Project 5
Xuebing Du
KIROKAZE

Andulka
Fai_Ryy
🩵 avery cochrane 🩵

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untitled
NASA
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official daine visual archive

titsay

tannertan36
The Bowery Presents
Sade Olutola

pixel skylines
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Interview Vampire Daily
RMH
taylor price
No title available
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@sherlyn-r0das
Project 5
Artist statement 4
In this project my action is how I interact with my studio space, how I treat it and how I fit into it. I had a portrait that I didn't like the direction it was going in so I covered it planning on starting over. I have never felt my art to be precious and I’m on the bandwagon of deleting your art when it's not going well. So my performance is deleting the painting in the traditional manner of covering it shown through photographs as I felt it would be better this way than a video.
Project 4
exercise 4
I actually used Serra's verbs instead of mind, to bend, to twist, to lift
Artist Statement 3
For this project I took inspiration from the video show in class of war movies, but instead I did the hero archetype. This is a video of clips of characters in movies that fall under "The Hero." Art to me, is very narrative so I thought itd be cool to put "The Hero" side by side. I used supercuts to put everything together it was a little more easier than premier.
Super cut
For this project I took inspiration from the video show in class of war movies, but instead I did the hero archetype. This is a video of clips of characters in movies that fall under "The Hero."
Third exercise: Video
Wet Ink Gifs
I really liked this attempt more than your dry one because of how much more dynamic it is, with how you can see figures in the middle one
Reading Response 3
I think cubitt cleared a lot of misconceptions I had about video art, which i have only thought of in the modern sense. I have never thought about it similar to painting where it deals with shadows, horizons, and lighting. I question I kinda have with how video art is based on this article is what separates video art with other forms of video, like movies and music videos. For movies/cinema i can see maybe the length and narrative being a distinct difference, but that's where music videos are coming to play because there not that long averaging 4 minutes. I'm sure these media take lighting and projecting as common factors to make sure things look good.
The Loop
My gif series is centered around the movie Perfect Blue by Satoshi Kon (1997), it deals with the duality of persona. I enjoy the unsettling nature of how the movie presents the second persona laying in wait, so i zeroed in on the eyes of the persona as the main focus.
Reading Response 2
These articles kind of really put into perceptive on a lot of things about GIFs I've never really thought about. I've never thought about the origin of the GIF or how its used besides as comedic value through text or reaction pieces. I think growing up with the internet already in place kind of displaces you because you lose a sense of what ownership really is. Its kinda baffling that you can own a GIF as you could own a painting with a an authenticity certificate. GIFs will never really be gone, i think as a society we really enjoy short form content in the last few year as the internet shortens out attention span. But I see how creativity can shoot off in this way, I think Vine is a true testament as people found ways to be funny in 6 seconds and now with TikTok it has kinda evolved to a new level of i think can be labeled as cinematography sometimes.
Technical Exercise 2
I made a gif from How to train your dragon 2, its one of my favorite movies and this is my favorite scene
No, I’m the real thing.
PERFECT BLUE (1997) dir. Satoshi Kon
This movie is also so good i recommend everyone to watch this movie as its such a good thriller and deals with duality of persona
"Hyper-Altruism"
Kayla Shafer-2022
These digital collages reflect on the influence the internet and social media have had on my perceptions of myself and the world around me. So much effort is put into promoting self-love, positive ideologies, and mental well-being on the internet, but it does not seem to translate into the temporal realm. These neon infographics severely misrepresent the reality of health, healing, and community. When we portray mental illness as something romantic, trendy, or cute, are we sending the right message? Can a political statement really be considered a core part of your identity? Is the saturation of information enlightening and helpful or over-stimulating and inflaming?
It is important to strike up conversations about how these internet tools are being used in society. There are aspects of our being far too complex and profound to synthesize into an Instagram post. Look less at your phone and look more at the people around you. What notifications are they sending you? We love it when the dopamine hits from a momentary internet thrill- but we are robbing ourselves of the opportunity to enjoy so many more lovely, yummy chemicals and sensations when we love and support one another IRL. Face to face. Eyeball to eyeball. Hand to hand. Maybe even hugging. (With the phones locked in a safe in the bunker in the basement.)
In the words of Kierkegaard, “to be human, is not a fact, but a task.”
The most altruistic thing one can do is be human with another human.
Lest the Age of Information dissolve us all into e n t r o p y.
And...th3____11/////hum@nnN__---_exp3rl33eentz=+__l0s7t_t00_tTh3-A@Ilg0ryhthym
This kinda reminds me of japans kawaii culture how it feels your photos where its brightly colored which i think is a different but similar conversation
Disappearing acts
My pieces were mainly inspired through my homesickness of moving away from home and missing all the daily locations I would normally visit. At first, I wanted to show my life walks or all the walks that I have taken in my life, but I didn’t think it would fit the project idea, so I took a walk around campus, and took pictures of different places that almost all of us see pretty frequently. I “disappeared” all the color from the images I took and saturated them because I thought of how corporate like the inside of the class buildings feel like and when I think corporate, I think of the color grey or dull. Then to bring back attention I added a few things that remind me of home. I started with the knoor seasoning. I thought of knoor because I really wanted to make rice and I realized that I did not have any and I kind of had a hard time finding a lot of the different foods I find at home. In a way these pieces show my true reality of returning to further my education and show a self-portrait of myself because even in the most corporate life places I will continue to be and look for my own identity within my culture no matter where I am.
I like how the pictures stand out versus sizing them into place and having them blend in with the environment.
Disappearing Acts: Veil What Is Not
I really enjoyed the direction you took with cutting out and blacking out the space. I wonder if a different color would have the same impact as the void like black you currently have.
AKIRA — アキラ (1988) dir. Katsuhiro Otomo
I really love this movie the plot and animation are so good and ahead of its time