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BTGâs Pitch Perfect âLovesongâ Traces the Evolution of a Marriage
âLovesongâ â Written by Abi Morgan. Directed by David Auburn. Scenic Design by Alexander Woodward; Movement Direction by Isadora Wolfe; Costume Design by Amanda Roberge; Lighting Design by Daniel J. Kotlowitz; Composition and Sound Design by Scott Killian. Presented by Berkshire Theatre Group at the Unicorn Theatre, Stockbridge, MA through August 29. By Shelley A. Sackett We have all handledâŠ
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In GSCâs Excellent âBetrayal,â Pinter Creates An Endless Loop of Deception
Liza Giangrande and Tanner Efinger in Gloucester Stage Companyâs production of âBetrayalâ. Photos by Shawn G Henry âBetrayalâ â Written by Harold Pinter. Directed by Shana Gozansky. Scenic Design by Jeffrey Petersen; Costume Design by Nia Safarr Banks; Lighting Design by Amanda E. Fallon; Sound Design and Composition by Julian Crocamo. Presented by Gloucester Stage Company, 267 East Main Street,âŠ
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Fast-paced, Colorful, and Highly Entertaining NSMTâs âJoseph and the Amazing Technicolor Dreamcoatâ Is A Crowd Pleaser
By Shelley A. Sackett What a set of pipes Olivia Valli has! The granddaughter of iconic singer and actor Frankie Valli (known as the lead singer of Frankie Valli & The Four Seasons), Olivia has also played her own grandmother, Mary Delgado, in âJersey Boysâ Off-Broadway. As the omnipresent Narrator in North Shore Music Theatreâs excellent âJoseph and the Amazing Technicolor Dreamcoat,â sheâŠ
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Even BinBâs Glitzy Production Pizazz Canât Hide the Underlying Tragedy of âThe Great Gatsbyâ
By Shelley A. Sackett Itâs not surprising that the current climate of skyrocketing economic disparity and criminal impunity has spawned renewed interest in The Great Gatsby, the story of Jay Gatsby, F. Scott Fitzgeraldâs fictional mega-nouveau-riche man with a mysterious back story and lavish lifestyle. Set in the post-WWI, giddy, glitzy Jazz Age, the 1925 novel depictsâŠ
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Two Couples, Each On the Verge of Connection, Take Different Paths in âIn Old Ageâ and âFrankie & Johnny in the Clair de Luneâ
Ebony Marshall-Oliver and Marvin Bell in Front Porch Arts Collectiveâs âIn Old Ageâ Reviewed by Shelley A. Sackett On the surface, two plays, both two-handers running through June 28, have much in common. They both center on men and women seeking second chances at connection after suffering through previous unhealthy relationships. Both feature intensely persistent men who face uphill battlesâŠ
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âBad Booksâ Dives Way Below A Bookâs Cover to Explore Meaty Topics in GSCâs Riotous New Play
Reviewed by Shelley A. Sackett On its surface, Bad Books looks much like many recent productions that touch on the book bannings that are sweeping our nation faster than the wildfires in our beloved West. (See, for example, Shelf Help: Tales of the Unbound by Patricia Morgan and Jena Enfinger; Dirty Books by Max Lieberman, and Alabama Story by Kenneth Jones). What separates Gloucester StageâŠ
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NSMTâs âOn Your Feet!â Is A Nostalgic, if ClichĂ©d, Look Back at Gloria and Emilio Estefanâs Remarkable Marriage and Career
By Shelley A. Sackett On Your Feet!, in production at North Shore Music Theater through June 14, is a feel-good jukebox musical that played on Broadway for two years before hitting the road for an international tour that continues some nine years later. Based on the lives and musical careers of the 26-time Grammy Award-winning team, Gloria and Emilio Estefan, the musical features a score builtâŠ
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âEureka Dayâ Tackles Serious Topics with Biting Insight and Riotous Wit
By Shelley A. Sackett Itâs not every playwright who could find gut-splitting humor in the raw topic of divergent views about vaccinations and their collateral damage of incivility, intolerance and epistemic crisis (a situation where society loses its shared consensus on fundamental facts that results in the mechanisms used to determine what is a true breakdown). Not to mention preventableâŠ
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Umbrella Stage Co.âs âHairsprayâ Kicks Off Summer with A Rollicking Good Time
