Farewell to South Hampstead: Second Half of Miss Pike's Final Assembly
During my first whole-school assembly, I talked about beginnings and endings in fiction. I reflected on an observation by the critic James Wood, that novels usually begin much better than they end. Make sure that life is better than art, I exhorted the girls: make sure that your school careers end better than they begin.
But while what James Wood says about beginnings being better than endings bears some truth for fiction, it doesn’t hold true for poetry, where the quality of the thought and the language often come together at the end. Imagine what Matthew Arnold’s Dover Beach would be like without the final verse.
I have been reflecting on poetry this term because, good student of Growth Mindset that I am, I leapt out of my comfort zone and tried to teach poetry with my Year 7s. I say ‘teach with’ because I do not see facilitating writing or any form of creativity as something that I can teach ‘to’ anyone. And as for delivery as opposed to teaching—one of the many reasons I abhor this word in the classroom is that ‘to deliver’ is even less collaborative than ‘to teach.’
Every Headmistress of this school sets her own tone, and the job is essentially one of stewardship. As a headmistress, whether you are here for three years or thirty, the best you can hope for is to leave the institution in a slightly better state than when you joined it. This has been a remarkable school since 1876, and it will be in 2076, too. I hope that the girls will be here to celebrate the bicentenary; sadly it is unlikely that I shall be with you for that celebration, much as I enjoy a big party. There is however the 150thin ten years’ time, and we do need a full history of the school to be written by then. Some of the girls have suggested that we mark the 140th this year, and there will be some festivities in November.
One of the many pleasant surprises of becoming a Headmistress is that one is called on to assume the role of school bard. Being a narrator of the school history is a less obvious aspect of the two poles of my job, namely carrying the flag (that flagpole pun was also for you, Mrs Wagner) and carrying the can. Which is all by way of saying that I have spent a lot of time during the past three years thinking about what makes this school so distinctively remarkable.
There are three key elements: the first is the tradition which sustains the school and gives it ballast and confidence. I am convinced that we can draw from our history and celebrate it more, as I have already said. It is partly for this reason that I have appointed a school archivist, and I am delighted that Mrs Coates has assumed this mantle. It will suit her well. We also now have an alumnae officer, so that we can keep on touch with former pupils- who will all too soon be you- forever. You will always be a South Hampstead girl, and you will remain one of the school’s key assets.
The second and third key elements of what makes SHHS the great school it is are carefully interwoven, and they are the spirit and love of learning which animates the place, and the way we wear quite lightly the high-octane achievement which permeates everything. (I fear that was a mixed metaphor; my apologies to the Chemistry department.) There are some schools in which the sense of school is somehow much bigger than the individuals who inhabit it; here my guiding principle is that you are the school, and everything else is an abstraction which is only of value insofar as it makes the school of the present and the foreseeable future the very best it can be. Your parents entrust us with a significant chunk of your childhood, and making that full of joy and possibility is what gets all of your teachers out of bed each morning.
To repeat more plainly: what makes this school really great, every day of the week, is all of you. That you have formed a ukelele orchestra. That senior girls write plays for the junior girls, coach them in sport, help them with their homework and friendships. Above all, the things you do when everyone isn’t looking. That Kira Noussia-Hinsley spent a week in Greece helping Syrian refugees. That Yasmine Lingemann did work experience in a hospital in Morocco. That Rebecca Lawson has been so generous about my failure not only to pass but even be in the building to take my Grade One Saxophone exam. I could give you many excuses for this, not least my being psyched out by all the teachers who claimed they were going to fail, only to secure eye-wateringly high distinctions.
I have talked a lot about love this year in particular, and here is where words fail me, because I am not always sure that I am able to communicate how much I have enjoyed being your Headmistress. As I hope you are learning, love makes you confident and strong, and I would not be able to contemplate a second headship with any joy at all if I had not been so fulfilled here. This is what I hope that all of you will come to understand, when you leave this place. It is not an easy school to leave, and for me, as the school song whose words we never can quite remember has it, it is always full of joyful light.
When I first joined the school, I approached diligently the question of what our motto, Mehr Licht, meant. As an historian, I was frustrated that I could not read to you what Mrs Allen Olney, the first Headmistress, intended when she chose it. I was even more perplexed when I discovered it was not clear to scholars whether or not Goethe, when he called for Mehr Licht on his deathbed, was making a plea for further intellectual stimulation or for his curtains to be opened. (From the teachers in the windowless offices on the Fifth and Sixth floors, I am confident of the latter, more literal interpretation.)
Goethe was an early theorist of the science of colour. He regarded Newton as wrong. To him, colour was not about laws governing light waves; it was about perception and temperament. While Goethe was wrong in challenging Newton as fully as he did, Goethe did anticipate our understanding that colour isn’t just about different light waves entering the eyes, but that it is also about how our brain perceives them. Hence colour blind people perceive colour differently, and we react to colours in different ways depending on our mood or how they are placed next to each other.
But now, having been your Headmistress, I have approached this question of the meaning of Mehr Licht from a different perspective. I see more light everywhere; even—and perhaps particularly-- in the Maths office. I see it in the liberal, tolerant traditions that we foster in our inquiry; in our lightness of touch with regard to school rules and formality; in the lightness of tone which characterises conversations between you and your teachers, and each other; and, yes, in the new glass-fronted building which houses our aspirations; and even in that splendid early Faraday chandelier which now hangs in Oakwood. I see how wise it was to have a school motto which understands that enlightenment is going to be no more than invisible bouncing waves of light and sound, if it is not able to find a welcome home in the minds of those who receive it. If we are not open-hearted, as the second of the school watchwords which you chose has it, then we cannot hope to open our eyes and our minds.
And so I wish you many happy years of more light. Certainly you will always have a home in my heart.
















