riley.
Her hands c a r e s s the loose pieces of paper, the gesture more as if comforting a child than smoothing the material out. More than the risk of being labelled as INSANE (she’s sure she’s long ago been called worse) due to the dozens of demonic depictions and candid nude illustrations she has, she worries about what the girl might think about her artistic talent.
“Wh-what were you d-doing, th-then??” Riley demands in a tone that was impossible HARSH, even for her. She normally would’ve acted kinder towards strangers, or at least pretended to, but she considers anyone who has seen her drawings as an ENEMY, and therefore needs to be eliminated. They’re UNWORTHY eyes who have seen too much. They know too much. They will use what they know to DESTROY me.
Victoria looks at the other girl. She observes her, the way her hands move on the papers, and she thinks that something is definitely off. She furrows at the harsh tone of the other; it reminds her of Amanda and of all the times she rebuked Victoria for NO REASON. “I was just looking for a place where I could read my book in peace,” she not-entirely-lies, and without asking for permission, she sits to the table which the other girl was originally occupying, “I saw nobody sitting here and I thought ‘what kind of irresponsible, negligent, uneducated halfwit leaves their things on a table if they’re no longer occupying it?’” she takes a sip from her drink before she continues. “Glad to know that you’re not that kind of person, though.” She opens her book, but before she resumes to read from where she left, she looks up at the other girl one more time, “Since you just gathered your things in such haste, I assume that you’re leaving, yes?”