By Shelley A. Sackett Hairspray, the musical set in 1962 Baltimore with an offbeat following, features an outcast yet optimistic high schooler who lands a spot on a local TV dance show and campaigns for racial integration. It originated as a cult-classic 1988 John Waters film with Divine, Ricki Lake, John Waters, Jerry Stiller, Deborah Harry and Sonny Bono, evolved into a 2002 Tony Award-winningâŠ
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The Huntingtonâs âOedipus el Reyâ Transposes Sophocles to The Barrio with Mixed Success
By Shelley A. Sackett Playwright Luis Alfaro has put lot on his plate. His Oedipus el Rey (2010) swirls together themes of contemporary social iniquity, anger, frustration, and political and social outrage with the classic myth of Sophoclesâ mythic character, Oedipus. Throw in big ticket philosophical questions about divine fate, prophecy, religion, self-determination and thirst for messianicâŠ
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Nael Nacer on âThe Receptionistâ and the New York and Boston Theater Scenes
Nael Nacer with Mallori Johnson is Second Stageâs âThe Receptionistâ Nael Nacer is an award-winning actor based in Boston and New York. A classically trained actor with over 20 years of experience, Nael has appeared on many Boston and NY stages throughout his career. He is best-known for playing the role of Charles in the acclaimed Broadway premiere of Joshua Harmonâs Prayer for the FrenchâŠ
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Second Stageâs âThe Receptionistâ Shines A Light on the Underbelly of the Underworld
Will Pullen, Katie Finneran, Mallori Johnson, and Nael Nacer in Second Stageâs âThe ReceptionistâPhotos by Joan Marcus âThe Receptionistâ â Written by Adam Bock; Directed by Sarah Benson; Scenic Design by dots; Costume Design by Enver Chakartash; Co-Lighting Design by Stacey Derosier and Bailey Costa; Sound Design by Bray Poor. Presented by Second Stage at the Pershing Square Signature Center,âŠ
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SpeakEasyâs Stirring âSwept Awayâ Will Carry You Away
Swept Away -Book by John Logan; Music and Lyrics by The Avett Brothers; Directed by Jeremy Johnson; Music Direction by Paul S. Katz; Choreography by Ilyse Robbins; Presented by SpeakEasy Stage Company, 527 Calderwood Pavilion for the Arts, Tremont St., through May 23. By Shelley A. Sackett By rights, SpeakEasyâs Swept Away should not be the crowd-pleaser, but it is. The story is based on a trueâŠ
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Apollinaireâs âDido of Idahoâ Snaps, Crackles and Pops
Ashley Lyon and Parker Jennings in Apollinaireâs âDido of Idahoâ. Photos by Danielle Fauteux Jacques âDido of Idahoâ â By Abby Rosebrock. Directed by Danielle Fauteux Jacques and Brooks Reeves; Scenic and Sound Design by Josephy Lark-Riley; Costume Design by Parker Jennings; Lighting Design by Danielle Fauteux Jacques. Presented by Apollinaire Theater Co., 189 Winnisimmet St., Chelsea, throughâŠ
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âTo Kill a Mockingbirdâ Is A Welcome Addition to Umbrella Theatreâs Season
The Cast of âTo Kill a Mockingbirdâ at The Umbrella Arts CenterPhotos by Jim Sabitus By Shelley A. Sackett To Kill a Mockingbird, the 1960 Pulitzer Prize-winning novel written by Harper Lee and dramatized in 1970 by Christopher Sergel, tells the story of events that take place in the small town of Maycomb, Alabama, during the Depression (1932 to 1935). The plot and characters are based on LeeâsâŠ
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Apollinaireâs Impassioned âA View from the Bridgeâ Reveals Troubled Waters Below
Cast of Apollinaireâs âA View from the BridgeâPhotos by Darlene DeVita âA View from the Bridgeâ â Written by Arthur Miller. Directed by David R. Gammons. Scenic and Sound by Joseph Lark-Riley; Costumes by Elizabeth Rocha; Lighting by Kevin Fulton. Presented by Apollinaire Theatre, 189 Winnisimmet St., Chelsea, through March 22. By Shelley A. Sackett Arthur Miller, a prominent 20th centuryâŠ
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Itâs a Topsy-Turvy Planet in The Huntingtonâs âWe Had A Worldâ
Amy Resnick, Will Conard in Huntingtonâs âWe Had A Worldâ. Photos by Annielly Camargo âWe Had A Worldâ â Written by Joshua Harmon. Directed by Keira Fromm. Scenic Design by Courtney OâNeill; Costume Design by Izumi Inaba; Lighting Design by Tyler Micoleau; Sound Design and Original Music by Melanie Chen Cole, Presented by The Huntington at Wimberly Theatre, Calderwood Pavilion, 527 Tremont St.,âŠ
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