, who are seen as more limited in function, have less access to information and resources, and are not allowed positions of power or as wide a choice of employment opportunities. Even transportation is segregated.
The Astronaut investigates further and discovers that the blue and orange robots are actually structurally identical, there is absolutely no difference between their potential or capabilities, and it is only because the orange robots are instructed by their Educator system to consider themselves superior, that the difference exists.
The Astronaut tells the robots they are not ready for re-alignment with Earth, until they come to terms with their own unfairness, and how Earth had had to deal with this issue themselves. When that time comes, the robots will be able to ally with Earth.
Then he leaves in his spaceship, and it's only in that one final panel that we see the Astronaut is black.
Not subtle, nor should it be, but for 1950 this was a breathtakingly powerful statement, perhaps the first of it's kind in the genre.
The black character was not a caricature, or comedy relief, he was a main character in his own right, a human who "simply" was black.
When I was a professor I fucking LOVED teaching this comic. You can read the full thing here (and please read the letters to the editor at the bottom as well—including a message from Ray Bradbury).
I'm so glad people added the appropriate context here. Genuinely, this is one of the most important panels in the history of comics.
SHOUT TF OUT TO EC COMIC FOR THIS and I fucking love Ray Bradbury. I never knew the context to the comic panel but thought it was just the most beautiful thing. Wow. How amazing.
Bill Withers in 1972, playing “Ain’t No Sunshine”
“And I know, I know, I know, I know I know, I know, I know, I know, I know I know, I know, I know, I know, I know I know, I know, I know, I know, I know I know, I know, I know, I know, I know I know, I know
Hey, I ought to leave young thing alone But ain’t no sunshine when she’s gone, whoa-whoa”
I actually love the Louis and Regina subplot because it really is a continuation of the way Louis has always treated women, as a source of emotional labour that he can throw money at and have them make him feel better. It’s Miss Lily all over again, it’s “paying a whore to sit in a room and talk with him”. Making Claudia was always about Louis’ feelings under the pretence of saving her from the fire. He wants to save Regina from poverty but it’s all to make himself feel better. She sees through him but she’s so broke that she can’t afford to say no
Inde Navarrette ph. by Nick Rasmussen for Schön! Magazine
The Devil has minioned too close to the sun
the type of ship i fuck with the most
If you were the last vampire on Earth it would be enough. You and me. Me and you.
INTERVIEW WITH THE VAMPIRE (2022–) Season 2, Episode 1 | Season 3, Episode 4
HAPPY PRIDE DAY 🌈